W
Essay Author Location
W. H. Auden's First Dramatization
of Jung: The Charade of the Loving
and Terrible Mothers

 Edward Callan Vol 11, No 4
Winter 1977-78
W. H. Auden's Plays for the Group
Theatre: From Revelation to Revelation

 Edward Callan Vol 12, No 4
Winter 1978-79
Wagner and Shaw: Rheingold
Motifs in Major Barbara

 Robert Coskren Vol 14, No 1
Spring 1980
Wagner's Ring as Nineteenth-Century
Artifact

 Herbert Lindenberger Vol 28, No 3
Fall 1994
Walls and Scaffolds: Pictorial
and Dramatic Passion Cycles
in the Duchy of Savoy

 Véronique Plesch Vol 32, No 2
Summer 1998
War and Manliness in Shakespeare's
Troilus and Cressida

 Emil Roy Vol 7, No 2
Summer 1973
Warren Hastings in the Drama
of Lion Feuchtwanger and Bertolt
Brecht: Contexts and Connections

 T. H. Bowyer Vol 31, No 3
Fall 1997
Wavering Identity: A Pirandellean
Reading of Saadallah Wannus's
The King Is the King

Aleya A. Said Vol 32, No 3
Fall 1998
The Way of Vice and Virtue:
A Medieval Psychology

 Eva Kimminich Vol 25, No 1
Spring 1991
The Way to Dover: Arthurian
Imagery in King Lear

 Cherrell Guilfoyle Vol 21, No 3
Fall 1987
"We were born to die": Romeo and Juliet Carroll, William C. Vol 15, No
Spring 1981
"Wee happy heardsmen here": A Newly Discovered Shepherd's Carol Possibly
Belonging to a Medieval Pageant

 Cutts, John P. Vol 18, No 3
Fall 1984
The Weeping Mothers in Sumidigawa,
Curlew River, and Medieval
European Religious Plays
view abstract

 Mikiko Ishii Vol 39, No. 3,4
Fall/Winter 2005-06
The Wells Cordwainers Show:
New Evidence Concerning Guild
Entertainments in Somerset

 James Stokes Vol 19, No 4
Winter 1985-86
West African Drama in English


 John Povey Vol 1, No 2
Summer 1967
Westward-Northward: Structural
Development in Dekker's Ho Plays

 Larry S. Champion Vol 16, No 3
Fall 1982
"What means Sicilia? He something seems unsettled": Sicily, Russia, and Bohemia in
The Winter's Tale

 R. W. Desai Vol 30, No 3
Fall 1996
"Wheels within wheels, etcetera":
Artistic Design in Rosencrantz
and Guildenstern Are Dead

 William E. Gruber Vol 15, No 4
Winter 1981-82
When Playwrights Talk to God: Peter
Shaffer and the Legacy of O'Neill

 Michael Hinden Vol 16, No 1
Spring 1982
When Troy Fell: Shakespeare's
Iconography of Sorrow and Survival

 John Doebler Vol 19, No 4
Winter 1985-86
"When were the Senses in
such order plac'd?"

 John P. Cutts Vol 4, No 1
Spring 1970
Wherefore Verona in The Two Gentlemen
of Verona
view abstract

David M. Bergeron Vol 41, No 4
Winter 2007-08
Who Counts in Farquhar?


 Derek Hughes Vol 31, No 1
Spring 1997
Who's Afraid of Jesus Christ?:
Games in the Coliphizacio

 Barry Sanders Vol 2, No 2
Summer 1968
Who's Holding the Mirror?


 Irving Kreutz Vol 4, No 2
Summer 1970
Why Do the Shepherds Prophesy?


 Thomas P. Campbell Vol 12, No 2
Summer 1978
Windings and Turnings: The Metaphoric Labyrinth of Restoration Dramatic Theory

 Scott Cutler Shershow Vol 26, No 1
Spring 1992
The Winter's Tale and
Early Religious Drama

 Darryll Grantley Vol 20, No 1
Spring 1986
The Winter's Tale and
Guarinian Dramaturgy

 Robert Henke Vol 27, No 2
Summer 1993
Wisdom Enthroned: Iconic
Stage Portraits

 Milla Riggio Vol 23, No 3
Fall 1989
Wit Without Money: A Fletcherian
Antecedent to Keep the Widow Waking

 Charles R. Forker Vol 8, No 2
Summer 1974
Witkiewicz, Artaud and
the Theatre of Cruelty

 Adam Tarn Vol 3, No 3
Fall 1969
Witkiewicz's Anthroponoymy


 Jerzy R. Krzyzanowski Vol 3, No 3
Fall 1969
Wives, Courtesans, and the Economists
of Love in Jacobean City Comedy

 Richard Horwich Vol 7, No 4
Winter 1973-74
Wole Soyinka: Two Nigerian Comedies


 John F. Povey Vol 3, No 2
Summer 1969
Women and Mimesis in Medieval and
Renaissance Somerset (and Beyond)

 James Stokes Vol 27, No 2
Summer 1993
"Wonder not, princely Gloster, at the
notice this paper brings you": Women,
Writing, and Politics in Jane Shore

 DeRitter, Jones Vol 31, No 1
Spring 1997
Work and Play: Some Aspects
of Folk Drama in Russia

Elizabeth A. Warner Vol 12, No 2
Summer 1978
Woyzeck and Othello: The
Dimentions of Melodrama

 Terry Otten Vol 12, No 2
Summer 1978
Writing and Revenge: John
Marston's Histriomastix
view abstract

 James P. Bednarz Vol 36, No 1,2
Spring/Summer 2002
Writing Before the Eye: The
N-Town Woman Taken in Adultery
and the Medieval Ministry Play
 Gail McMurray Gibson Vol 27, No 4
Winter 1993-94

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