S
Essay Author Location
Sacerdotal Vestiges in The Tempest
view abstract

 Robert L. Reid Vol 41, No 4
Winter 2007-08
Sacred Blood and the Medieval Stage


 Clifford Davidson Vol 31, No 3
Fall 1997
Sanskrit Drama: Theory and Performance


 V. Raghavan Vol 1, No 1
Spring 1967
Sartre on Brecht: The Dialectics
of Revolutionary Theatre

 Farris Anderson Vol 3, No 4
Winter 1969-70
Schumann's Genoveva as
German Romantic Drama

 Linda Sielgel Vol 6, No 4
Winter 1972-73
Self-Discovery in Montaigne's
"Of Solitarinesse" and King Lear
read first paragraph

 Philip D. Collington Vol 35, No 3,4
Fall/Winter 2001-02
The Seneca Perspective
and the Shakespearean Poetic

 R. J. Kaufmann Vol 1, No 3
Fall 1967
Serious Money Becomes "Business
by Other Means": Caryl Churchill's
Metatheatrical Subject
read first paragraph

 Daniel Jernigan Vol 38, No 2,3
Summer/Fall 2004
Sermo in Cantilena: Structure as
Symbol in Imago Sancti Nicolai

 Michael L. Norton Vol 27, No 1
Spring 1993
Serving Don Juan: Decorum in
Tirso de Molina and Molière
view abstract

 Robert Bayliss Vol 40, No 2
Summer 2006
Settling House in Middleton's
Women Beware Women

 Ann C. Christensen Vol 29, No 4
Winter 1995-96
Seventeenth-Century Illustrations
of Three Masques by Jonson

 John P. Cutts Vol 6, No 2
Summer 1972
Sforza Oddi and the Commedia Grave:
Setting the Stage for Shakespeare

 Robert W. Leslie Vol 30, No 4
Winter 1996-97
Shadow and Substance: Structural
Unity in Titus Andronicus

 John P. Cutts Vol 2, No 3
Fall 1968
Shakespeare and Beckett Revisited:
A Phenomenology of Theater

 Marguerite Tassi Vol 31, No 2
Summer 1997
Shakespeare and Brecht: The Peril
and Pleasures of Inheritance

 John Rouse Vol 17, No 3
Fall 1983
Shakespeare and the Genius
of the Absurd

 Anne Paolucci Vol 7, No 3
Fall 1973
Shakespeare on Fortune's Hill:
A Review Essay

 Russell Fraser Vol 18, No 2
Summer 1984
Shakespeare, Goldoni, and the Clowns


 Eugene Steele Vol 11, No 3
Fall 1977
Shakespeare, Molly House Culture,
and the Eighteenth-Century Stage
view abstract


 Charles Conaway Volume 38, Issue 4
Winter 2004-05
Shakespeare's "Books of Memory":
1 and 2 Henry VI

 Jerome Mazzaro Vol 35, No 3,4
Fall/Winter 2001-02
Shakespeare's Book of Genesis


 Russell Fraser Vol 25, No 2
Summer 1991
Shakespeare's Caesar: The
Language of Sacrifice

 Peter S. Anderson Vol 3, No 1
Spring 1969
Shakespeare's Edward III: A
Consolation for English Recusants

 J. P. Conlan Vol 35, No 2
Summer 2001
Shakespeare's Italian Dream:
Cinquecento Sources for A
Midsummer Night's Dream

 Robert W. Leslie Vol 29, No 4
Winter 1995-96
Shakespeare's Julius Caesar: An
Apollonian and Comparative Reading

 R. J. Kauffmann
and Clifford J. Ronan		 Vol 4, No 1
Spring 1970
Shakespeare’s Julius Caesar, Erasmus’
De Copia, and Sentential Ambiguity
view abstract

 Jeffrey J. Yu Volume 41.1
Spring 2007
Shakespeare's Transformation of Plautus


 John Arthos Vol 1, No 4
Winter 1967-68
A Shakespearean Tribute to Ben Jonson
in Garrick's Operatic Version of
A Midsummer Night's Dream

 John P. Cutts Vol 12, No 3
Fall 1978
The Shape of Brecht's
Dutchess of Malfi

 M. S. Barranger Vol 12, No 1
Spring 1978
The Shape of Time: Form and Value
in the Shakespearean History Play

 David Scott Kastan Vol 7, No 4
Winter 1973-74
Shaw's Saint Joan and
the Modern History Play

 Stephen Watt Vol 19, No 1
Spring 1985
The Shepherds' Gifts in The Second
Shepherds' Play and Bosch's
"Adoration of the Magi"

 John P. Cutts Vol 4, No 2
Summer 1970
'Shut Up!' 'Be Quiet!' 'Hush!' Talk
and Its Suppression in Three Plays
by Tennessee Williams

 Thomas F. Van Laan Vol 22, No 3
Fall 1988
Sights Unseen: Withholding Information
in the Plays of Thomas Bernhard
view abstract

 William E. Gruber Vol 36, No 1,2
Spring/Summer 2002
Silent Women and Shrews: Eroticism
and Convention in Epicoene and
Measure for Measure

 Charles R. Lyons Vol 23, No 2
Summer 1989
Simón Aguado's Entremés de
los negros: Text and Context

 Edward J. Mullen Vol 20, No 3
Fall 1986
"Sinnekins" and the Vice: Prolegomena Peter Happé
and Wim Hüsken

 Vol 29, No 2
Summer 1995
Situating the Holy: Celtic Community
in Breton and Cornish Saint Plays

 Victor I. Scherb Vol 35, No 3,4
Fall/Winter 2001-02
The Sixteenth-Century
English "Proverb" Play

 Paula Neuss Vol 18, No 1
Spring 1984
The Skill of Cain in the
English Mystery Cycles

 Blair W. Boone Vol 16, No 2
Summer 1982
The Skogsrå of Folklore and
Strindberg's The Crown Bride

 Larry E. Syndergaard Vol 6, No 4
Winter 1972-73
Sleep and Death: The Twins
in Shakespeare

 S. Viswanathan Vol 13, No 1
Spring 1979
Social Disorder, Festive Celebration,
and Jean Michel's Le Mistere
de la Passion JesusCrist

 Sandra Billington Vol 29, No 2
Summer 1995
Socialist Allegory of the Absurd:
An Examination of Four East
European Plays

 Mardi Valgemae Vol 5, No 1
Spring 1971
Soft Touch: On the Renaissance
Staging and Meaning of the "Noli
me tangere" Icon
view abstract

 Cynthia Lewis Vol 36, No 1,2
Spring/Summer 2002
Some Analogies Between the Epic
Brecht and the Absurdist Beckett

 Charles R. Lyons Vol 1, No 4
Winter 1967-68
Some Clerical Notions of Dramatic
Decorum in Late Medieval England

 Marianne G. Briscoe Vol 19, No 1
Spring 1985
Some Late Reflections on Tragedy
and Its Theatrical Chemistry

 J. L. Styan Vol 33, No 1
Spring 1999
"Some shall be pardon'd, and some
punished": Medieval Dramatic Eschatology
in Shakespeare

 John W. Velz Vol 26, No 4
Winter 1992-93
Some Suggestions about the Relationships between O'Casey and Classical Comedy

 James Coakley
and Marvin Felheim		 Vol 4, No 4
Winter 1970-71
Some Variations of Kindermord
as Dramatic Archetype

 Charles R. Lyons Vol 1, No 1
Spring 1967
The Song of Songs as a Drama
in the Commentators from Origen
to the Twentieth Century

 Joseph R. Jones Vol 17, No 1
Spring 1983
Sophocles in South Africa: Athol
Fugard's The Island

 Errol Durbach Vol 18, No 3
Fall 1984
The Sound of a Poet Singing Loudly:
A Look at Elegy for Young Lovers

 Marc A. Roth Vol 13, No 2
Summer 1979
Sounding Ionesco: Problems in
Translating La Leçon and Jacques
ou La Soumission

 Richard Takvorian
and Michael Spingler		 Vol 17, No 1
Spring 1983
Source of Order or Sovereign
Lord: God and the Pattern of
Relationships in Two Middle
English "Fall of Lucifer" Plays

 Jean Q. Seaton Vol 18, No 3
Fall 1984
South African Drama in English


 Mervyn Woodrow Vol 4, No 2
Summer 1970
Sovereignty in the Digby Mary Magdalene


 John W. Velz Vol 2, No 1
Spring 1968
Speaking Sweet: Emblems in the
Plays of John Ford

 Lisa Hopkins Vol 29, No 1
Spring 1995
A Speculative Political Allegory in
A Midsummer Night's Dream
read first paragraph

 Maurice Hunt Vol 34, No 4
Winter 2000-01
Spring and Winter in Love's Labor's
Lost: An Iconographic Reconstruction

 Frederick Kiefer Vol 29, No 1
Spring 1995
St. Crépin, St. Crispin, Sant Crespí:
French, Breton, and Catalan Mystères

 Elisabeth Lalou Vol 25, No 1
Spring 1991
St. Denis in Antwerp: Hagiographica
in a Protestant Play

 B. A. M. Ramakers Vol 25, No 1
Spring 1991
Stage Devils in English Reformation Plays


 John D. Cox Vol 32, No 1
Spring 1998
Stage Directions in the Performance
of Yuan Drama
view abstract

 Min Tian Vol 39, No. 3,4
Fall/Winter 2005-06
Staging Act Five of Schiller’s Wilhelm Tell
view abstract

 Timothy Richard Wutrich Volume 40, Issue 1
Spring 2006
Staging Disorder: Charivari in
the N-Town Cycle

 Richard J. Moll Vol 35, No 2
Summer 2001
Staging L'Omme Pecheur and
The Castle of Perseverance

 Peter Happé Vol 30, No 3
Fall 1996
The Staging of the Assumption in Europe


 J. Francesc Massip Vol 25, No 1
Spring 1991
The Staging of the First Murder in
the Mystery Plays in England

 Cherrell Guilfoyle Vol 25, No 1
Spring 1991
The Staging of Twelfth-Century Liturgical
Drama in the Fleury Playbook

David Bevington Vol 18, No 2
Summer 1984
Stop the World—I Want to Get Off:
The Vice as Everyman

 Ina Rae Hark Vol 12, No 2
Summer 1978
Stoppard's Adaptations of Shakespeare:
Dogg's Hamlet, Cahoot's Macbeth

 C. J. Gianakaris Vol 18, No 3
Fall 1984
Strindberg's Cosmos in A Dream Play:
Medieval or Modern

 Göran Stockenström Vol 30, No 1
Spring 1996
Strindberg's Historical
Imagination: Erik XIV

 Michael W. Kaufman Vol 9, No 4
Winter 1975-76
Structure, Characterization, and the
New Community in Four Plays
of Jesus and the Doctors

 Daniel T. Kline Vol 26, No 4
Winter 1992-93
The Style of the Boy Actors


 Ejner J. Jensen Vol 2, No 2
Summer 1968
"Sweet Power of Music": The Political
Magic of "the Miraculous Harp" in
Shakespeare's The Tempest

 Peggy Muñoz Simonds Vol 29, No 1
Spring 1995
Suffering Silences, Woeful Afflictions:
Physical Disability, Melodrama, and
the American Charity Movement
view abstract

 Sheila Moeschen Vol 40, No 4
Winter 2006-07
Suicide and Seneca in Two
Eighteenth Century Tragedies

 Stephen L. Trainor Vol 14, No 3
Fall 1980
Suicide as Message and Metadrama
in English Renaissance Tragedy

 Richard K. Sanderson Vol 26, No 3
Fall 1992
A Survey of Medieval Drama and
Theater in Germany

 Hansjürgen Linke Vol 27, No 1
Spring 1993
Symbol and Structure in
the Secunda Pastorum

 Lawrence J. Ross Vol 1, No 2
Summer 1967
Symbols, Signs, and Language:
The Brothers Yeats and Samuel
Beckett's Art of the Theater		 Gordon Armstrong Vol 20, No 1
Spring 1986

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