L
|
| Essay |
Author |
Location |
The Lacanian Imaginary in Ibsen's
Pillars of Society and Wild Duck
|
Oliver W. Gerland, III |
Vol 24, No 4,
Winter 1990-91 |
"Lamentable tragedy mixed ful of
pleasant mirth": The Enigma of Cambises
|
Howard B. Norland |
Vol 26, No 4,
Winter 1992-93 |
The Language of Cruelty in Ford's
'Tis Pity She's a Whore
|
Carol C. Rosen |
Vol 8, No 4,
Winter 1974-75 |
Lao Sheh: From People's Artist
to "An Enemy of the People"
|
Walter J. and
Ruth I. Meserve |
Vol 8, No 2,
Summer 1974 |
A Last Look Round the English Theatre
|
E. Martin Browne |
Vol 3, No 2,
Summer 1969 |
Laughter in Medieval English Drama:
A Critique of Modernizing and Historical Analyses
|
Hans-Jürgen Diller |
Vol 36, No 1,2,
Spring/Summer 2002 |
Law and Disorder in Ludus Coventriae
|
Lynn Squires |
Vol 12, No 3,
Fall 1978 |
Leir and Lear: Matthew 5:33-37, the
Turning Point and the Rescue Theme
|
James H. Jones |
Vol 4, No 2,
Summer 1970 |
L'Escole au deable: Tavern Scenes
in the Old French Moralité
|
Alan Hindley |
Vol 33, No 4,
Winter 1999-2000 |
Memory, Composition, and the Relationship
of King John to The Troublesome Reigne
of King John
view abstract
|
Beatrice Groves |
Volume 38, Issue 2,3,
Summer/Fall 2004 |
Lessons in "Hopping": The Dance of
Death and the Chester Mystery Cycle
|
Sophie Oosterwijk |
Vol 36, No 3,4,
Fall/Winter 2002-03 |
The Life of the Adult Nō
Player in Japan Today
|
Irmgard Johnson |
Vol 18, No 4,
Winter 1984-85 |
"Like a Liar Gone to Burning Hell":
Shakespeare and Dying Declarations
|
Harriet C. Frazier |
Vol 19, No 2,
Summer 1985 |
Liliane Atlan's The Messiahs
as Cosmic Theatre
|
Bettina Knapp |
Vol 9, No 3,
Fall 1975 |
The Limits of Typology and the
Wakefield Master's Processus Noe
|
Edgar Schell |
Vol 25, No 2,
Summer 1991 |
The Limits of Violence: Camus's
Tragic View of the Rebel
|
Alfred Schwarz |
Vol 6, No 1,
Spring 1972 |
A Little-Known Fragment of a
Dutch Abraham-and-Sarah Play
|
Mary-Jo Arn |
Vol 17, No 4,
Winter 1983-84 |
The Liturgical Context of
the Quem Queritis Trope
|
C. Clifford Flanigan |
Vol 8, No 1,
Spring 1974 |
Liturgical Drama in Byzantine Literature
|
Theodore Bagdanos |
Vol 10, No 3,
Fall 1976 |
Liturgical Dramaturgy
|
Cynthia Bourgeault |
Vol 17, No 2,
Summer 1983 |
Liturgy and Community in N-Town
Passion Play I
|
Victor I. Scherb |
Vol 29, No 4,
Winter 1995-96 |
London and the Problem
of the Clerkenwell Plays
view abstract
|
Lawrence M. Clopper |
Vol 34, No 3,
Fall 2000 |
Lonely Search into the Unknown:
T'ien Han's Early Plays, 1920-1930 |
Constantine Tung |
Vol 2, No 1,
Spring 1968
|
"Look not big, nor stamp, nor stare":
Acting Up in The Taming of the
Shrew and the Coventry Herod Plays
read first paragraph
|
Jonathan Gil Harris |
Vol 34, No 4,
Winter 2000-01 |
Lope de Vega's and Webster's Amalfi Plays
|
John Loftis |
Vol 16, No 1,
Spring 1982 |
Lost American Opportunity: Two 1931
German Plays about Mary Baker Eddy
|
Glen W. Gadberry |
Vol 28, No 4,
Winter 1994-95 |
The Lost Playing Places of Lincolnshire
view abstract
|
James Stokes |
Vol 37, No 3,4,
Fall/Winter 2003-04 |
Louis Aragon's L'Armoire à glace
un beau soir: A Play of the Surrealist
"Epoque de sommeil"
|
Annabelle Henkin Melzer |
Vol 11, No 1,
Spring 1977 |
Love and Infamy: The Paradox of
Monteverdi's L'Incoronazione di Poppea
|
Edward B. Savage |
Vol 4, No 3,
Fall 1970 |
Love, Death, and Mrs. Barry
in Thomas Southerne's Plays
|
Helda Drougge |
Vol 27, No 4,
Winter 1993-94 |
Lucan and the Self-Incised Voids
of Julius Caesar
|
Clifford J. Ronan |
Vol 22, No 3,
Fall 1988 |
Lucanic Omens in Julius Caesar
|
Clifford J. Ronan |
Vol 22, No 2,
Summer 1988 |
Lydgate's Mummings and the
Aristocratic Resistance to Drama
|
Robert Epstein |
Vol 36, No 3,4,
Fall/Winter 2002-03 |
Lyly's Endymion and Midas:
The Catholic Question in England |
David Bevington |
Vol 32, No 1,
Spring 1998 |