T
Essay Author Location
Talking with Ghosts of Irish Playwrights
Past: Marina Carr's By the Bog of Cats…
view abstract

 Richard Russell Volume 40, Issue 2
Summer 2006
Tamburlaine "as fierce Achilles was"


 John Cutts Volume 1, Issue 2,
Summer 1967
Taoism and O'Neill's Marco Millions


 James A. Robinson Volume 14, Issue 3,
Fall 1980
Ta'ziyeh in Exile: Transformations
in a Persian Tradition

 Milla Riggio Volume 28, Issue 1,
Spring 1994
Techniques of Transcendence
in Medieval Drama

 Robert Edwards Volume 8, Issue 2,
Summer 1974
Temperance and the End of Time:
Emblematic Antony and Cleopatra

 Christopher Wortham Volume 29, Issue 1,
Spring 1995
The Tempest, Plautus, and the Rudens


 Bruce Louden Volume 33, Issue 2,
Summer 1999
Temporizing as Pyrrhonizing in
Marston's The Malcontent
read first paragraph

William M. Hamlin Volume 34, Issue 3,
Fall 2000
Terence and the Death of Comedy


 Sander M. Goldberg Volume 16, Issue 4,
Winter 1982-83
Text as Agent in Sam Shepard's
Curse of the Starving Class

 Charles R. Lyons Volume 24, Issue 1,
Spring 1990
Theater, Drama, and the Second World:
A Prologue to Shakespeare		 Harry Berger, Jr. Volume 2, Issue 1,
Spring 1968
The Theater of Scholastic Erudition


 Jody Enders Volume 27, Issue 3,
Fall 1993
The Theatre of Ruthless Metaphor:
Polish Theatre Between Marxism
and Existentialism

 Zbigniew Folejewski Volume 3, Issue 3,
Fall 1969
The Theatre of the Absurd
in Spanish America

 George W. Woodyard Volume 3, Issue 3,
Fall 1969
Theatrical Pragmatics: The Actor-Audience Relationship from the Mystery Cycles
to the Early Tudor Comedies

 Hans-Jürgen Diller Volume 23, Issue 2,
Summer 1989
Theatricality and Cosmopolitanism
in Hannah Cowley's The Belle's Stratagem
read first paragraph


 Elizabeth Kowaleski Wallace Volume 35, Issue 3,4,
Fall/Winter 2001-02
Theatrum Mundi and Contemporary Theater


 Ruby Cohn Volume 1, Issue 1,
Spring 1967
Theobald's The Double Falsehood:
A Revision of Shakespeare's Cardenio?

 Harriet C. Frazier Volume 1, Issue 3,
Fall 1967
Theodicy, Tragedy and the Psalmist:
Tourneur's Atheist's Tragedy

 R. J. Kaufmann Volume 3, Issue 4,
Winter 1969-70
Theory and Practice in French
Wagnerian Drama: Édouard Dujardin
and La Légende d'Antonia

 K. M. McKilligan Volume 13, Issue 4,
Winter 1979-80
‘Things like truths, well feigned’: Mimesis
and Secrecy in Jonson’s Epicoene
view abstract
 Reuben Sanchez Volume 40, Issue 3,
Fall 2006
"This game wel pleyd in good a-ray":
The N-Town Playbooks and East
Anglican Games

 Douglas Sugano Volume 28, Issue 2,
Summer 1994
Thomas Hardy: Prophet of Total Theatre


 Donald Baker Volume 7, Issue 2,
Summer 1973
Thomas Heywood's The Royall King,
and the Loyall Subject and the Fall of
Robert Devereux, Second Earl of Essex
view abstract


 Kevin Lindberg Volume 39, Issue 1,
Spring 2005
Thomas Middleton's Prodigal Play


 Leanore Lieblein Volume 10, Issue 1,
Spring 1976
"Those Beautiful Characters of Sense":
Classical Deities and the Court Masque

 Judith Dundas Volume 16, Issue 2,
Summer 1982
"Those Proud Titles Thou Hast Won": Sovereignty, Power, and Combat in Shakespeare's Second Tetralogy
view abstract

Jennifer Low Volume 34, Issue 3,
Fall 2000
3 Henry VI: Dramatic Convention
and the Shakespearean History Play

 John D. Cox Volume 12, Issue 1,
Spring 1978
Three Stages of A Doll House


 Brian Johnston Volume 25, Issue 4,
Winter 1991-92
Three Times Godot:
Beckett, Brecht, Bulatovic

 Clas Zilliacus Volume 4, Issue 1,
Spring 1970
Time and Memory in
Pinter's Proust Screenplay

 Enoch Brater Volume 13, Issue 2,
Summer 1979
Time, Eternity, and Dramatic Form
in Ludus Coventriae "Passion Play I"

 Daniel P. Poteet, II Volume 8, Issue 4,
Winter 1974-75
“To kindle an industrious desire”: The Poetry
of Work in Lord Mayors’ Shows
view abstract

 Kara Northway Volume 41, Issue 2
Summer 2007
To Out-Herod Herod: The Development
of a Dramatic Character

 David Staines Volume 10, Issue 1,
Spring 1976
"To See Feelingly": The Language of the
Senses and the Language of the the Heart

 Judith Dundas Volume 19, Issue 1,
Spring 1985
"To Set a Form upon that Indigest":
Shakespeare's Fictions of History

 David Scott Kastan Volume 17, Issue 1,
Spring 1983
"Together Again": Theater in
Postcolonial Hong Kong
read first paragraph


 Clayton G. MacKenzie
and Moira Arthurs		 Volume 37, Issue 1,
Spring 2003
Tom Stoppard and "Postmodern
Science": Normalizing Radical
Epistemologies in Hapgood and Arcadia
read first paragraph


 Daniel Jernigan Volume 37, Issue 1,
Spring 2003
Tom Stoppard's Artist Descending
a Staircase: Outdoing the 'Dada" Duchamp

 Katharine E. Kelly Volume 20, Issue 3,
Fall 1986
Towards a Theater of Immobility:
Henry IV, The Condemned of
Altona, and The Balcony

 Mary Ann Frese Witt Volume 24, Issue 2,
Summer 1990
"Towneley Plays" or "Wakefield Cycle"
Revisited

 Barbara D. Palmer Volume 21, Issue 4,
Winter 1987-88
The Tragic Emotions


 David Konstan Volume 33, Issue 1,
Spring 1999
Tragedy and Its Validating Conditions


 R. J. Kaufmann Volume 1, Issue 1,
Spring 1967
Tragedy and Timon of Athens
view abstract


 Robert B. Pierce Volume 36, Issue 1,2,
Spring/Summer 2002
Tragedy, Gender, Performance:
Women as Tragic Heroes on the
Nineteenth-Century Stage

 Anne Russel Volume 30, Issue 2,
Summer 1996
Transplanting the Work of “that rooted man”:
The Reception of John Millington Synge’s
Drama in Hungary
view abstract

Mária Kurdi Volume 41, Issue 2
Summer 2007
The Treatment of Space in Italian and
English Renaissance Theater: The Example
of Gl'Ingannati and Twelfth Night

 Jack D'Amico Volume 23, Issue 3,
Fall 1989
Trial and Terror: Medea Prima Facie


 Anthony Kubiak Volume 23, Issue 1,
Spring 1989
The Trickster-Hero and Middleton's
A Mad World, My Masters

 William W. E. Slights Volume 3, Issue 2,
Summer 1969
The Trinity in Medieval Drama


 Lynette R. Muir Volume 10, Issue 2,
Summer 1976
Troilus and Cressida: The
Observer as Basilisk

 Harry Berger, Jr. Volume 2, Issue 2,
Summer 1968
Trolls in Ibsen's Late Plays


 Stephen S. Stanton Volume 32, Issue 4,
Winter 1998-99
Trolls, Trills, and Tofu: Ibsen,
Verdi, and Kabuki

 Leonard C. Pronko Volume 29, Issue 3,
Fall 1995
The Trope of Transformation
in Medea: A Noh Cycle
view abstract 

Loren Edelson Volume 37, Issue 1,
Spring 2003
Truth and Theater


 Auréliu Weiss
trans. Martin B. Friedman

 Volume 4, Issue 1,
Spring 1970
The Truth of Spectacle: A
Meditation on Clouds

 Judith Dundas Volume 14, Issue 4,
Winter 1980-81
Trying to Like Shaffer


 Michael Hinden Volume 19, Issue 1,
Spring 1985
Ts'ao Yu: Dramatist in Communist China


 Walter J. & Ruth I.
Meserve		 Volume 2, Issue 2,
Summer 1968
Twelve Years of Dialog


 Edward J. Czerwinski Volume 1, Issue 4,
Winter 1967-68
The Two Cities in the Fleury Playbook


 Thomas P. Campbell Volume 16, Issue 2,
Summer 1982
Two Exempla: Analogues to the Play
of the Sacrament and Dux Moraud

 Richard L. Homan Volume 18, Issue 3,
Fall 1984
Two Medieval Cornish Versions
of the Creation of the World

 Robert Longsworth Volume 21, Issue 3,
Fall 1987
Two Renaissance Views of
Carthage: Trissino's Sofonisba
and Castellini's Asdrubale

Beatrice Corrigan Volume 5, Issue 3,
Fall 1971
Typology, Criticism, and Medieval
Drama: Some Observations on Method

 Patrick J. Collins Volume 10, Issue 4,
Winter 1976-77
The Tyrone Anthology: Authority
in the Last Act of Long Day's
Journey Into Night
view abstract 		Lawrence Dugan Volume 37, Issue 3,4,
Fall/Winter 2003-04

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