T
Essay Author Location
Talking with Ghosts of Irish Playwrights
Past: Marina Carr's By the Bog of Cats…
view abstract

 Richard Russell Vol 40, No 2
Summer 2006
Tamburlaine "as fierce Achilles was"


 John Cutts Vol 1, No 2,
Summer 1967
Taoism and O'Neill's Marco Millions


 James A. Robinson Vol 14, No 3,
Fall 1980
Ta'ziyeh in Exile: Transformations
in a Persian Tradition

 Milla Riggio Vol 28, No 1,
Spring 1994
Techniques of Transcendence
in Medieval Drama

 Robert Edwards Vol 8, No 2,
Summer 1974
Temperance and the End of Time:
Emblematic Antony and Cleopatra

 Christopher Wortham Vol 29, No 1,
Spring 1995
The Tempest, Plautus, and the Rudens


 Bruce Louden Vol 33, No 2,
Summer 1999
Temporizing as Pyrrhonizing in
Marston's The Malcontent
read first paragraph

William M. Hamlin Vol 34, No 3,
Fall 2000
Terence and the Death of Comedy


 Sander M. Goldberg Vol 16, No 4,
Winter 1982-83
Text as Agent in Sam Shepard's
Curse of the Starving Class

 Charles R. Lyons Vol 24, No 1,
Spring 1990
Theater, Drama, and the Second World:
A Prologue to Shakespeare		 Harry Berger, Jr. Vol 2, No 1,
Spring 1968
The Theater of Scholastic Erudition


 Jody Enders Vol 27, No 3,
Fall 1993
The Theatre of Ruthless Metaphor:
Polish Theatre Between Marxism
and Existentialism

 Zbigniew Folejewski Vol 3, No 3,
Fall 1969
The Theatre of the Absurd
in Spanish America

 George W. Woodyard Vol 3, No 3,
Fall 1969
Theatrical Pragmatics: The Actor-Audience Relationship from the Mystery Cycles
to the Early Tudor Comedies

 Hans-Jürgen Diller Vol 23, No 2,
Summer 1989
Theatricality and Cosmopolitanism
in Hannah Cowley's The Belle's Stratagem
read first paragraph


 Elizabeth Kowaleski Wallace Vol 35, No 3,4,
Fall/Winter 2001-02
Theatrum Mundi and Contemporary Theater


 Ruby Cohn Vol 1, No 1,
Spring 1967
Theobald's The Double Falsehood:
A Revision of Shakespeare's Cardenio?

 Harriet C. Frazier Vol 1, No 3,
Fall 1967
Theodicy, Tragedy and the Psalmist:
Tourneur's Atheist's Tragedy

 R. J. Kaufmann Vol 3, No 4,
Winter 1969-70
Theory and Practice in French
Wagnerian Drama: Édouard Dujardin
and La Légende d'Antonia

 K. M. McKilligan Vol 13, No 4,
Winter 1979-80
‘Things like truths, well feigned’: Mimesis
and Secrecy in Jonson’s Epicoene
view abstract
 Reuben Sanchez Vol 40, No 3,
Fall 2006
"This game wel pleyd in good a-ray":
The N-Town Playbooks and East
Anglican Games

 Douglas Sugano Vol 28, No 2,
Summer 1994
Thomas Hardy: Prophet of Total Theatre


 Donald Baker Vol 7, No 2,
Summer 1973
Thomas Heywood's The Royall King,
and the Loyall Subject and the Fall of
Robert Devereux, Second Earl of Essex

Kevin Lindberg Vol 39, No. 1,
Spring 2005
Thomas Middleton's Prodigal Play


 Leanore Lieblein Vol 10, No 1,
Spring 1976
"Those Beautiful Characters of Sense":
Classical Deities and the Court Masque

 Judith Dundas Vol 16, No 2,
Summer 1982
"Those Proud Titles Thou Hast Won": Sovereignty, Power, and Combat in Shakespeare's Second Tetralogy
view abstract

Jennifer Low Vol 34, No 3,
Fall 2000
3 Henry VI: Dramatic Convention
and the Shakespearean History Play

 John D. Cox Vol 12, No 1,
Spring 1978
Three Stages of A Doll House


 Brian Johnston Vol 25, No 4,
Winter 1991-92
Three Times Godot:
Beckett, Brecht, Bulatovic

 Clas Zilliacus Vol 4, No 1,
Spring 1970
Time and Memory in
Pinter's Proust Screenplay

 Enoch Brater Vol 13, No 2,
Summer 1979
Time, Eternity, and Dramatic Form
in Ludus Coventriae "Passion Play I"

 Daniel P. Poteet, II Vol 8, No 4,
Winter 1974-75
“To kindle an industrious desire”: The Poetry
of Work in Lord Mayors’ Shows
view abstract

 Kara Northway Vol 41, No 2
Summer 2007
To Out-Herod Herod: The Development
of a Dramatic Character

 David Staines Vol 10, No 1,
Spring 1976
"To See Feelingly": The Language of the
Senses and the Language of the the Heart

 Judith Dundas Vol 19, No 1,
Spring 1985
"To Set a Form upon that Indigest":
Shakespeare's Fictions of History

 David Scott Kastan Vol 17, No 1,
Spring 1983
"Together Again": Theater in
Postcolonial Hong Kong
read first paragraph


 Clayton G. MacKenzie
and Moira Arthurs		 Vol 37, No 1,
Spring 2003
Tom Stoppard and "Postmodern
Science": Normalizing Radical
Epistemologies in Hapgood and Arcadia

 Daniel Jernigan Vol 37, No 1,
Spring 2003
Tom Stoppard's Artist Descending
a Staircase: Outdoing the 'Dada" Duchamp

 Katharine E. Kelly Vol 20, No 3,
Fall 1986
Towards a Theater of Immobility:
Henry IV, The Condemned of
Altona, and The Balcony

 Mary Ann Frese Witt Vol 24, No 2,
Summer 1990
"Towneley Plays" or "Wakefield Cycle"
Revisited

 Barbara D. Palmer Vol 21, No 4,
Winter 1987-88
The Tragic Emotions


 David Konstan Vol 33, No 1,
Spring 1999
Tragedy and Its Validating Conditions


 R. J. Kaufmann Vol 1, No 1,
Spring 1967
Tragedy and Timon of Athens
view abstract


 Robert B. Pierce Vol 36, No 1,2,
Spring/Summer 2002
Tragedy, Gender, Performance:
Women as Tragic Heroes on the
Nineteenth-Century Stage

 Anne Russel Vol 30, No 2,
Summer 1996
Transplanting the Work of “that rooted man”:
The Reception of John Millington Synge’s
Drama in Hungary
view abstract

Maria Kurdi Vol 41, No 2
Summer 2007
The Treatment of Space in Italian and
English Renaissance Theater: The Example
of Gl'Ingannati and Twelfth Night

 Jack D'Amico Vol 23, No 3,
Fall 1989
Trial and Terror: Medea Prima Facie


 Anthony Kubiak Vol 23, No 1,
Spring 1989
The Trickster-Hero and Middleton's
A Mad World, My Masters

 William W. E. Slights Vol 3, No 2,
Summer 1969
The Trinity in Medieval Drama


 Lynette R. Muir Vol 10, No 2,
Summer 1976
Troilus and Cressida: The
Observer as Basilisk

 Harry Berger, Jr. Vol 2, No 2,
Summer 1968
Trolls in Ibsen's Late Plays


 Stephen S. Stanton Vol 32, No 4,
Winter 1998-99
Trolls, Trills, and Tofu: Ibsen,
Verdi, and Kabuki

 Leonard C. Pronko Vol 29, No 3,
Fall 1995
The Trope of Transformation
in Medea: A Noh Cycle
view abstract 

Loren Edelson Vol 37, No 1,
Spring 2003
Truth and Theater


 Auréliu Weiss
trans. Martin B. Friedman

 Vol 4, No 1,
Spring 1970
The Truth of Spectacle: A
Meditation on Clouds

 Judith Dundas Vol 14, No 4,
Winter 1980-81
Trying to Like Shaffer


 Michael Hinden Vol 19, No 1,
Spring 1985
Ts'ao Yu: Dramatist in Communist China


 Walter J. & Ruth I.
Meserve		 Vol 2, No 2,
Summer 1968
Twelve Years of Dialog


 Edward J. Czerwinski Vol 1, No 4,
Winter 1967-68
The Two Cities in the Fleury Playbook


 Thomas P. Campbell Vol 16, No 2,
Summer 1982
Two Exempla: Analogues to the Play
of the Sacrament and Dux Moraud

 Richard L. Homan Vol 18, No 3,
Fall 1984
Two Medieval Cornish Versions
of the Creation of the World

 Robert Longsworth Vol 21, No 3,
Fall 1987
Two Renaissance Views of
Carthage: Trissino's Sofonisba
and Castellini's Asdrubale

Beatrice Corrigan Vol 5, No 3,
Fall 1971
Typology, Criticism, and Medieval
Drama: Some Observations on Method

 Patrick J. Collins Vol 10, No 4,
Winter 1976-77
The Tyrone Anthology: Authority
in the Last Act of Long Day's
Journey Into Night
view abstract 		Lawrence Dugan Vol 37, No 3,4,
Fall/Winter 2003-04

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