Comparative Drama — Reproduction Permissions

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Essay	Author	Location
Understanding Sam Shepard's Realism	William W. Demastes	Vol 21, No 3, Fall 1987
The Undiscovered Country	John Arthos	Vol 10, No 1, Spring 1976
Undoing the Dramatic History of the Riga Ludus Prophetarum	Regula Meyer Evitt	Vol 25, No 3, Fall 1991
The Uniqueness of Elizabethan Drama	Jonas A. Barish	Vol 11, No 2, Summer 1977
Unpardonable Sins: The Hazards of Performative Language in the Tragic Cases of Francesco Spiera and Doctor Faustus view abstract	Daniel Gates	Vol 38, No 1, Spring 2004
The Urner Tellenspiel of 1512: Strategies of Early Political Drama read first paragraph	Martin W. Walsh	Vol 34, No 2, Summer 2000
The Use of Architectural Space in Medieval Music-Drama	Dunbar H. Ogden	Vol 8, No 1, Spring 1974
The Uses of Silence: The Elizabethan Dumb Show and the Silent Cinema	Sidney R. Homan	Vol 2, No 4, Winter 1968-69
Using Comic Devices to Answer the Ultimate Question: Tom Stoppard's Jumpers and Woody Allen's God	Felicia Hardison Londré	Vol 14, No 4, Winter 1980-81