U
|
| Essay |
Author |
Location |
Understanding Sam Shepard's Realism
|
William W. Demastes |
Volume 21, Issue 3,
Fall 1987 |
| The Undiscovered Country |
John Arthos |
Volume 10, Issue 1,
Spring 1976
|
Undoing the Dramatic History
of the Riga Ludus Prophetarum
|
Regula Meyer Evitt |
Volume 25, Issue 3,
Fall 1991 |
The Uniqueness of Elizabethan Drama
|
Jonas A. Barish |
Volume 11, Issue 2,
Summer 1977 |
Unpardonable Sins: The Hazards
of Performative Language in the
Tragic Cases of Francesco Spiera
and Doctor Faustus
view abstract
|
Daniel Gates |
Volume 38, Issue 1,
Spring 2004 |
The Urner Tellenspiel of 1512:
Strategies of Early Political Drama
read first paragraph
|
Martin W. Walsh |
Volume 34, Issue 2,
Summer 2000 |
The Use of Architectural Space
in Medieval Music-Drama
|
Dunbar H. Ogden |
Volume 8, Issue 1,
Spring 1974 |
The Uses of Silence: The Elizabethan
Dumb Show and the Silent Cinema
|
Sidney R. Homan |
Volume 2, Issue 4,
Winter 1968-69 |
Using Comic Devices to Answer
the Ultimate Question: Tom Stoppard's
Jumpers and Woody Allen's God |
Felicia Hardison Londré |
Volume 14, Issue 4,
Winter 1980-81 |