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| Essay | Author | Location |
| Sacerdotal Vestiges in The Tempest view abstract |
Robert L. Reid | Volume 41, Issue 4 Winter 2007-08 |
| The Sacrilization of Revenge in Antonio's Revenge read first paragraph |
Phoebe S. Spinrad | Volume 39, Issue 2 Summer 2005 |
| Sacred Blood and the Medieval Stage |
Clifford Davidson | Volume 31, Issue 3 Fall 1997 |
| Sanskrit Drama: Theory and Performance |
V. Raghavan | Volume 1, Issue 1 Spring 1967 |
| Sartre on Brecht: The Dialectics of Revolutionary Theatre |
Farris Anderson | Volume 3, Issue 4 Winter 1969-70 |
| Scenarios of the “Descent into Hell” in Two Processional Antiphons view abstract |
Clyde W. Brockett | Volume 42, Issue 3 Fall 2008 |
| Schumann's Genoveva as German Romantic Drama |
Linda Sielgel | Volume 6, Issue 4 Winter 1972-73 |
| The Scriblerian Stage and Page: Three Hours After Marriage, Pope’s “Minor” Poems, and the Problem of Genre-History view abstract |
Katherine Mannheimer | Volume 43, Issue 1 Spring 2009 |
| The Secular Morality of Middleton’s City Comedies view abstract |
Derek B. Alwes | Volume 42, Issue 2 Summer 2008 |
| Self-Discovery in Montaigne's "Of Solitarinesse" and King Lear read first paragraph |
Philip D. Collington | Volume 35, Issue 3,4 Fall/Winter 2001-02 |
| The Seneca Perspective and the Shakespearean Poetic |
R. J. Kaufmann | Volume 1, Issue 3 Fall 1967 |
| Serious Money Becomes "Business by Other Means": Caryl Churchill's Metatheatrical Subject read first paragraph |
Daniel Jernigan | Volume 38, Issue 2,3 Summer/Fall 2004 |
| Sermo in Cantilena: Structure as Symbol in Imago Sancti Nicolai |
Michael L. Norton | Volume 27, Issue 1 Spring 1993 |
| Sermons, Exegesis, and Performance: The Laon Ordo Prophetarum and the Meaning of Advent view abstract |
Robert C. Lagueux | Volume 43, Issue 2 Summer 2009 |
| Serving Don Juan: Decorum in Tirso de Molina and Molière view abstract |
Robert Bayliss | Volume 40, Issue 2 Summer 2006 |
| Settling House in Middleton's Women Beware Women |
Ann C. Christensen | Volume 29, Issue 4 Winter 1995-96 |
| Seventeenth-Century Illustrations of Three Masques by Jonson |
John P. Cutts | Volume 6, Issue 2 Summer 1972 |
| Sforza Oddi and the Commedia Grave: Setting the Stage for Shakespeare |
Robert W. Leslie | Volume 30, Issue 4 Winter 1996-97 |
| Shadow and Substance: Structural Unity in Titus Andronicus |
John P. Cutts | Volume 2, Issue 3 Fall 1968 |
| Shakespeare and Beckett Revisited: A Phenomenology of Theater |
Marguerite Tassi | Volume 31, Issue 2 Summer 1997 |
| Shakespeare and Brecht: The Peril and Pleasures of Inheritance |
John Rouse | Volume 17, Issue 3 Fall 1983 |
| Shakespeare and the Genius of the Absurd |
Anne Paolucci | Volume 7, Issue 3 Fall 1973 |
| Shakespeare on Fortune's Hill: A Review Essay |
Russell Fraser | Volume 18, Issue 2 Summer 1984 |
| Shakespeare, Goldoni, and the Clowns |
Eugene Steele | Volume 11, Issue 3 Fall 1977 |
| Shakespeare, Molly House Culture, and the Eighteenth-Century Stage view abstract |
Charles Conaway | Volume 38, Issue 4 Winter 2004-05 |
| Shakespeare's "Books of Memory": 1 and 2 Henry VI read first paragraph |
Jerome Mazzaro | Volume 35, Issue 3,4 Fall/Winter 2001-02 |
| Shakespeare's Book of Genesis |
Russell Fraser | Volume 25, Issue 2 Summer 1991 |
| Shakespeare's Caesar: The Language of Sacrifice |
Peter S. Anderson | Volume 3, Issue 1 Spring 1969 |
| Shakespeare's Edward III: A Consolation for English Recusants read first paragraph |
J. P. Conlan | Volume 35, Issue 2 Summer 2001 |
| Shakespeare's Italian Dream: Cinquecento Sources for A Midsummer Night's Dream |
Robert W. Leslie | Volume 29, Issue 4 Winter 1995-96 |
| Shakespeare's Julius Caesar: An Apollonian and Comparative Reading |
R. J. Kauffmann and Clifford J. Ronan |
Volume 4, Issue 1 Spring 1970 |
| Shakespeare’s Julius Caesar, Erasmus’ De Copia, and Sentential Ambiguity view abstract |
Jeffrey J. Yu | Volume 41, Issue 1 Spring 2007 |
| Shakespeare's Transformation of Plautus |
John Arthos | Volume 1, Issue 4 Winter 1967-68 |
| A Shakespearean Tribute to Ben Jonson in Garrick's Operatic Version of A Midsummer Night's Dream |
John P. Cutts | Volume 12, Issue 3 Fall 1978 |
| The Shape of Brecht's Dutchess of Malfi |
M. S. Barranger | Volume 12, Issue 1 Spring 1978 |
| The Shape of Time: Form and Value in the Shakespearean History Play |
David Scott Kastan | Volume 7, Issue 4 Winter 1973-74 |
| Shaw's Saint Joan and the Modern History Play |
Stephen Watt | Volume 19, Issue 1 Spring 1985 |
| The Shepherds' Gifts in The Second Shepherds' Play and Bosch's "Adoration of the Magi" |
John P. Cutts | Volume 4, Issue 2 Summer 1970 |
| Sheridan, The School for Scandal, and Aggression view abstract |
James Thompson | Volume 42, Issue 1 Spring 2008 |
| 'Shut Up!' 'Be Quiet!' 'Hush!' Talk and Its Suppression in Three Plays by Tennessee Williams |
Thomas F. Van Laan | Volume 22, Issue 3 Fall 1988 |
| Sights Unseen: Withholding Information in the Plays of Thomas Bernhard view abstract |
William E. Gruber | Volume 36, Issue 1,2 Spring/Summer 2002 |
| Silent Women and Shrews: Eroticism and Convention in Epicoene and Measure for Measure |
Charles R. Lyons | Volume 23, Issue 2 Summer 1989 |
| Simón Aguado's Entremés de los negros: Text and Context |
Edward J. Mullen | Volume 20, Issue 3 Fall 1986 |
| "Sinnekins" and the Vice: Prolegomena | Peter Happé and Wim Hüsken |
Volume 29, Issue 2 Summer 1995 |
| Situating the Holy: Celtic Community in Breton and Cornish Saint Plays read first paragraph |
Victor I. Scherb | Volume 35, Issue 3,4 Fall/Winter 2001-02 |
| The Sixteenth-Century English "Proverb" Play |
Paula Neuss | Volume 18, Issue 1 Spring 1984 |
| The Skill of Cain in the English Mystery Cycles |
Blair W. Boone | Volume 16, Issue 2 Summer 1982 |
| The Skogsrå of Folklore and Strindberg's The Crown Bride |
Larry E. Syndergaard | Volume 6, Issue 4 Winter 1972-73 |
| Sleep and Death: The Twins in Shakespeare |
S. Viswanathan | Volume 13, Issue 1 Spring 1979 |
| Social Disorder, Festive Celebration, and Jean Michel's Le Mistere de la Passion JesusCrist |
Sandra Billington | Volume 29, Issue 2 Summer 1995 |
| Socialist Allegory of the Absurd: An Examination of Four East European Plays |
Mardi Valgemae | Volume 5, Issue 1 Spring 1971 |
| Soft Touch: On the Renaissance Staging and Meaning of the "Noli me tangere" Icon view abstract |
Cynthia Lewis | Volume 36, Issue 1,2 Spring/Summer 2002 |
| Some Analogies Between the Epic Brecht and the Absurdist Beckett |
Charles R. Lyons | Volume 1, Issue 4 Winter 1967-68 |
| Some Clerical Notions of Dramatic Decorum in Late Medieval England |
Marianne G. Briscoe | Volume 19, Issue 1 Spring 1985 |
| Some Late Reflections on Tragedy and Its Theatrical Chemistry |
J. L. Styan | Volume 33, Issue 1 Spring 1999 |
| "Some shall be pardon'd, and some punished": Medieval Dramatic Eschatology in Shakespeare |
John W. Velz | Volume 26, Issue 4 Winter 1992-93 |
| Some Suggestions about the Relationships between O'Casey and Classical Comedy |
James Coakley and Marvin Felheim |
Volume 4, Issue 4 Winter 1970-71 |
| Some Variations of Kindermord as Dramatic Archetype |
Charles R. Lyons | Volume 1, Issue 1 Spring 1967 |
| The Song of Songs as a Drama in the Commentators from Origen to the Twentieth Century |
Joseph R. Jones | Volume 17, Issue 1 Spring 1983 |
| Sophocles in South Africa: Athol Fugard's The Island |
Errol Durbach | Volume 18, Issue 3 Fall 1984 |
| The Sound of a Poet Singing Loudly: A Look at Elegy for Young Lovers |
Marc A. Roth | Volume 13, Issue 2 Summer 1979 |
| Sounding Ionesco: Problems in Translating La Leçon and Jacques ou La Soumission |
Richard Takvorian and Michael Spingler |
Volume 17, Issue 1 Spring 1983 |
| Source of Order or Sovereign Lord: God and the Pattern of Relationships in Two Middle English "Fall of Lucifer" Plays |
Jean Q. Seaton | Volume 18, Issue 3 Fall 1984 |
| South African Drama in English |
Mervyn Woodrow | Volume 4, Issue 2 Summer 1970 |
| Sovereignty in the Digby Mary Magdalene |
John W. Velz | Volume 2, Issue 1 Spring 1968 |
| Speaking Sweet: Emblems in the Plays of John Ford |
Lisa Hopkins | Volume 29, Issue 1 Spring 1995 |
| A Speculative Political Allegory in A Midsummer Night's Dream read first paragraph |
Maurice Hunt | Volume 34, Issue 4 Winter 2000-01 |
| Spring and Winter in Love's Labor's Lost: An Iconographic Reconstruction |
Frederick Kiefer | Volume 29, Issue 1 Spring 1995 |
| St. Crépin, St. Crispin, Sant Crespí: French, Breton, and Catalan Mystères |
Elisabeth Lalou | Volume 25, Issue 1 Spring 1991 |
| St. Denis in Antwerp: Hagiographica in a Protestant Play |
B. A. M. Ramakers | Volume 25, Issue 1 Spring 1991 |
| Stage Devils in English Reformation Plays |
John D. Cox | Volume 32, Issue 1 Spring 1998 |
| Stage Directions in the Performance of Yuan Drama view abstract |
Min Tian | Volume 39, Issue 3,4 Fall/Winter 2005-06 |
| Staging Act Five of Schiller’s Wilhelm Tell view abstract |
Timothy Richard Wutrich | Volume 40, Issue 1 Spring 2006 |
| Staging Disorder: Charivari in the N-Town Cycle read first paragraph |
Richard J. Moll | Volume 35, Issue 2 Summer 2001 |
| Staging L'Omme Pecheur and The Castle of Perseverance |
Peter Happé | Volume 30, Issue 3 Fall 1996 |
| Staging a New Literary History: Suzan-Lori Parks’s Venus, In the Blood, and Fucking A view abstract |
Carol Schafer | Volume 42, Issue 2 Summer 2008 |
| The Staging of the Assumption in Europe |
J. Francesc Massip | Volume 25, Issue 1 Spring 1991 |
| The Staging of the First Murder in the Mystery Plays in England |
Cherrell Guilfoyle | Volume 25, Issue 1 Spring 1991 |
| The Staging of Twelfth-Century Liturgical Drama in the Fleury Playbook |
David Bevington | Volume 18, Issue 2 Summer 1984 |
| Stop the World—I Want to Get Off: The Vice as Everyman |
Ina Rae Hark | Volume 12, Issue 2 Summer 1978 |
| Stoppard's Adaptations of Shakespeare: Dogg's Hamlet, Cahoot's Macbeth |
C. J. Gianakaris | Volume 18, Issue 3 Fall 1984 |
| Strindberg's Cosmos in A Dream Play: Medieval or Modern |
Göran Stockenström | Volume 30, Issue 1 Spring 1996 |
| Strindberg's Historical Imagination: Erik XIV |
Michael W. Kaufman | Volume 9, Issue 4 Winter 1975-76 |
| Structure, Characterization, and the New Community in Four Plays of Jesus and the Doctors |
Daniel T. Kline | Volume 26, Issue 4 Winter 1992-93 |
| The Style of the Boy Actors |
Ejner J. Jensen | Volume 2, Issue 2 Summer 1968 |
| "Sweet Power of Music": The Political Magic of "the Miraculous Harp" in Shakespeare's The Tempest |
Peggy Muñoz Simonds | Volume 29, Issue 1 Spring 1995 |
| Suffering Silences, Woeful Afflictions: Physical Disability, Melodrama, and the American Charity Movement view abstract |
Sheila Moeschen | Volume 40, Issue 4 Winter 2006-07 |
| Suicide and Seneca in Two Eighteenth Century Tragedies |
Stephen L. Trainor | Volume 14, Issue 3 Fall 1980 |
| Suicide as Message and Metadrama in English Renaissance Tragedy |
Richard K. Sanderson | Volume 26, Issue 3 Fall 1992 |
| A Survey of Medieval Drama and Theater in Germany |
Hansjürgen Linke | Volume 27, Issue 1 Spring 1993 |
| Symbol and Structure in the Secunda Pastorum |
Lawrence J. Ross | Volume 1, Issue 2 Summer 1967 |
| Symbols, Signs, and Language: The Brothers Yeats and Samuel Beckett's Art of the Theater |
Gordon Armstrong | Volume 20, Issue 1 Spring 1986 |
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