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| Essay | Author | Location |
| W. H. Auden's First Dramatization of Jung: The Charade of the Loving and Terrible Mothers |
Edward Callan | Volume 11, Issue 4 Winter 1977-78 |
| W. H. Auden's Plays for the Group Theatre: From Revelation to Revelation |
Edward Callan | Volume 12, Issue 4 Winter 1978-79 |
| Wagner and Shaw: Rheingold Motifs in Major Barbara |
Robert Coskren | Volume 14, Issue 1 Spring 1980 |
| Wagner's Ring as Nineteenth-Century Artifact |
Herbert Lindenberger | Volume 28, Issue 3 Fall 1994 |
| Walls and Scaffolds: Pictorial and Dramatic Passion Cycles in the Duchy of Savoy |
Véronique Plesch | Volume 32, Issue 2 Summer 1998 |
| War and Manliness in Shakespeare's Troilus and Cressida |
Emil Roy | Volume 7, Issue 2 Summer 1973 |
| Warren Hastings in the Drama of Lion Feuchtwanger and Bertolt Brecht: Contexts and Connections |
T. H. Bowyer | Volume 31, Issue 3 Fall 1997 |
| Wavering Identity: A Pirandellean Reading of Saadallah Wannus's The King Is the King |
Aleya A. Said | Volume 32, Issue 3 Fall 1998 |
| The Way of Vice and Virtue: A Medieval Psychology |
Eva Kimminich | Volume 25, Issue 1 Spring 1991 |
| The Way to Dover: Arthurian Imagery in King Lear |
Cherrell Guilfoyle | Volume 21, Issue 3 Fall 1987 |
| "We were born to die": Romeo and Juliet | Carroll, William C. | Volume 15, Issue 1 Spring 1981 |
| "Wee happy heardsmen here": A Newly Discovered Shepherd's Carol Possibly Belonging to a Medieval Pageant |
Cutts, John P. | Volume 18, Issue 3 Fall 1984 |
| The Weeping Mothers in Sumidigawa, Curlew River, and Medieval European Religious Plays view abstract |
Mikiko Ishii | Volume 39, Issue 3,4 Fall/Winter 2005-06 |
| The Wells Cordwainers Show: New Evidence Concerning Guild Entertainments in Somerset |
James Stokes | Volume 19, Issue 4 Winter 1985-86 |
| West African Drama in English |
John Povey | Volume 1, Issue 2 Summer 1967 |
| Westward-Northward: Structural Development in Dekker's Ho Plays |
Larry S. Champion | Volume 16, Issue 3 Fall 1982 |
| "What means Sicilia? He something seems unsettled": Sicily, Russia, and Bohemia in The Winter's Tale |
R. W. Desai | Volume 30, Issue 3 Fall 1996 |
| "Wheels within wheels, etcetera": Artistic Design in Rosencrantz and Guildenstern Are Dead |
William E. Gruber | Volume 15, Issue 4 Winter 1981-82 |
| When Playwrights Talk to God: Peter Shaffer and the Legacy of O'Neill |
Michael Hinden | Volume 16, Issue 1 Spring 1982 |
| When Troy Fell: Shakespeare's Iconography of Sorrow and Survival |
John Doebler | Volume 19, Issue 4 Winter 1985-86 |
| "When were the Senses in such order plac'd?" |
John P. Cutts | Volume 4, Issue 1 Spring 1970 |
| Wherefore Verona in The Two Gentlemen of Verona view abstract |
David M. Bergeron | Volume 41, Issue 4 Winter 2007-08 |
| Who Counts in Farquhar? |
Derek Hughes | Volume 31, Issue 1 Spring 1997 |
| “Whom Seek Ye, Sirs?”: The Logic of Searching in the York Herod and the Magi view abstract |
Nicole R. Rice | Volume 43, Issue 1 Spring 2009 |
| Who's Afraid of Jesus Christ?: Games in the Coliphizacio |
Barry Sanders | Volume 2, Issue 2 Summer 1968 |
| Who's Holding the Mirror? |
Irving Kreutz | Volume 4, Issue 2 Summer 1970 |
| Why Do the Shepherds Prophesy? |
Thomas P. Campbell | Volume 12, Issue 2 Summer 1978 |
| Windings and Turnings: The Metaphoric Labyrinth of Restoration Dramatic Theory |
Scott Cutler Shershow | Volume 26, Issue 1 Spring 1992 |
| The Winter's Tale and Early Religious Drama |
Darryll Grantley | Volume 20, Issue 1 Spring 1986 |
| The Winter's Tale and Guarinian Dramaturgy |
Robert Henke | Volume 27, Issue 2 Summer 1993 |
| Wisdom Enthroned: Iconic Stage Portraits |
Milla Riggio | Volume 23, Issue 3 Fall 1989 |
| Wit Without Money: A Fletcherian Antecedent to Keep the Widow Waking |
Charles R. Forker | Volume 8, Issue 2 Summer 1974 |
| Witkiewicz, Artaud and the Theatre of Cruelty |
Adam Tarn | Volume 3, Issue 3 Fall 1969 |
| Witkiewicz's Anthroponoymy |
Jerzy R. Krzyzanowski | Volume 3, Issue 3 Fall 1969 |
| Wives, Courtesans, and the Economists of Love in Jacobean City Comedy |
Richard Horwich | Volume 7, Issue 4 Winter 1973-74 |
| Wole Soyinka: Two Nigerian Comedies |
John F. Povey | Volume 3, Issue 2 Summer 1969 |
| Women and Mimesis in Medieval and Renaissance Somerset (and Beyond) |
James Stokes | Volume 27, Issue 2 Summer 1993 |
| "Wonder not, princely Gloster, at the notice this paper brings you": Women, Writing, and Politics in Jane Shore |
DeRitter, Jones | Volume 31, Issue 1 Spring 1997 |
| Work and Play: Some Aspects of Folk Drama in Russia |
Elizabeth A. Warner | Volume 12, Issue 2 Summer 1978 |
| Woyzeck and Othello: The Dimentions of Melodrama |
Terry Otten | Volume 12, Issue 2 Summer 1978 |
| Writing and Revenge: John Marston's Histriomastix view abstract |
James P. Bednarz | Volume 36, Issue 1,2 Spring/Summer 2002 |
| Writing Before the Eye: The N-Town Woman Taken in Adultery and the Medieval Ministry Play |
Gail McMurray Gibson | Volume 27, Issue 4 Winter 1993-94 |
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