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Essay Author Location
Painted Women: Annunciation
Motifs in Hamlet

 R. Chris Hassel, Jr. Volume 32, Issue 1
Spring 1998
A Palimpset for Olivier's Hamlet

 Bernice W. Kliman Volume 17, Issue 3
Fall 1983
The Paradoxes of Slavery in Thomas
Southerne’s Oroonoko
view abstract

 Diana Jaher Volume 42, Issue 1
Spring 2008
Paterian Aesthetics in Yeats' Drama


 F. C. McGrath Volume 13, Issue 1
Spring 1979
"Peace" and "Unbar the Door": T. S.
Eliot's Murder in the Cathedral and
Some Stoic Forebears

 Edna G. Sharoni Volume 6, Issue 2
Summer 1972
Peking Opera before
the Twentieth Century

 Colin Mackerras Volume 28, Issue 1
Spring 1994
Perceiving Rockaby—As a Text,
As a Text by Samuel Beckett, As
a Text for Performance

 Charles R. Lyons Volume 16, Issue 4
Winter 1982-83
Percy MacKaye: Community Drama
and the Masque Tradition

 D. Heyward Brock
and James M. Welsh		 Volume 6, Issue 1
Spring 1972
Performers and Performances in
the Earliest Serious Secular Plays
in the Netherlands

 Willem M. H. Hummelen Volume 26, Issue 1
Spring 1992
Performing Marriage with a Difference:
Wooing, Wedding, and Bedding in
The Taming of the Shrew
read first paragraph


 Amy L. Smith Volume 36, Issue 3,4
Fall/Winter 2002-03
Performing the West Indies: Comedy,
Feeling, and British Identity
view abstract

 Jean Marsden Volume 42, Issue 1
Spring 2008
Peter Handke's The Ride Across Lake Constance: The Illusion of Self-Sufficiency

 June Schlueter Volume 11, Issue 2
Summer 1977
Peter Shaffer's Continued Quest
for God in Amadeus

 Daniel R. Jones Volume 21, Issue 2
Summer 1987
Pilgrims and Prostitutes: Costume
and Individualism in Twelfth-Century
Liturgical Drama
view abstract

 Andrew J. Gibb Volume 42, Issue 3
Fall 2008
Pinter's The Homecoming: Displacing
and Repeating Ibsen

 Thomas Postlewait Volume 15, Issue 3
Fall 1981
Pirandello, the Sacred, and
the Death of Tragedy

Nina daVinci Nichols Volume 32, Issue 2
Summer 1998
Pirandello's Sei Personaggi
and Expressive Form

 Jerome Mazzaro Volume 30, Issue 4
Winter 1996-97
Placing Shaffer's Lettice and Lovage
in Perspective

 C. J. Gianakaris Volume 22, Issue 2
Summer 1988
Play and Passion in The Man of Mode


 Derek Hughes Volume 15, Issue 3
Fall 1981
Play and Pirandello's Il giuoco delle parti


 Jerome Mazzaro Volume 27, Issue 4
Winter 1993-94
The Play of the Surface: Theater and
The Turn of the Screw
view abstract

 Frances Babbage  Volume 39, Issue 2
Summer 2005
The Play of Wisdom and the
Abbey of St. Edmund

 Gail McMurray Gibson Volume 19, Issue 2
Summer 1985
Play Strindberg and the
Theater of Adaptation

 Enoch Brater Volume 16, Issue 1
Spring 1982
The Player As Director: An
Approach to Character

 Leonard R. Mendelsohn Volume 6, Issue 2
Summer 1972
The Player's Eye: Shakespeare
on Television

 William B. Worthen Volume 18, Issue 3
Fall 1984
Playing for Time (and Playing with Time)
in Tom Stoppard's Arcadia
read first paragraph

 Enoch Brater Volume 39, Issue 2
Summer 2005
The Playwright as Perfect Wagnerite:
Motifs from the Music Dramas in the
Theatre of Bernard Shaw

 Arthur Ganz Volume 13, Issue 3
Fall 1979
A Playwright Looks at Mozart:
Peter Shaffer's Amadeus

 C. J. Gianakaris Volume 15, Issue 1
Spring 1981
Point of View in Drama: Diegetic
Monologue, Unreliable Narrators,
and the Author's Voice on Stage

 Brian Richardson Volume 22, Issue 3
Fall 1988
Politesse and the Woman at Risk:
The Social Comedies of
Marie-Thérèse De Camp
view abstract

 Adrienne Scullion Volume 38, Issue 2,3
Summer/Fall 2004
Political Allegory in Late Elizabethan
and Early Jacobean "Turk" Plays: Lust's Dominion and The Turke
view abstract

 Claire Jowitt Volume 36, Issue 3,4
Fall/Winter 2002-03
The Political Significance of the Theatre


 Willy Brandt
(trans. Walter S. G. Kohn)		 Volume 7, Issue 3
Fall 1973
The Politics of Adapting
Behn's Oroonoko
read first paragraph


Anne F. Widmayer Volume 37, Issue 2
Summer 2003
The Politics of Rhetoric: The 1561
Antwerp Landjuweel		 John Cartwright Volume 27, Issue 1
Spring 1993
The Politics of Ritual in Wole
Soyinka's The Bacchae of Euripides

 Robert Baker-White Volume 27, Issue 3
Fall 1993
The Popular Theater of Samuel
Foote and British National Identity

 Susan Lamb Volume 30, Issue 2
Summer 1996
Portrayals of the Vita Christi in the Medieval
German Marienklage: Signs of Franciscan
Exegesis and Rhetoricin Drama and Music
view abstract

Peter Loewen Volume 42, Issue 3
Fall 2008
Positional Symbolism and English Medieval Drama

 Clifford Davidson Volume 25, Issue 1
Spring 1991
Predestination and the Heresy
of Merit in Othello

 Maurice Hunt Volume 30, Issue 3
Fall 1996
A Previously Unknown Ordo Prophetarum
in a Manuscript Fragment in Zagreb

 Clyde Jr. Brockett Volume 27, Issue 1
Spring 1993
The Problem of the Bienseances
in Voltaire's Oreste

 Marcus Allen Volume 5, Issue 2
Summer 1971
Profane Icon: The Throne Scene
of Shakespeare's Richard III

 Peggy Endel Volume 20, Issue 2
Summer 1986
Prolegomenon for a Theory of Drama
Reception: Peter Brook's Measure for
Measure and the Emergent Bourgeoisie

 Wolfgang Sohlich Volume 18, Issue 1
Spring 1984
Prometheus Bound: Robert
Lowell and Aeschylus

 Jerome Mazzaro Volume 7, Issue 4
Winter 1973-74
Prophetic "Play" and Symbolist "Plot"
in the Beauvais Daniel

 Jerome Taylor Volume 11, Issue 3
Fall 1977
A Proposal for a Theater Museum:
Staging the Fragments of Greek
and Roman Drama

 Timothy Richard Wutrich Volume 29, Issue 4
Winter 1995-96
The Protean Prince Hal


 Matthew H. Wikander Volume 26, Issue 4
Winter 1992-93
Psychological Aspects of the Expression
of Anger and Violence on the Stage

 Vladimir J. Konečni Volume 25, Issue 3
Fall 1991
Puppets Dallying: Thoughts on
Shakespearean Theatricality
view abstract		 Kenneth Gross Volume 41, Issue 3
Fall 2007

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