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Essay Author Location
The Lacanian Imaginary in Ibsen's
Pillars of Society and Wild Duck

 Oliver W. Gerland, III Vol 24, No 4,
Winter 1990-91
"Lamentable tragedy mixed ful of
pleasant mirth": The Enigma of Cambises

 Howard B. Norland Vol 26, No 4,
Winter 1992-93
The Language of Cruelty in Ford's
'Tis Pity She's a Whore

 Carol C. Rosen Vol 8, No 4,
Winter 1974-75
Lao Sheh: From People's Artist
to "An Enemy of the People"

 Walter J. and
Ruth I. Meserve		 Vol 8, No 2,
Summer 1974
A Last Look Round the English Theatre


 E. Martin Browne Vol 3, No 2,
Summer 1969
Laughter in Medieval English Drama:
A Critique of Modernizing and Historical Analyses

 Hans-Jürgen Diller Vol 36, No 1,2,
Spring/Summer 2002
Law and Disorder in Ludus Coventriae


 Lynn Squires Vol 12, No 3,
Fall 1978
Leir and Lear: Matthew 5:33-37, the
Turning Point and the Rescue Theme

 James H. Jones Vol 4, No 2,
Summer 1970
L'Escole au deable: Tavern Scenes
in the Old French Moralité

 Alan Hindley Vol 33, No 4,
Winter 1999-2000
Memory, Composition, and the Relationship
of King John to The Troublesome Reigne
of King John
view abstract
Beatrice Groves Volume 38, Issue 2,3,
Summer/Fall 2004
Lessons in "Hopping": The Dance of
Death and the Chester Mystery Cycle

 Sophie Oosterwijk Vol 36, No 3,4,
Fall/Winter 2002-03
The Life of the Adult Nō
Player in Japan Today

Irmgard Johnson Vol 18, No 4,
Winter 1984-85
"Like a Liar Gone to Burning Hell":
Shakespeare and Dying Declarations

 Harriet C. Frazier Vol 19, No 2,
Summer 1985
Liliane Atlan's The Messiahs
as Cosmic Theatre

 Bettina Knapp Vol 9, No 3,
Fall 1975
The Limits of Typology and the
Wakefield Master's Processus Noe

 Edgar Schell Vol 25, No 2,
Summer 1991
The Limits of Violence: Camus's
Tragic View of the Rebel

 Alfred Schwarz Vol 6, No 1,
Spring 1972
A Little-Known Fragment of a
Dutch Abraham-and-Sarah Play

 Mary-Jo Arn Vol 17, No 4,
Winter 1983-84
The Liturgical Context of
the Quem Queritis Trope

 C. Clifford Flanigan Vol 8, No 1,
Spring 1974
Liturgical Drama in Byzantine Literature


 Theodore Bagdanos Vol 10, No 3,
Fall 1976
Liturgical Dramaturgy


 Cynthia Bourgeault Vol 17, No 2,
Summer 1983
Liturgy and Community in N-Town
Passion Play I

 Victor I. Scherb Vol 29, No 4,
Winter 1995-96
London and the Problem
of the Clerkenwell Plays
view abstract

Lawrence M. Clopper Vol 34, No 3,
Fall 2000
Lonely Search into the Unknown:
T'ien Han's Early Plays, 1920-1930		 Constantine Tung Vol 2, No 1,
Spring 1968
"Look not big, nor stamp, nor stare":
Acting Up in The Taming of the
Shrew and the Coventry Herod Plays
read first paragraph

Jonathan Gil Harris Vol 34, No 4,
Winter 2000-01
Lope de Vega's and Webster's Amalfi Plays


 John Loftis Vol 16, No 1,
Spring 1982
Lost American Opportunity: Two 1931
German Plays about Mary Baker Eddy

 Glen W. Gadberry Vol 28, No 4,
Winter 1994-95
The Lost Playing Places of Lincolnshire
view abstract


 James Stokes Vol 37, No 3,4,
Fall/Winter 2003-04
Louis Aragon's L'Armoire à glace
un beau soir: A Play of the Surrealist
"Epoque de sommeil"

 Annabelle Henkin Melzer Vol 11, No 1,
Spring 1977
Love and Infamy: The Paradox of
Monteverdi's L'Incoronazione di Poppea

 Edward B. Savage Vol 4, No 3,
Fall 1970
Love, Death, and Mrs. Barry
in Thomas Southerne's Plays

 Helda Drougge Vol 27, No 4,
Winter 1993-94
Lucan and the Self-Incised Voids
of Julius Caesar

 Clifford J. Ronan Vol 22, No 3,
Fall 1988
Lucanic Omens in Julius Caesar


 Clifford J. Ronan Vol 22, No 2,
Summer 1988
Lydgate's Mummings and the
Aristocratic Resistance to Drama

 Robert Epstein Vol 36, No 3,4,
Fall/Winter 2002-03
Lyly's Endymion and Midas:
The Catholic Question in England		 David Bevington Vol 32, No 1,
Spring 1998

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