T

Essay Author Location
Talking with Ghosts of Irish Playwrights
Past: Marina Carr's By the Bog of Cats…
view abstract

Richard Russell Vol 40, No 2
Summer 2006
Tamburlaine "as fierce Achilles was"


John Cutts Vol 1, No 2,
Summer 1967
Taoism and O'Neill's Marco Millions


James A. Robinson Vol 14, No 3,
Fall 1980
Ta'ziyeh in Exile: Transformations
in a Persian Tradition

Milla Riggio Vol 28, No 1,
Spring 1994
Techniques of Transcendence
in Medieval Drama

Robert Edwards Vol 8, No 2,
Summer 1974
Temperance and the End of Time:
Emblematic Antony and Cleopatra

Christopher Wortham Vol 29, No 1,
Spring 1995
The Tempest, Plautus, and the Rudens


Bruce Louden Vol 33, No 2,
Summer 1999
Temporizing as Pyrrhonizing in
Marston's The Malcontent
read first paragraph

William M. Hamlin Vol 34, No 3,
Fall 2000
Terence and the Death of Comedy


Sander M. Goldberg Vol 16, No 4,
Winter 1982-83
Text as Agent in Sam Shepard's
Curse of the Starving Class

Charles R. Lyons Vol 24, No 1,
Spring 1990
Theater, Drama, and the Second World:
A Prologue to Shakespeare
Harry Berger, Jr. Vol 2, No 1,
Spring 1968

The Theater of Scholastic Erudition


Jody Enders Vol 27, No 3,
Fall 1993
The Theatre of Ruthless Metaphor:
Polish Theatre Between Marxism
and Existentialism

Zbigniew Folejewski Vol 3, No 3,
Fall 1969
The Theatre of the Absurd
in Spanish America

George W. Woodyard Vol 3, No 3,
Fall 1969
Theatrical Pragmatics: The Actor-Audience Relationship from the Mystery Cycles
to the Early Tudor Comedies

Hans-Jürgen Diller Vol 23, No 2,
Summer 1989
Theatricality and Cosmopolitanism
in Hannah Cowley's The Belle's Stratagem
read first paragraph


Elizabeth Kowaleski Wallace Vol 35, No 3,4,
Fall/Winter 2001-02
Theatrum Mundi and Contemporary Theater


Ruby Cohn Vol 1, No 1,
Spring 1967
Theobald's The Double Falsehood:
A Revision of Shakespeare's Cardenio?

Harriet C. Frazier Vol 1, No 3,
Fall 1967
Theodicy, Tragedy and the Psalmist:
Tourneur's Atheist's Tragedy

R. J. Kaufmann Vol 3, No 4,
Winter 1969-70
Theory and Practice in French
Wagnerian Drama: Édouard Dujardin
and La Légende d'Antonia

K. M. McKilligan Vol 13, No 4,
Winter 1979-80
‘Things like truths, well feigned’: Mimesis
and Secrecy in Jonson’s Epicoene
view abstract
Reuben Sanchez Vol 40, No 3,
Fall 2006
"This game wel pleyd in good a-ray":
The N-Town Playbooks and East
Anglican Games

Douglas Sugano Vol 28, No 2,
Summer 1994
Thomas Hardy: Prophet of Total Theatre


Donald Baker Vol 7, No 2,
Summer 1973
Thomas Heywood's The Royall King,
and the Loyall Subject
and the Fall of
Robert Devereux, Second Earl of Essex


Kevin Lindberg Vol 39, No. 1,
Spring 2005
Thomas Middleton's Prodigal Play


Leanore Lieblein Vol 10, No 1,
Spring 1976
"Those Beautiful Characters of Sense":
Classical Deities and the Court Masque

Judith Dundas Vol 16, No 2,
Summer 1982
"Those Proud Titles Thou Hast Won": Sovereignty, Power, and Combat in Shakespeare's Second Tetralogy
view abstract

Jennifer Low Vol 34, No 3,
Fall 2000
3 Henry VI: Dramatic Convention
and the Shakespearean History Play

John D. Cox Vol 12, No 1,
Spring 1978
Three Stages of A Doll House


Brian Johnston Vol 25, No 4,
Winter 1991-92
Three Times Godot:
Beckett, Brecht, Bulatovic

Clas Zilliacus Vol 4, No 1,
Spring 1970
Time and Memory in
Pinter's Proust Screenplay

Enoch Brater Vol 13, No 2,
Summer 1979
Time, Eternity, and Dramatic Form
in Ludus Coventriae "Passion Play I"

Daniel P. Poteet, II Vol 8, No 4,
Winter 1974-75
“To kindle an industrious desire”: The Poetry
of Work in Lord Mayors’ Shows
view abstract

Kara Northway Vol 41, No 2
Summer 2007
To Out-Herod Herod: The Development
of a Dramatic Character

David Staines Vol 10, No 1,
Spring 1976
"To See Feelingly": The Language of the
Senses and the Language of the the Heart

Judith Dundas Vol 19, No 1,
Spring 1985
"To Set a Form upon that Indigest":
Shakespeare's Fictions of History

David Scott Kastan Vol 17, No 1,
Spring 1983
"Together Again": Theater in
Postcolonial Hong Kong
read first paragraph


Clayton G. MacKenzie
and Moira Arthurs
Vol 37, No 1,
Spring 2003
Tom Stoppard and "Postmodern
Science": Normalizing Radical
Epistemologies in Hapgood and Arcadia

Daniel Jernigan Vol 37, No 1,
Spring 2003
Tom Stoppard's Artist Descending
a Staircase: Outdoing the 'Dada" Duchamp

Katharine E. Kelly Vol 20, No 3,
Fall 1986
Towards a Theater of Immobility:
Henry IV, The Condemned of
Altona
, and The Balcony

Mary Ann Frese Witt Vol 24, No 2,
Summer 1990
"Towneley Plays" or "Wakefield Cycle"
Revisited

Barbara D. Palmer Vol 21, No 4,
Winter 1987-88
The Tragic Emotions


David Konstan Vol 33, No 1,
Spring 1999
Tragedy and Its Validating Conditions


R. J. Kaufmann Vol 1, No 1,
Spring 1967
Tragedy and Timon of Athens
view abstract


Robert B. Pierce Vol 36, No 1,2,
Spring/Summer 2002
Tragedy, Gender, Performance:
Women as Tragic Heroes on the
Nineteenth-Century Stage

Anne Russel Vol 30, No 2,
Summer 1996
Transplanting the Work of “that rooted man”:
The Reception of John Millington Synge’s
Drama in Hungary
view abstract

Maria Kurdi Vol 41, No 2
Summer 2007
The Treatment of Space in Italian and
English Renaissance Theater: The Example
of Gl'Ingannati and Twelfth Night

Jack D'Amico Vol 23, No 3,
Fall 1989
Trial and Terror: Medea Prima Facie


Anthony Kubiak Vol 23, No 1,
Spring 1989
The Trickster-Hero and Middleton's
A Mad World, My Masters

William W. E. Slights Vol 3, No 2,
Summer 1969
The Trinity in Medieval Drama


Lynette R. Muir Vol 10, No 2,
Summer 1976
Troilus and Cressida: The
Observer as Basilisk

Harry Berger, Jr. Vol 2, No 2,
Summer 1968
Trolls in Ibsen's Late Plays


Stephen S. Stanton Vol 32, No 4,
Winter 1998-99
Trolls, Trills, and Tofu: Ibsen,
Verdi, and Kabuki

Leonard C. Pronko Vol 29, No 3,
Fall 1995
The Trope of Transformation
in Medea: A Noh Cycle
view abstract
 

Loren Edelson Vol 37, No 1,
Spring 2003
Truth and Theater


Auréliu Weiss
trans. Martin B. Friedman

Vol 4, No 1,
Spring 1970
The Truth of Spectacle: A
Meditation on Clouds

Judith Dundas Vol 14, No 4,
Winter 1980-81
Trying to Like Shaffer


Michael Hinden Vol 19, No 1,
Spring 1985
Ts'ao Yu: Dramatist in Communist China


Walter J. & Ruth I.
Meserve
Vol 2, No 2,
Summer 1968
Twelve Years of Dialog


Edward J. Czerwinski Vol 1, No 4,
Winter 1967-68
The Two Cities in the Fleury Playbook


Thomas P. Campbell Vol 16, No 2,
Summer 1982
Two Exempla: Analogues to the Play
of the Sacrament
and Dux Moraud

Richard L. Homan Vol 18, No 3,
Fall 1984
Two Medieval Cornish Versions
of the Creation of the World

Robert Longsworth Vol 21, No 3,
Fall 1987
Two Renaissance Views of
Carthage: Trissino's Sofonisba
and Castellini's Asdrubale

Beatrice Corrigan Vol 5, No 3,
Fall 1971
Typology, Criticism, and Medieval
Drama: Some Observations on Method

Patrick J. Collins Vol 10, No 4,
Winter 1976-77
The Tyrone Anthology: Authority
in the Last Act of Long Day's
Journey Into Night
view abstract
Lawrence Dugan Vol 37, No 3,4,
Fall/Winter 2003-04

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