J
|
| Essay |
Author |
Location |
James I and Timon of Athens
|
David Bevington
and David L. Smith |
Vol 33, No 1,
Spring 1999 |
Japanese Noh and Kyōgen Plays:
Staging Dichotomy
view abstract
|
Zvika Serper |
Vol 39, No. 3,4
Fall/Winter 2005-06 |
Jean Anouilh and Eugene O'Neill:
Repetition as Negativity
|
Joseph J. Moleski
and John H. Stroupe |
Vol 20, No 4,
Winter 1986-87 |
Jean Genet and the Psychology
of Colonialism
|
Anthony Graham-White |
Vol 4, No 3,
Fall 1970 |
Jesters and Executioners: The Future
of East European Theater and Drama
|
E. J. Czerwinski |
Vol 5, No 3,
Fall 1971 |
Jews in the Fleury Playbook
|
Theresa Tinkle |
Vol 38, No 1,
Spring 2004 |
Joan of Arc Internationale: Shaw,
Brecht, and the Law of Nations
view abstract
|
Julie Stone Peters |
Volume 38, Issue 4,
Winter 2004-05
|
Johann Drumbl and the Origin of
the Quem Quaeritis: A Review Article
|
Anselme Davril |
Vol 20, No 1,
Spring 1986 |
John Marston's Histriomastix
and the Golden Age
|
George L. Geckle |
Vol 6, No 3,
Fall 1972 |
Jonson and the Emblematic Tradition:
Ralegh, Brant, the Poems, The Alchemist,
and Volpone
|
Robert C. Evans |
Vol 29, No 1,
Spring 1995 |
Jonson's Copy of Seneca
|
Robert C. Evans |
Vol 25, No 3,
Fall 1991
|
Jonson's Volpone and Dante
read first paragraph |
Christopher Baker
and Richard Harp
|
Vol 39, No. 1,
Spring 2005
|
Joyce contra Wagner
|
John MacNicholas |
Vol 9, No 1,
Spring 1975 |
Judeo-Christian Apocalyptic Literature
and John Crowne's The Destruction
of Jerusalem
|
John B. Rollins |
Vol 35, No 2,
Summer 2001 |
| Julius Caesar from a Euripidean Perspective |
J. A. Bryant, Jr. |
Vol 16, No 2,
Summer 1982 |