J
|
| Essay |
Author |
Location |
James I and Timon of Athens
|
David Bevington
and David L. Smith |
Volume 33, Issue 1
Spring 1999 |
Japanese Noh and Kyōgen Plays:
Staging Dichotomy
view abstract
|
Zvika Serper |
Volume 39, Issue 3,4
Fall/Winter 2005-06 |
Jean Anouilh and Eugene O'Neill:
Repetition as Negativity
|
Joseph J. Moleski
and John H. Stroupe |
Volume 20, Issue 4
Winter 1986-87 |
Jean Genet and the Psychology
of Colonialism
|
Anthony Graham-White |
Volume 4, Issue 3
Fall 1970 |
Jesters and Executioners: The Future
of East European Theater and Drama
|
E. J. Czerwinski |
Volume 5, Issue 3
Fall 1971 |
Jews in the Fleury Playbook
read first paragraph
|
Theresa Tinkle |
Volume 38, Issue 1
Spring 2004 |
Joan of Arc Internationale: Shaw,
Brecht, and the Law of Nations
view abstract
|
Julie Stone Peters |
Volume 38, Issue 4
Winter 2004-05
|
Johann Drumbl and the Origin of
the Quem Quaeritis: A Review Article
|
Anselme Davril |
Volume 20, Issue 1
Spring 1986 |
John Marston's Histriomastix
and the Golden Age
|
George L. Geckle |
Volume 6, Issue 3
Fall 1972 |
Jonson and the Emblematic Tradition:
Ralegh, Brant, the Poems, The Alchemist,
and Volpone
|
Robert C. Evans |
Volume 29, Issue 1
Spring 1995 |
Jonson's Copy of Seneca
|
Robert C. Evans |
Volume 25, Issue 3
Fall 1991
|
Jonson's Volpone and Dante
read first paragraph |
Christopher Baker
and Richard Harp
|
Volume 39, Issue 1
Spring 2005
|
Joyce contra Wagner
|
John MacNicholas |
Volume 9, Issue 1
Spring 1975 |
Judeo-Christian Apocalyptic Literature
and John Crowne's The Destruction
of Jerusalem
read first paragraph
|
John B. Rollins |
Volume 35, Issue 2
Summer 2001 |
| Julius Caesar from a Euripidean Perspective |
J. A. Bryant, Jr. |
Volume 16, Issue 2
Summer 1982 |