S
|
| Essay |
Author |
Location |
Sacerdotal Vestiges in The Tempest
view abstract
|
Robert L. Reid |
Vol 41, No 4
Winter 2007-08 |
Sacred Blood and the Medieval Stage
|
Clifford Davidson |
Vol 31, No 3
Fall 1997 |
Sanskrit Drama: Theory and Performance
|
V. Raghavan |
Vol 1, No 1
Spring 1967 |
Sartre on Brecht: The Dialectics
of Revolutionary Theatre
|
Farris Anderson |
Vol 3, No 4
Winter 1969-70 |
Schumann's Genoveva as
German Romantic Drama
|
Linda Sielgel |
Vol 6, No 4
Winter 1972-73 |
Self-Discovery in Montaigne's "Of Solitarinesse" and King Lear
read first paragraph
|
Philip D. Collington |
Vol 35, No 3,4
Fall/Winter 2001-02 |
The Seneca Perspective
and the Shakespearean Poetic
|
R. J. Kaufmann |
Vol 1, No 3
Fall 1967 |
Serious Money Becomes "Business
by Other Means": Caryl Churchill's
Metatheatrical Subject
read first paragraph
|
Daniel Jernigan |
Vol 38, No 2,3
Summer/Fall 2004 |
Sermo in Cantilena: Structure as
Symbol in Imago Sancti Nicolai
|
Michael L. Norton |
Vol 27, No 1
Spring 1993 |
Serving Don Juan: Decorum in
Tirso de Molina and Molière
view abstract
|
Robert Bayliss |
Vol 40, No 2
Summer 2006 |
Settling House in Middleton's
Women Beware Women
|
Ann C. Christensen |
Vol 29, No 4
Winter 1995-96 |
Seventeenth-Century Illustrations
of Three Masques by Jonson
|
John P. Cutts |
Vol 6, No 2
Summer 1972 |
Sforza Oddi and the Commedia Grave:
Setting the Stage for Shakespeare
|
Robert W. Leslie |
Vol 30, No 4
Winter 1996-97 |
Shadow and Substance: Structural
Unity in Titus Andronicus
|
John P. Cutts |
Vol 2, No 3
Fall 1968 |
Shakespeare and Beckett Revisited:
A Phenomenology of Theater
|
Marguerite Tassi |
Vol 31, No 2
Summer 1997 |
Shakespeare and Brecht: The Peril
and Pleasures of Inheritance
|
John Rouse |
Vol 17, No 3
Fall 1983 |
Shakespeare and the Genius
of the Absurd
|
Anne Paolucci |
Vol 7, No 3
Fall 1973 |
Shakespeare on Fortune's Hill:
A Review Essay
|
Russell Fraser |
Vol 18, No 2
Summer 1984 |
Shakespeare, Goldoni, and the Clowns
|
Eugene Steele |
Vol 11, No 3
Fall 1977 |
Shakespeare, Molly House Culture,
and the Eighteenth-Century Stage
view abstract
|
Charles Conaway |
Volume 38, Issue 4
Winter 2004-05 |
Shakespeare's "Books of Memory":
1 and 2 Henry VI
|
Jerome Mazzaro |
Vol 35, No 3,4
Fall/Winter 2001-02 |
Shakespeare's Book of Genesis
|
Russell Fraser |
Vol 25, No 2
Summer 1991 |
Shakespeare's Caesar: The
Language of Sacrifice
|
Peter S. Anderson |
Vol 3, No 1
Spring 1969 |
Shakespeare's Edward III: A
Consolation for English Recusants
|
J. P. Conlan |
Vol 35, No 2
Summer 2001 |
Shakespeare's Italian Dream:
Cinquecento Sources for A
Midsummer Night's Dream
|
Robert W. Leslie |
Vol 29, No 4
Winter 1995-96 |
Shakespeare's Julius Caesar: An
Apollonian and Comparative Reading
|
R. J. Kauffmann
and Clifford J. Ronan |
Vol 4, No 1
Spring 1970 |
Shakespeare’s Julius Caesar, Erasmus’
De Copia, and Sentential Ambiguity
view abstract
|
Jeffrey J. Yu |
Volume 41.1
Spring 2007 |
Shakespeare's Transformation of Plautus
|
John Arthos |
Vol 1, No 4
Winter 1967-68 |
A Shakespearean Tribute to Ben Jonson
in Garrick's Operatic Version of
A Midsummer Night's Dream
|
John P. Cutts |
Vol 12, No 3
Fall 1978 |
The Shape of Brecht's
Dutchess of Malfi
|
M. S. Barranger |
Vol 12, No 1
Spring 1978 |
The Shape of Time: Form and Value
in the Shakespearean History Play
|
David Scott Kastan |
Vol 7, No 4
Winter 1973-74 |
Shaw's Saint Joan and
the Modern History Play
|
Stephen Watt |
Vol 19, No 1
Spring 1985 |
The Shepherds' Gifts in The Second
Shepherds' Play and Bosch's "Adoration of the Magi"
|
John P. Cutts |
Vol 4, No 2
Summer 1970 |
'Shut Up!' 'Be Quiet!' 'Hush!' Talk
and Its Suppression in Three Plays
by Tennessee Williams
|
Thomas F. Van Laan |
Vol 22, No 3
Fall 1988 |
Sights Unseen: Withholding Information
in the Plays of Thomas Bernhard
view abstract
|
William E. Gruber |
Vol 36, No 1,2
Spring/Summer 2002 |
Silent Women and Shrews: Eroticism
and Convention in Epicoene and
Measure for Measure
|
Charles R. Lyons |
Vol 23, No 2
Summer 1989 |
Simón Aguado's Entremés de
los negros: Text and Context
|
Edward J. Mullen |
Vol 20, No 3
Fall 1986 |
| "Sinnekins" and the Vice: Prolegomena |
Peter Happé
and Wim Hüsken
|
Vol 29, No 2
Summer 1995 |
Situating the Holy: Celtic Community
in Breton and Cornish Saint Plays
|
Victor I. Scherb |
Vol 35, No 3,4
Fall/Winter 2001-02 |
The Sixteenth-Century
English "Proverb" Play
|
Paula Neuss |
Vol 18, No 1
Spring 1984 |
The Skill of Cain in the
English Mystery Cycles
|
Blair W. Boone |
Vol 16, No 2
Summer 1982 |
The Skogsrå of Folklore and
Strindberg's The Crown Bride
|
Larry E. Syndergaard |
Vol 6, No 4
Winter 1972-73 |
Sleep and Death: The Twins
in Shakespeare
|
S. Viswanathan |
Vol 13, No 1
Spring 1979 |
Social Disorder, Festive Celebration,
and Jean Michel's Le Mistere
de la Passion JesusCrist
|
Sandra Billington |
Vol 29, No 2
Summer 1995 |
Socialist Allegory of the Absurd:
An Examination of Four East
European Plays
|
Mardi Valgemae |
Vol 5, No 1
Spring 1971 |
Soft Touch: On the Renaissance
Staging and Meaning of the "Noli
me tangere" Icon
view abstract
|
Cynthia Lewis |
Vol 36, No 1,2
Spring/Summer 2002 |
Some Analogies Between the Epic
Brecht and the Absurdist Beckett
|
Charles R. Lyons |
Vol 1, No 4
Winter 1967-68 |
Some Clerical Notions of Dramatic
Decorum in Late Medieval England
|
Marianne G. Briscoe |
Vol 19, No 1
Spring 1985 |
Some Late Reflections on Tragedy
and Its Theatrical Chemistry
|
J. L. Styan |
Vol 33, No 1
Spring 1999 |
"Some shall be pardon'd, and some
punished": Medieval Dramatic Eschatology
in Shakespeare
|
John W. Velz |
Vol 26, No 4
Winter 1992-93 |
Some Suggestions about the Relationships between O'Casey and Classical Comedy
|
James Coakley
and Marvin Felheim |
Vol 4, No 4
Winter 1970-71 |
Some Variations of Kindermord
as Dramatic Archetype
|
Charles R. Lyons |
Vol 1, No 1
Spring 1967 |
The Song of Songs as a Drama
in the Commentators from Origen
to the Twentieth Century
|
Joseph R. Jones |
Vol 17, No 1
Spring 1983 |
Sophocles in South Africa: Athol
Fugard's The Island
|
Errol Durbach |
Vol 18, No 3
Fall 1984 |
The Sound of a Poet Singing Loudly:
A Look at Elegy for Young Lovers
|
Marc A. Roth |
Vol 13, No 2
Summer 1979 |
Sounding Ionesco: Problems in
Translating La Leçon and Jacques
ou La Soumission
|
Richard Takvorian
and Michael Spingler |
Vol 17, No 1
Spring 1983 |
Source of Order or Sovereign
Lord: God and the Pattern of
Relationships in Two Middle
English "Fall of Lucifer" Plays
|
Jean Q. Seaton |
Vol 18, No 3
Fall 1984 |
South African Drama in English
|
Mervyn Woodrow |
Vol 4, No 2
Summer 1970 |
Sovereignty in the Digby Mary Magdalene
|
John W. Velz |
Vol 2, No 1
Spring 1968 |
Speaking Sweet: Emblems in the
Plays of John Ford
|
Lisa Hopkins |
Vol 29, No 1
Spring 1995 |
A Speculative Political Allegory in
A Midsummer Night's Dream
read first paragraph
|
Maurice Hunt |
Vol 34, No 4
Winter 2000-01 |
Spring and Winter in Love's Labor's
Lost: An Iconographic Reconstruction
|
Frederick Kiefer |
Vol 29, No 1
Spring 1995 |
St. Crépin, St. Crispin, Sant Crespí:
French, Breton, and Catalan Mystères
|
Elisabeth Lalou |
Vol 25, No 1
Spring 1991 |
St. Denis in Antwerp: Hagiographica
in a Protestant Play
|
B. A. M. Ramakers |
Vol 25, No 1
Spring 1991 |
Stage Devils in English Reformation Plays
|
John D. Cox |
Vol 32, No 1
Spring 1998 |
Stage Directions in the Performance
of Yuan Drama
view abstract
|
Min Tian |
Vol 39, No. 3,4
Fall/Winter 2005-06 |
Staging Act Five of Schiller’s Wilhelm Tell
view abstract
|
Timothy Richard Wutrich |
Volume 40, Issue 1
Spring 2006 |
Staging Disorder: Charivari in
the N-Town Cycle
|
Richard J. Moll |
Vol 35, No 2
Summer 2001 |
Staging L'Omme Pecheur and
The Castle of Perseverance
|
Peter Happé |
Vol 30, No 3
Fall 1996 |
The Staging of the Assumption in Europe
|
J. Francesc Massip |
Vol 25, No 1
Spring 1991 |
The Staging of the First Murder in
the Mystery Plays in England
|
Cherrell Guilfoyle |
Vol 25, No 1
Spring 1991 |
The Staging of Twelfth-Century Liturgical
Drama in the Fleury Playbook
|
David Bevington |
Vol 18, No 2
Summer 1984 |
Stop the World—I Want to Get Off:
The Vice as Everyman
|
Ina Rae Hark |
Vol 12, No 2
Summer 1978 |
Stoppard's Adaptations of Shakespeare:
Dogg's Hamlet, Cahoot's Macbeth
|
C. J. Gianakaris |
Vol 18, No 3
Fall 1984 |
Strindberg's Cosmos in A Dream Play:
Medieval or Modern
|
Göran Stockenström |
Vol 30, No 1
Spring 1996 |
Strindberg's Historical
Imagination: Erik XIV
|
Michael W. Kaufman |
Vol 9, No 4
Winter 1975-76 |
Structure, Characterization, and the
New Community in Four Plays
of Jesus and the Doctors
|
Daniel T. Kline |
Vol 26, No 4
Winter 1992-93 |
The Style of the Boy Actors
|
Ejner J. Jensen |
Vol 2, No 2
Summer 1968 |
"Sweet Power of Music": The Political
Magic of "the Miraculous Harp" in
Shakespeare's The Tempest
|
Peggy Muñoz Simonds |
Vol 29, No 1
Spring 1995 |
Suffering Silences, Woeful Afflictions:
Physical Disability, Melodrama, and
the American Charity Movement
view abstract
|
Sheila Moeschen |
Vol 40, No 4
Winter 2006-07 |
Suicide and Seneca in Two
Eighteenth Century Tragedies
|
Stephen L. Trainor |
Vol 14, No 3
Fall 1980 |
Suicide as Message and Metadrama
in English Renaissance Tragedy
|
Richard K. Sanderson |
Vol 26, No 3
Fall 1992 |
A Survey of Medieval Drama and
Theater in Germany
|
Hansjürgen Linke |
Vol 27, No 1
Spring 1993 |
Symbol and Structure in
the Secunda Pastorum
|
Lawrence J. Ross |
Vol 1, No 2
Summer 1967 |
Symbols, Signs, and Language:
The Brothers Yeats and Samuel
Beckett's Art of the Theater |
Gordon Armstrong |
Vol 20, No 1
Spring 1986 |