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| Essay | Author | Location |
| Kabuki Today and Tomorrow |
Leonard C. Pronko | Vol 6, No 2, Summer 1972 |
| Killed by Words: Grotesque Verbal Violence and Tragic Atonement in French Passion Plays |
Véronique Plesch | Vol 33, No 1, Spring 1999 |
| The King and the Physician's Daughter: All's Well That Ends Well and the Late Romances |
Richard P. Wheeler | Vol 8, No 4, Winter 1974-75 |
| King Hamlet's Two Successors |
Cherrell Guilfoyle | Vol 15, No 2, Summer 1981 |
| The King's Play: Censorship and the Politics of Performance in Molière's Tartuffe |
Michael Spingler | Vol 19, No 3, Fall 1985 |
| Korean Shamanist Theater and Drama |
Daniel A. Kister | Vol 17, No 2, Summer 1983 |
| Kori Torahiko and Edith Craig: A Japanese Playwright in London and Toronto |
Yoko Chiba | Vol 30, No 4, Winter 1996-97 |
| Krapp's Last Tape and Critical Theory |
SueEllen Campbell | Vol 12, No 3, Fall 1978 |
| Kuravanji Nattiya Nadagam: A Dance Drama from Madras State |
Edwina Ranganathan | Vol 4, No 2, Summer 1970 |
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