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| Essay | Author | Location |
| The Vampire on Stage: A Study in Adaptations |
McFarland. Ronald E. | Vol 21, No 1, Spring 1987 |
| Vanbrugh and Cibber: Language, Place, and Social Order in The Relapse |
Derek Hughes | Vol 21, No 1, Spring 1987 |
| Veritas filia Temporis: Apocalyptic Polemics in the Drama of the English Reformation |
Dawn Massey | Vol 32, No 1, Spring 1998 |
| Verse Drama: A Reconsideration |
William G. McCollom | Vol 14, No 2, Summer 1980 |
| The Virgin Spring and The Seventh Seal: A Girardian Reading |
William Mishler | Vol 30, No 1, Spring 1996 |
| Visible Words: The York Plays, Brecht, and Gestic Writing |
Garrett P. J. Epp | Vol 24, No 4, Winter 1990-91 |
| Visions and Voices: The Rhetoric of Memory and Music in Liturgical Drama |
Jody Enders | Vol 24, No 1, Spring 1990 |
| Visual Field in Beckett's Late Plays |
Stanton B. Garner, Jr. | Vol 21, No 4, Winter 1987-88 |
| The Voice of Marlowe's Tamburlaine in Early Shakespeare |
Maurice Charney | Vol 31, No 2, Summer 1997 |
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