W
|
| Essay |
Author |
Location |
W. H. Auden's First Dramatization
of Jung: The Charade of the Loving
and Terrible Mothers
|
Edward Callan |
Vol 11, No 4
Winter 1977-78 |
W. H. Auden's Plays for the Group
Theatre: From Revelation to Revelation
|
Edward Callan |
Vol 12, No 4
Winter 1978-79 |
Wagner and Shaw: Rheingold
Motifs in Major Barbara
|
Robert Coskren |
Vol 14, No 1
Spring 1980 |
Wagner's Ring as Nineteenth-Century
Artifact
|
Herbert Lindenberger |
Vol 28, No 3
Fall 1994 |
Walls and Scaffolds: Pictorial
and Dramatic Passion Cycles
in the Duchy of Savoy
|
Véronique Plesch |
Vol 32, No 2
Summer 1998 |
War and Manliness in Shakespeare's
Troilus and Cressida
|
Emil Roy |
Vol 7, No 2
Summer 1973 |
Warren Hastings in the Drama
of Lion Feuchtwanger and Bertolt
Brecht: Contexts and Connections
|
T. H. Bowyer |
Vol 31, No 3
Fall 1997 |
Wavering Identity: A Pirandellean
Reading of Saadallah Wannus's
The King Is the King
|
Aleya A. Said |
Vol 32, No 3
Fall 1998 |
The Way of Vice and Virtue:
A Medieval Psychology
|
Eva Kimminich |
Vol 25, No 1
Spring 1991 |
The Way to Dover: Arthurian
Imagery in King Lear
|
Cherrell Guilfoyle |
Vol 21, No 3
Fall 1987 |
| "We were born to die": Romeo and Juliet |
Carroll, William C. |
Vol 15, No
Spring 1981
|
"Wee happy heardsmen here": A Newly Discovered Shepherd's Carol Possibly
Belonging to a Medieval Pageant
|
Cutts, John P. |
Vol 18, No 3
Fall 1984 |
The Weeping Mothers in Sumidigawa,
Curlew River, and Medieval
European Religious Plays
view abstract
|
Mikiko Ishii |
Vol 39, No. 3,4
Fall/Winter 2005-06 |
The Wells Cordwainers Show:
New Evidence Concerning Guild
Entertainments in Somerset
|
James Stokes |
Vol 19, No 4
Winter 1985-86 |
West African Drama in English
|
John Povey |
Vol 1, No 2
Summer 1967 |
Westward-Northward: Structural
Development in Dekker's Ho Plays
|
Larry S. Champion |
Vol 16, No 3
Fall 1982 |
"What means Sicilia? He something seems unsettled": Sicily, Russia, and Bohemia in
The Winter's Tale
|
R. W. Desai |
Vol 30, No 3
Fall 1996 |
"Wheels within wheels, etcetera":
Artistic Design in Rosencrantz
and Guildenstern Are Dead
|
William E. Gruber |
Vol 15, No 4
Winter 1981-82 |
When Playwrights Talk to God: Peter
Shaffer and the Legacy of O'Neill
|
Michael Hinden |
Vol 16, No 1
Spring 1982 |
When Troy Fell: Shakespeare's
Iconography of Sorrow and Survival
|
John Doebler |
Vol 19, No 4
Winter 1985-86 |
"When were the Senses in
such order plac'd?"
|
John P. Cutts |
Vol 4, No 1
Spring 1970 |
Wherefore Verona in The Two Gentlemen
of Verona
view abstract
|
David M. Bergeron |
Vol 41, No 4
Winter 2007-08 |
Who Counts in Farquhar?
|
Derek Hughes |
Vol 31, No 1
Spring 1997 |
Who's Afraid of Jesus Christ?:
Games in the Coliphizacio
|
Barry Sanders |
Vol 2, No 2
Summer 1968 |
Who's Holding the Mirror?
|
Irving Kreutz |
Vol 4, No 2
Summer 1970 |
Why Do the Shepherds Prophesy?
|
Thomas P. Campbell |
Vol 12, No 2
Summer 1978 |
Windings and Turnings: The Metaphoric Labyrinth of Restoration Dramatic Theory
|
Scott Cutler Shershow |
Vol 26, No 1
Spring 1992 |
The Winter's Tale and
Early Religious Drama
|
Darryll Grantley |
Vol 20, No 1
Spring 1986 |
The Winter's Tale and
Guarinian Dramaturgy
|
Robert Henke |
Vol 27, No 2
Summer 1993 |
Wisdom Enthroned: Iconic
Stage Portraits
|
Milla Riggio |
Vol 23, No 3
Fall 1989 |
Wit Without Money: A Fletcherian
Antecedent to Keep the Widow Waking
|
Charles R. Forker |
Vol 8, No 2
Summer 1974 |
Witkiewicz, Artaud and
the Theatre of Cruelty
|
Adam Tarn |
Vol 3, No 3
Fall 1969 |
Witkiewicz's Anthroponoymy
|
Jerzy R. Krzyzanowski |
Vol 3, No 3
Fall 1969 |
Wives, Courtesans, and the Economists
of Love in Jacobean City Comedy
|
Richard Horwich |
Vol 7, No 4
Winter 1973-74 |
Wole Soyinka: Two Nigerian Comedies
|
John F. Povey |
Vol 3, No 2
Summer 1969 |
Women and Mimesis in Medieval and
Renaissance Somerset (and Beyond)
|
James Stokes |
Vol 27, No 2
Summer 1993 |
"Wonder not, princely Gloster, at the
notice this paper brings you": Women,
Writing, and Politics in Jane Shore
|
DeRitter, Jones |
Vol 31, No 1
Spring 1997 |
Work and Play: Some Aspects
of Folk Drama in Russia
|
Elizabeth A. Warner |
Vol 12, No 2
Summer 1978 |
Woyzeck and Othello: The
Dimentions of Melodrama
|
Terry Otten |
Vol 12, No 2
Summer 1978 |
Writing and Revenge: John
Marston's Histriomastix
view abstract
|
James P. Bednarz |
Vol 36, No 1,2
Spring/Summer 2002 |
Writing Before the Eye: The
N-Town Woman Taken in Adultery
and the Medieval Ministry Play
|
Gail McMurray Gibson |
Vol 27, No 4
Winter 1993-94 |