A
Subject/Essay Author Location
Abdel-Fatah, Intissar    
Nonverbal Theatrical Elements in
Ntozake Shange's for colored girls…
and Intissar Abdel-Fatah's Makhadet
El-Kohl (The Kohl Pillow)
read first paragraph


Dalia El-Shayal Volume 37, Issue 3,4,
Fall/Winter 2003-04
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Abel, Lionel    
The Evolution of Shakespearean
Metadrama: Abel, Burkhardt,
and Calderwood
 Richard Fly Volume 20, Issue 2,
Summer 1986
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Abraham    
Incest Disguised: Ottonian Influence at
Gandersheim and Hrotsvit’s Abraham
view abstract
Regula Meyer Evitt Volume 41, Issue 3,
Fall 2007
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Absurdist Drama    
The Absurd World of Strindberg's
The Dance of Death 		Orley I. Holtan Volume 1, Issue 3,
Fall 1967

Absurdity in English: Joyce and O'Neill Ruby Cohn Volume 3, Issue 3,
Fall 1969
Aleksandar Popovic and Pop-Theatre:
Beyond the Absurd 		E. J. Czerwinski Volume 3, Issue 3,
Fall 1969
The Alogical and Absurdist Aspects of
Russian Realist Drama 		Simon Karlinsky Volume 3, Issue 3,
Fall 1969
Dramatists in Search of Self:
A Backward Glance 		E. J. Czerwinski Volume 3, Issue 3,
Fall 1969
Shakespeare and the Genuis of the Absurd Anne Paolucci Volume 7, Issue 3,
Fall 1973
Socialist Allegory of the Absurd:
An Examination of Four
East European Plays

Mardi Valgemae Volume 5, Issue 1,
Spring 1971


Some Analogies Between the Epic Brecht
and the Absurdist Beckett 		Charles R. Lyons Volume 1, Issue 4,
Winter 1967-68
The Theatre of the Absurd
in Spanish America 		George W. Woodyard Volume 3, Issue 3,
Fall 1969
Three Times Godot:
Beckett, Brecht, Bulatovic 		Clas Zilliacus Volume 4, Issue 1,
Spring 1970
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Acting/Actors    
The Actor and the Statue: Space,
Time, and Court Performance in
Molière's Dom Juan

Michael Spingler Volume 25, Issue 4,
Winter 1991-92
The Actor in the Script: Affective Strategies
in Shakespeare's Antony and Cleopatra 		William E. Gruber Volume 19, Issue 1,
Spring 1985
Actor, Maschera, and Role: An Approach
to Irony in Performance 		Raymond J. Pentzall Volume 16, Issue 3,
Fall 1982
Brecht's Alienated Actor in
Beckett's Theater 		Enoch Brater Volume 9, Issue 3,
Fall 1975
"Bodied Forth": Spectator, Stage, and
Actor in the Early Modern Theater

Jennifer A. Low Volume 39, Issue 1,
Spring 2005
Children's Troupe's: Dramatic Illusion
and Acting Style		 Michael Shapiro Volume 3, Issue 1, Spring 1969
Directing/Acting Beckett Barbara S. Becker
and Charles R. Lyons 		Volume 19, Issue 4,
Winter 1985-86
The Life of the Adult Nō Player
in Japan Today 		Irmgard Johnson Volume 18, Issue 4,
Winter 1984-85
As Secret as Maidenhead: The Profession
of the Boy-Actress in Twelfth Night 		Matthew H. Wikander Volume 20, Issue 4,
Winter 1986-87
The Style of the Boy Actors Ejner J. Jensen Volume 2, Issue 2,
Summer 1968
Theatrical Pragmatics: The Actor-Audience
Relationship from the Mystery Cycles
to the Early Tudor Comedies 		Hans-Jürgen Diller Volume 23, Issue 2,
Summer 1989

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Adaptations    
Heywood's Adaptation of Plautus'
Rudens: The Problem of Slavery in
The Captives
Carolyn Prager Volume 9, Issue 2,
Summer 1975
Play Strindberg and the
Theater of Adaptation 		Enoch Brater Volume 16, Issue 1,
Spring 1982
Stoppard's Adaptations of Shakespeare:
Dogg's Hamlet, Cahoot's Macbeth 		C. J. Gianakaris Volume 18, Issue 3,
Fall 1984

The Vampire on Stage:
A Study in Adaptations 		Ronald E. McFarland Volume 21, Issue 1,
Spring 1987
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Addison, Joseph    
Mocking the Meat It Feeds On:
Representing Sarah Churchill's
Hystericks in Addison's Rosamond

 Luis R. Gámez Volume 29, Issue 2,
Summer 1995
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Aeschylus    
Aeschylus and O'Neill:
A Phenomenological View 		John Chioles Volume 14, Issue 2,
Summer 1980
Memory in Aeschylus'
Seven Against Thebes

Jerome Mazzaro Volume 18, Issue 2,
Summer 1984
Prometheus Bound: Robert Lowell and
Aeschylus 		Jerome Mazzaro Volume 7, Issue 4,
Winter 1973-74
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African Drama    
African Theatre and the West Donald Baker Volume 11, Issue 3,
Fall 1977
African Traditional Drama and Issues in
Theater and Performance Criticism 		John Conteh-Morgan Volume 28, Issue 1,
Spring 1994
Euripides in South Africa:
Medea and Demea


 Albert Wertheim Volume 29, Issue 3,
Fall 1995
Sophocles in South Africa:
Athol Fugard's The Island 		Errol Durbach Volume 18, Issue 3,
Fall 1984
South African Drama in English Mervyn Woodrow Volume 4, Issue 2,
Summer 1970
West African Drama in English John Povey Volume 1, Issue 2,
Summer 1967

Wole Soyinka: Two Nigerian Comedies John F. Povey Volume 3, Issue 2,
Summer 1969
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After Babel    
Irish Babel: Brian Friel's Translations
and George Steiner's After Babel 		F. C. McGrath Volume 23, Issue 1,
Spring 1989
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Aguado, Simón    
Simón Aguado's Entremés de los negros:
Text and Context		 Edward J. Mullen Volume 20, Issue 3,
Fall 1986
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Albee, Edward    
Albee's Gothic: The Resonances of Cliché Paul Witherington Volume 4, Issue 3,
Fall 1970

Ibsen and Albee's Spurious Children Terry Otten Volume 2, Issue 2,
Summer 1968
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Alcestis    
Machines for the Supression of Time:
Statues in Suor Angelica, The
Winter's Tale, and Alcestis 		Robert C. Ketterer Volume 24, Issue 1,
Spring 1990
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The Alchemist    
Jonson and the Emblematic Tradition:
Ralegh, Brant, the Poems,
The Alchemist, and Volpone

Robert C. Evans Volume 29, Issue 1,
Spiring 1995
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All for Love    
Meanings of All for Love



 Tanya Caldwell Volume 38, Issue 2,3,
Summer/Fall 2004
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Allen, Woody    
Using Comic Devices to Answer the
Ultimate Question: Tom Stoppard's
Jumpers and Woody Allen's God		 Felicia Hardison Londré Volume 14, Issue 4,
Winter 1980-81
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Amadeus    
A Playwright Looks at Mozart:
Peter Shaffer's Amadeus		 C. J. Gianakaris Volume 15, Issue 1,
Spring 1981
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Amadis    
Friedrich Hartwich's Globus Fortunae
(1617): A Dramatization of the Amadis 		Steven R. Huff Volume 24, Issue 4,
Winter 1990-91
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Anouilh, Jean    
Anouilh's Little Antigone: Tragedy,
Theatricalism, and the Romantic Self 		Michael Spingler Volume 8, Issue 3,
Fall 1974
Jean Anouilh and Eugene O'Neill:
Repetition and Negativity		 Joseph J. Moleski
and John H. Stroupe		 Volume 20, Issue 4,
Winter 1986-87
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Antigone    
Anouilh's Little Antigone: Tragedy,
Theatricalism, and the Romantic Self 		Michael Spingler Volume 8, Issue 3,
Fall 1974
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Antonio's Revenge    
Antonio's Revenge: "Never more woe in
lesser plot was found" 		George L. Geckle Volume 6, Issue 4,
Winter 1972-73
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Aphrodite katadyomene    
Aphrodite katadyomene: Dryden's
Cleopatra on the Cydnos 		Derek Hughes Volume 14, Issue 1,
Spring 1980
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Apollinaire, Guillaume    
A New Play by Apollinaire Willard Bohn Volume 11, Issue 1,
Spring 1977
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Apollonius of Tyre    
"Deep clerks she dumbs":
The Learned Heroine in
Apollonius of Tyre and Pericles		 Elizabeth Archibald Volume 22, Issue 4,
Winter 1988-89
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Aragon, Louis    
Louis Aragon's L'Armoire à glace un
beau soir: A Play on the Surrealist
"Epoque de sommeil"		 Annabelle Henkin Melzer Volume 11, Issue 1,
Spring 1977
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Arcadia    
Tom Stoppard and "Postmodern Science":
Normalizing Radical Epistemologies
in Hapgood and Arcadia

 Daniel Jernigan Volume 37, Issue 1,
Spring 2003
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Aristocrats    
An American in Ireland: The Representation
of the American in Brian Friel's Plays
view abstract

Maria Germanou Volume 38, Issue 2,3,
Summer/Fall 2004
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Aristotle    
"Non-Aristotelian" Theater: Brecht's and
Plato's Theories of Artistic Imitation 		William E. Gruber Volume 21, Issue 3,
Fall 1987
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The Arlecchino    
The Arlecchino and Three English Tinkers
 Nina DaVinci Nichols Volume 36, Issue 1,2,
Spring/Summer 2002
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L'Armoire à glace un beau soir    
Louis Aragon's L'Armoire à glace un
beau soir: A Play on the Surrealist
"Epoque de sommeil"

 Annabelle Henkin Melzer Volume 11, Issue 1,
Spring 1977
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Artaud, Antonin    
Artaud's Revision of Shelley's The Cenci:
The Text and its Double 		Jane Goodall Volume 21, Issue 2,
Summer 1987
From Cruelty to Theatre: Antonin Artaud
and the Marquis de Sade 		Franco Tonelli Volume 3, Issue 2,
Summer 1969
Witkeiwicz, Artaud and the
Theatre of Cruelty 		Adam Tarn Volume 3, Issue 3,
Fall 1969
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Artist Descending a Staircase    
Tom Stoppard's Artist Descending a
Staircase: Outdoing the 'Dada' Duchamp 		Katherine E. Kelly Volume 20, Issue 3,
Fall 1986
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Asdrubale    
Two Renaissance Views of Carthage:
Trissino's Sofonisba and Castellini's
Asdrubale		 Beatrice Corrigan Volume 5, Issue 3,
Fall 1971
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At the Hawk's Well    
At the Hawk's Well: Yeats's Unresolved
Conflict Between Language and Silence


Edna G. Sharoni Volume 7, Issue 2,
Summer 1973
"Haunted by Places": Landscape in
Three Plays by W. B. Yeats

 Natalie Crohn Schmitt Volume 31, Issue 3,
Fall 1997
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The Atheist's Tragedy    
Building a Scene: The Text and Its
Representation in The Atheist's Tragedy


William E. Gruber Volume 19, Issue 3,
Fall 1985
Theodicy, Tragedy, and the Psalmist:
Tourneur's Atheist's Tragedy		 R. J. Kaufmann Volume 3, Issue 4,
Winter 1969-70
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Atlan, Liliane    
Liliane Atlan's The Messiahs
as Cosmic Theatre 		Bettina Knapp Volume 9, Issue 3,
Fall 1975
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Auden, W. H.    
The Sound of a Poet Singing Loudly:
A Look at Elegy for Young Lovers 		Marc A. Roth Volume 13, Issue 2,
Summer 1979
W. H. Auden's First Dramatization of Jung:
The Charade of the Loving and Terrible
Mothers 		Edward Callan Volume 11, Issue 4,
Winter 1977-78
W. H. Auden's Plays for Group Theatre:
From Revelation to Revelation 		Edward Callan Volume 12, Issue 4,
Winter 1978-79
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Augier, Émile    
The Ending of A Doll House and
Augier's Maître Guérin 		Thomas F. Van Laan Volume 17, Issue 4,
Winter 1983-84
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Austrian Drama    
The Imperial Play as Final Chapter
in the Jesuit Theater in Austria 		Eugene J. Devlin Volume 23, Issue 2,
Summer 1989
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Auto Sacramental    
Emblematic Technique in the
Auto Sacramental: Calderón's
No hay más fortuna que Dios 		Frederick E. Danker Volume 6, Issue 1,
Spring 1972

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Axël    
Axël: Play and Hearsay Marilyn Gaddis Rose Volume 2, Issue 3,
Fall 1968
Yeats's Use of Axël Marilyn Gaddis Rose Volume 4, Issue 4,
Winter 1970-71
     
     

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