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| Essay | Author | Location |
| “I desyre to be paid”: Interpreting the Language of Remuneration in Early Modern Dramatic Archives view abstract |
Kara Northway | Volume 41, Issue 4 Winter 2007-08 |
| "I See a Voice" |
Thomas B. Stroup | Volume 15, Issue 1 Spring 1981 |
| "I would faine serve": John Lyly's Career at Court view abstract |
Derek B. Alwes | Volume 34, Issue 4 Winter 2000-01 |
| Ibsen and Albee's Spurious Children |
Terry Otten | Volume 2, Issue 2 Summer 1968 |
| Ibsen's Cycle as Hegelian Tragedy |
Brian Johnston | Volume 33, Issue 1 Spring 1999 |
| The Iceman Cometh and the Anatomy of Alcoholism |
Thomas B. Gilmore | Volume 18, Issue 4 Winter 1984-85 |
| Iconographic Contexts of the Swedish De uno peccatore qui promeruit gratiam |
Stephen K. Wright | Volume 27, Issue 1 Spring 1993 |
| Iconography and Characterization in English Tragedy 1585-1642 |
Huston Diehl | Volume 12, Issue 2 Summer 1978 |
| Iconography and the Montecassino Passion |
Robert R. Edwards | Volume 6, Issue 4 Winter 1972-73 |
| The Iconography of Audience in the Cuzco Corpus Christi Paintings |
Barbara H. Jaye and William P. Mitchell |
Volume 25, Issue 1 Spring 1991 |
| The Iconography of Food and the Motif of World Order in Friar Bacon and Friar Bungay |
Cecile Williamson Cary | Volume 13, Issue 2 Summer 1979 |
| The Iconography of Herod in the Fleury Playbook and the Visual Arts |
Miram Anne Skey | Volume 17, Issue 1 Spring 1983 |
| The Idea of a Definitive Production: Chekhov in and out of Period |
J. L. Styan | Volume 4, Issue 3 Fall 1970 |
| The Idea of a Person in Medieval Morality Plays |
Natalie Crohn Schmitt | Volume 12, Issue 1 Spring 1978 |
| If Looks Could Kill: Fathers and Sons in The Revenger's Tragedy |
Stephen Wigler | Volume 9, Issue 3 Fall 1975 |
| The Illegal Immigration of Medieval Drama to California |
Robert Potter | Volume 27, Issue 1 Spring 1993 |
| The Imperial Play as Final Chapter in the Jesuit Theater in Austria |
Eugene J. Devlin | Volume 23, Issue 2 Summer 1989 |
| Imprisonment in Camus' "Modern Tragedies": Les Justes, Requiem pour une nonne, Le Malentendu |
Mary Ann Frese Witt | Volume 5, Issue 1 Spring 1971 |
| Incest Disguised: Ottonian Influence at Gandersheim and Hrotsvit’s Abraham view abstract |
Regula Meyer Evitt | Volume 41, Issue 3 Fall 2007 |
| The Incest Motif in Shelley's The Cenci |
Barbara Groseclose | Volume 19, Issue 3 Fall 1985 |
| Indian and Greek Drama: Two Definitions |
Darius L. Swann | Volume 3, Issue 2 Summer 1969 |
| The Ingressus Pilatus Chant in Medieval German Drama |
Stephen K. Wright | Volume 28, Issue 3 Fall 1994 |
| Intercession, Detraction, and Just Judgement in Othello read first paragraph |
R. Chris Jr. Hassel | Volume 35, Issue 1 Spring 2001 |
| Interior Action: The Impact of Noh on Jean-Louis Barrault |
John K. Gillespie | Volume 16, Issue 4 Winter 1982-83 |
| Interrogating the Devil: Social and Demonic Pressure in The Witch of Edmonton read first paragraph |
David Nicol | Volume 38, Issue 4 Winter 2004-05 |
| Intertextualizing Polyphemus: Politics and Ideology in Walcott’s Odyssey view abstract |
Zina Giannopoulou | Volume 40, Issue 1 Spring 2006 |
| Irish Babel: Brian Friel's Translations and George Steiner's After Babel |
F. C. McGrath | Volume 23, Issue 1 Spring 1989 |
| Irony and Theatricality in Chekhov's The Sea Gull |
Carol Strongin | Volume 15, Issue 4 Winter 1981-82 |
| “Is everything history?”: Churchill, Barker and the Modern History Play view abstract |
Brean S. Hammond | Volume 41, Issue 1 Spring 2007 |
| Isidore and the Theater |
Joseph R. Jones | Volume 16, Issue 1 Spring 1982 |
| The Islamization of Spain in William Rowley and Mary Pix: The Politics of Nation and Gender view abstract |
Pilar Cuder-Domínguez | Volume 36, Issue 3,4 Fall/Winter 2002-03 |
| "It Is Written": Tom Stoppard and the Drama of the Intertext |
Kinereth Meyer | Volume 23, Issue 2 Summer 1989 |
| "It lak'th but life": Redford's Wit and Science, Anne of Cleves, and the Politics of Interpretation |
Hillary Nunn | Volume 33, Issue 2 Summer 1999 |
| Italian Renaissance Drama in the Eighteenth Century |
Beatrice Corrigan | Volume 10, Issue 2 Summer 1976 |
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