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| Essay | Author | Location |
| Race and the Yankee: Woodworth's The Forest Rose read first pargraph |
Jeffrey H. Richards | Volume 34, Issue 1 Spring 2000 |
| Radical Mimesis: The "Pinter Problem" Revisited |
David Z. Saltz | Volume 26, Issue 3 Fall 1992 |
| Introduction: Reading and Experiencing a Play Transculturally read first paragraph |
Ranjan Ghosh | Volume 46, Issue 3 Fall 2012 |
| A Reassessment of the Date and Provenance of the Cornish Ordinalia |
Gloria J. Betcher | Volume 29, Issue 4 Winter 1995-96 |
| The Rebirth of Tragedy: Protest and Evolution in Modern Greek Drama |
Sratos E. Constantinidis | Volume 21, Issue 2 Summer 1987 |
| Recasting A Doll House: Narcissism As Character Motivation in Ibsen's Play |
Carol Strongin Tufts | Volume 20, Issue 2 Summer 1986 |
| Records of Early French Drama in Parisian Notary Registers |
Stephen K. Wright | Volume 24, Issue 3 Fall 1990 |
| (Re)cycling Culture: Chinese Opera in the United States view abstract |
Cecilia J. Pang | Volume 39, Issue 3,4 Fall/Winter 2005-06 |
| "The Redemption of King Lear" |
Cherrell Guilfoyle | Volume 23, Issue 1 Spring 1989 |
| The Rediscovery of Anti-Form in Renaissance Drama |
Jackson I. Cope | Volume 1, Issue 3 Fall 1967 |
| The Refusal to Paint: Shakespeare's Poetry of Place |
Judith Dundas | Volume 23, Issue 4 Winter 1989-90 |
| Remaking the Chorus: Charles Mee Jr.’s Orestes 2.0 view abstract |
Peter A. Campbell | Volume 45, Issue 2 Summer 2011 |
| The Regnum Humanitatis Trilogy: A Humanist Manifesto |
Eugene J. Devlin | Volume 26, Issue 1 Spring 1992 |
| Re-Membering the Jews: Theatrical Violence in the N-Town Marian Plays view 1st paragraph |
Merrall Llewelyn Price | Volume 41, Issue 4 Winter 2007-08 |
| Renaissance Power and Stuart Dramaturgy: Shakespeare, Milton, Dryden |
John D. Cox | Volume 22, Issue 4 Winter 1988-89 |
| Rethinking Indian Influence in Javanese Shadow Theater Traditions |
Laurie J. Sears | Volume 28, Issue 1 Spring 1994 |
| The Retrospective Technique and Its Implications for Tragedy |
Charles A. Hallett | Volume 12, Issue 1 Spring 1978 |
| The Revista Contemporáneos and the Development of the Mexican Theater |
Edward J. Mullen | Volume 4, Issue 4 Winter 1970-71 |
| Rhyme and Reason in Ibsen's Norma |
Samuel G. McLellan | Volume 14, Issue 4 Winter 1980-81 |
| Richard Cumberland, Comic Force, and Misanthropy |
Eugene M. Waith | Volume 12, Issue 4 Winter 1978-79 |
| Richard II and Some Forms of Theatrical Time |
Edgar Schell | Volume 24, Issue 3 Fall 1990 |
| "The Rights of the Player": Evidence of Mimi and Histriones in Early Medieval Scandinavia |
Terry Gunnell | Volume 30, Issue 1 Spring 1996 |
| The Rise of Intellect in Wagner's Ring |
S. K. Land | Volume 5, Issue 1 Spring 1971 |
| Ritual and Ceremony in the Drama |
Thomas B. Stroup | Volume 11, Issue 2 Summer 1977 |
| Ritual in Marlowe's Plays |
Thomas B. Stroup | Volume 7, Issue 3 Fall 1973 |
| The Robin Hood Folk Plays of South-Central England |
Michael J. Preston | Volume 10, Issue 2 Summer 1976 |
| The Role of "Senex" in Kyd's The Spanish Tragedy |
Joost Daalder | Volume 20, Issue 3 Fall 1986 |
| Roman World, Egyptian Earth; Cognitive Difference and Empire in Shakespeare’s Antony and Cleopatra view abstract |
Mary Crane | Volume 43, Issue 1 Spring 2009 |
| Royalty Unlearned, Honor Untaught: British Savages and Historiographical Change in Cymbeline |
John E. Curran, Jr. | Volume 31, Issue 2 Summer 1997 |
| Rubin and Mercator: Grotesque Comedy in the German Easter Play read first paragraph |
Martin W. Walsh | Volume 36, Issue 1,2 Spring/Summer 2002 |
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