M
Essay Author Location
Macbeth and Hercules:
The Hero Bewitched

 Elizabeth Truax Vol 23, No 4
Winter 1989-90
Machines for the Supression of Time:
Statues in Suor Angelica, The Winter's
Tale, and Alcestis

 Robert C. Ketterer Vol 24, No 1
Spring 1990
Mactacio Desdemonae: Medieval Scenic
Form in the Last Scene of Othello

 Cherrell Guilfoyle Vol 19, No 4
Winter 1985-86
Madhouse Optics: The Changeling


 Joseph M. Duffy Vol 8, No 2
Summer 1974
Madness and Memory: Shakespeare's
Hamlet and King Lear

 Jerome Mazzaro Vol 19, No 2
Summer 1985
Magic Mirrors in Richard II
read first paragraph


 Robert Schuler Vol 38, No 2,3
Summer/Fall 2004
Mankind and Its Audience


 Lawrence M. Clopper Vol 8, No 4
Winter 1974-75
Mapping Jouissance: Insights from
a Case Study in the Schizophrenia
of Canadian Drama
read first paragraph

Gregory Reid Vol 35, No 3,4
Fall/Winter 2001-02
Marlowe's Edward II and the
Medieval Passion Play

 Patrick Ryan Vol 32, No 4
Winter 1998-99
Marlowe's Travesty of Virgil: Dido
and Elizabethan Dreams of Empire
read first paragraph

 Donald Stump Vol 34, No 1
Spring 2000
Marriage in Late Medieval German Easter
and Shrovetide Plays
view abstract

Albrecht Classen Volume 40, Issue 1
Spring 2006
Martin Walser's Sauspiel and the
Contemporary German History Play

 Gerald A. Fetz Vol 12, No 3
Fall 1978
The Marxist Theater of Amiri Baraka W. D. E. Andrews Vol 18, No 2
Summer 1984
Mary's Obedience and Power in
the Trial of Joseph and Mary

 Cindy L. Carlson Vol 29, No 3
Fall 1995
The Masks of Cupid and Death Judith Dundas Vol 29, No 1
Spring 1995
Masking Becomes Electra: O'Neill,
Freud, and the Feminine

 S. Georgia Nugent Vol 22, No 1
Spring 1988
Masks of the Empress: Polyphony
of Personae in Catherine the Great's
Oh, These Times!

 Lurana Donnels O'Malley Vol 31, No 1
Spring 1997
The Masque of Hymen
in As You Like It

 Marilyn L. Williamson Vol 2, No 4
Winter 1968-69
The Mass on the English Stage Lynette R. Muir Vol 23, No 4
Winter 1989-90
"Master Harold" and the Bard:
Education and Succession in Fugard
and Shakespeare

 David E. Hoegberg Vol 29, No 4
Winter 1995-96
Material Economy, Spiritual Economy,
and Social Critique in Everyman
view abstract
 Elizabeth Harper
and Britt Mize		 Vol 40, No 3
Fall 2006
Mathematical Certainty and Pirandello's
Così è (se vi pare)

 Jerome Mazzaro Vol 28, No 4
Winter 1994-95
Matthew Parker's Pastoral Training
and Marlowe's Doctor Faustus

 Celia Barnes Vol 15, No 3
Fall 1981
Maturation and Political Upheaval
in Lloyd Fernando's Scorpion Orchid
and Robert Yeo's The Singapore Trilogy
read first paragraph

 Catherine Diamond Vol 36, No 1,2
Spring/Summer 2002
"The meanest man . . . Shall be
permitted freely to accuse": The
Commoners in Woodstock

 Alzada J. Tipton Vol 32, No 1
Spring 1998
Meanings of All for Love, 1677-1813


 Tanya Caldwell Vol 38, No 2,3
Summer/Fall 2004
Measure for Measure and the
Unreconciled Virtues

 Tom McBride Vol 8, No 3
Fall 1974
Measure for Measure, Montmorency
and Sardou's La Tosca

 Mark Eccles Vol 14, No 1
Spring 1980
Medieval Drama: Diversity and Theatricality


 Clifford Davidson Vol 8, No 1
Spring 1974
Medieval Korean Drama:
The Pongsan Mask Dance
view abstract

Dongchoon Lee Vol 39, No. 3,4
Fall/Winter 2005-06
The Medieval Plough Team on
Stage: Wordplay and Reality in
the Towneley Mactacio Abel

 Margaret Rogerson Vol 28, No 2
Summer 1994
The Melodies of the Medieval
Church-Dramas and Their Significance

 William L. Smolden Vol 2, No 3
Fall 1968
Memorial Reconstruction in
a Cornish Miracle Play

 Paula Neuss Vol 5, No 2
Summer 1971
Memory and Madness in
Pirandello's Enrico IV

 Jerome Mazzaro Vol 26, No 1
Spring 1992
Memory in Aeschylus'
Seven Against Thebes

 Jerome Mazzaro Vol 18, No 2
Summer 1984
Memory, Composition, and the
Relationship of King John to The
Troublesome Raigne of King John
view abstract

 Beatrice Groves Vol 38, No 2,3
Summer/Fall 2004
Men Beware Men: Shakespeare's
Warnings for Unfair Husbands

 Ruth Vanita Vol 28, No 2
Summer 1994
Menaechmi and the Renaissance Comedy
view abstract


 Richard F. Hardin Vol 37, No 3,4
Fall/Winter 2003-04
The Merchant of Venice, the Arab-Israeli
Conflict, and the Perils of Shakespearean
Appropriation
view abstract

Mark Bayer Vol 41, No 4
Winter 2007-08
The Merry Wives of Windsor:
Classical and Italian Intertexts

 Robert S. Miola Vol 27, No 3
Fall 1993
The Metamorphosis of Theseus
in Oedipus at Colonus

 Brian Johnston Vol 27, No 3
Fall 1993
Metaphorical Obscenity in French
Farce, 1460-1560

 Barbara C. Bowen Vol 11, No 4
Winter 1977-78
Metatheater, Gender, and Subjectivity
in Richard II and Henry IV, Part I

 R. A. Martin Vol 23, No 3
Fall 1989
Methods of Dram Criticism


 Roy Battenhouse Vol 14, No 3
Fall 1980
Meyerhold Meets Mei Lanfang: Staging
the Grotesque and the Beautiful

 Min Tian Vol 33, No 2
Summer 1999
The Middle Cornish Interlude:
Genre and Tradition

 Evelyn S. Newlyn Vol 30, No 2
Summer 1996
The Middle-Cornish
Play Beunans Meriasek

 Robert T. Meyer Vol 3, No 1
Spring 1969
The Middle English Resurrection
Play and Its Dramatic Antecedents

 Robert A. Brawer Vol 8, No 1
Spring 1974
Milton, Dryden, and the Ideology of Genre


 D. M. Rosenberg Vol 21, No 1
Spring 1987
The Mirror as Stage Prop
in Modern Drama

 Thomas P. Adler Vol 14, No 4
Winter 1980-81
"The Mirror up to Nature": Notes
on Kozintsev's Hamlet

 Barbara Hodgdon Vol 9, No 4
Winter 1975-76
Mnema and Forgetting in
Euripides' The Bacchae

 Jerome Mazzaro Vol 27, No 3
Fall 1993
Mob Scenes: Their Generic Limitations


 Auréliu Weiss Vol 1, No 4
Winter 1967-68
Mocking Dead Bones: Historical
Memory and the Theater of the
Dead in Richard III
read first paragraph

Stephen Marche Vol 37, No 1
Spring 2003
Mocking the Meat It Feeds On:
Representing Sarah Churchill's
Hystericks in Addison's Rosamond

 Luis Gámez Vol 29, No 2
Summer 1995
Modal and Motivic Coherence in the
Music of the Fleury Play Book

 Clyde W. Brockett Vol 16, No 4
Winter 1982-83
Models and Memory in the
Comedy of Menander

 Sander M. Goldberg Vol 27, No 3
Fall 1993
The Modern British Homecoming Play Albert Wertheim Vol 19, No 2
Summer 1985
Money Changes Everything: Quarto and
Folio The Merry Wives of Windsor
and the Case for Revision
view abstract

Peter Grav Vol 40, No 2
Summer 2006
"Monsters in Love's Train": Euripides
and Shakespeare's Troilus and Cressida

 Margaret J. Arnold Vol 18, No 1
Spring 1984
The Morality Play: Ancestor
of Elizabethan Drama?

 John Wasson Vol 13, No 3
Fall 1979
The Morall as an Elizabethan Dramatic
Kind: An Exploratory Essay

 Alan C. Dessen Vol 5, No 2
Summer 1971
More's Richard III and Jonson's
Richard Crookback and Sejanus

 Robert C. Evans Vol 24, No 2
Summer 1990
Music and the English Mystery Plays JoAnna Dutka Vol 7, No 2
Summer 1973
Musical Structure in the
Second Shepherds' Play		 Regula Meyer Evitt Vol 22, No 4
Winter 1988-89
"My charms crack not": The
Alchemical Structure of The Tempest

 Peggy Muñoz Simonds Vol 31, No 4
Winter 1997-98
‘My condicion in mannes soule to
kill’—Everyman’s Mercantile Salvation
view abstract

 Roger A. Ladd Volume 41.1
Spring 2007
"My naked weapon": Male Anxiety
and the Violent Courtship of the
Jacobean Stage Widow
view abstract

 Jennifer Panek Vol 34, No 3
Fall 2000
The Mystère d'Adam
and Christian Memory

 Jerome Mazzaro Vol 31, No 4
Winter 1997-98
Mysteries, Minstrels, and Music


 JoAnna Dutka Vol 8, No 1
Spring 1974
Myth and Neurosis in
Ibsen's Mature Plays

 Margot Norris Vol 10, No 1
Spring 1976
The Mythic Foundation of Ibsen's Realism


 Brian Johnston Vol 3, No 1
Spring 1969
Mythic Structure in Hedda Gabler:
The Mask Behind the Face		 Elinor Fuchs Vol 19, No 3
Fall 1985

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