P
|
| Essay |
Author |
Location |
Painted Women: Annunciation
Motifs in Hamlet
|
R. Chris Hassel, Jr. |
Vol 32, No 1
Spring 1998 |
A Palimpset for Olivier's Hamlet
|
Bernice W. Kliman |
Vol 17, No 3
Fall 1983
|
Paterian Aesthetics in Yeats' Drama
|
F. C. McGrath |
Vol 13, No 1
Spring 1979 |
"Peace" and "Unbar the Door": T. S.
Eliot's Murder in the Cathedral and
Some Stoic Forebears
|
Edna G. Sharoni |
Vol 6, No 2
Summer 1972 |
Peking Opera before
the Twentieth Century
|
Colin Mackerras |
Vol 28, No 1
Spring 1994 |
Perceiving Rockaby—As a Text,
As a Text by Samuel Beckett, As
a Text for Performance
|
Charles R. Lyons |
Vol 16, No 4
Winter 1982-83 |
Percy MacKaye: Community Drama
and the Masque Tradition
|
D. Heyward Brock
and James M. Welsh |
Vol 6, No 1
Spring 1972 |
Performers and Performances in
the Earliest Serious Secular Plays
in the Netherlands
|
Willem M. H. Hummelen |
Vol 26, No 1
Spring 1992 |
Performing Marriage with a Difference:
Wooing, Wedding, and Bedding in
The Taming of the Shrew
read first paragraph
|
Amy L. Smith |
Vol 36, No 3,4
Fall/Winter 2002-03 |
Peter Handke's The Ride Across Lake Constance: The Illusion of Self-Sufficiency
|
June Schlueter |
Vol 11, No 2
Summer 1977 |
Peter Shaffer's Continued Quest
for God in Amadeus
|
Daniel R. Jones |
Vol 21, No 2
Summer 1987 |
Pinter's The Homecoming: Displacing
and Repeating Ibsen
|
Thomas Postlewait |
Vol 15, No 3
Fall 1981 |
Pirandello, the Sacred, and
the Death of Tragedy
|
Nina daVinci Nichols |
Vol 32, No 2
Summer 1998 |
Pirandello's Sei Personaggi
and Expressive Form
|
Jerome Mazzaro |
Vol 30, No 4
Winter 1996-97 |
Placing Shaffer's Lettice and Lovage
in Perspective
|
C. J. Gianakaris |
Vol 22, No 2
Summer 1988 |
Play and Passion in The Man of Mode
|
Derek Hughes |
Vol 15, No 3
Fall 1981 |
Play and Pirandello's Il giuoco delle parti
|
Jerome Mazzaro |
Vol 27, No 4
Winter 1993-94 |
The Play of Wisdom and the
Abbey of St. Edmund
|
Gail McMurray Gibson |
Vol 19, No 2
Summer 1985 |
Play Strindberg and the
Theater of Adaptation
|
Enoch Brater |
Vol 16, No 1
Spring 1982 |
The Player As Director: An
Approach to Character
|
Leonard R. Mendelsohn |
Vol 6, No 2
Summer 1972 |
The Player's Eye: Shakespeare
on Television
|
William B. Worthen |
Vol 18, No 3
Fall 1984 |
The Playwright as Perfect Wagnerite:
Motifs from the Music Dramas in the
Theatre of Bernard Shaw
|
Arthur Ganz |
Vol 13, No 3
Fall 1979 |
A Playwright Looks at Mozart:
Peter Shaffer's Amadeus
|
C. J. Gianakaris |
Vol 15, No 1
Spring 1981 |
Point of View in Drama: Diegetic
Monologue, Unreliable Narrators,
and the Author's Voice on Stage
|
Brian Richardson |
Vol 22, No 3
Fall 1988 |
Politesse and the Woman at Risk:
The Social Comedies of
Marie-Thérèse De Camp
view abstract
|
Adrienne Scullion |
Vol 38, No 2,3
Summer/Fall 2004 |
Political Allegory in Late Elizabethan
and Early Jacobean "Turk" Plays: Lust's Dominion and The Turke
view abstract
|
Claire Jowitt |
Vol 36, No 3,4
Fall/Winter 2002-03 |
The Political Significance of the Theatre
|
Willy Brandt
(trans. Walter S. G. Kohn) |
Vol 7, No 3
Fall 1973 |
The Politics of Adapting
Behn's Oroonoko
read first paragraph
|
Anne F. Widmayer |
Vol 37, No 2
Summer 2003 |
The Politics of Rhetoric: The 1561
Antwerp Landjuweel |
John Cartwright |
Vol 27, No 1
Spring 1993
|
The Politics of Ritual in Wole
Soyinka's The Bacchae of Euripides
|
Robert Baker-White |
Vol 27, No 3
Fall 1993
|
The Popular Theater of Samuel
Foote and British National Identity
|
Susan Lamb |
Vol 30, No 2
Summer 1996 |
Positional Symbolism and English Medieval Drama
|
Clifford Davidson |
Vol 25, No 1
Spring 1991 |
Predestination and the Heresy
of Merit in Othello
|
Maurice Hunt |
Vol 30, No 3
Fall 1996 |
A Previously Unknown Ordo Prophetarum
in a Manuscript Fragment in Zagreb
|
Clyde Jr. Brockett |
Vol 27, No 1
Spring 1993 |
The Problem of the Bienseances
in Voltaire's Oreste
|
Marcus Allen |
Vol 5, No 2
Summer 1971 |
Profane Icon: The Throne Scene
of Shakespeare's Richard III
|
Peggy Endel |
Vol 20, No 2
Summer 1986 |
Prolegomenon for a Theory of Drama
Reception: Peter Brook's Measure for
Measure and the Emergent Bourgeoisie
|
Wolfgang Sohlich |
Vol 18, No 1
Spring 1984 |
Prometheus Bound: Robert
Lowell and Aeschylus
|
Jerome Mazzaro |
Vol 7, No 4
Winter 1973-74 |
Prophetic "Play" and Symbolist "Plot"
in the Beauvais Daniel
|
Jerome Taylor |
Vol 11, No 3
Fall 1977 |
A Proposal for a Theater Museum:
Staging the Fragments of Greek
and Roman Drama
|
Timothy Richard Wutrich |
Vol 29, No 4
Winter 1995-96 |
The Protean Prince Hal
|
Matthew H. Wikander |
Vol 26, No 4
Winter 1992-93 |
Psychological Aspects of the Expression
of Anger and Violence on the Stage
|
Vladimir J. Konečni |
Vol 25, No 3
Fall 1991 |
Puppets Dallying: Thoughts on
Shakespearean Theatricality
view abstract |
Kenneth Gross |
Vol 41, No 3
Fall 2007 |