I
Essay Author Location
“I desyre to be paid”: Interpreting the
Language of Remuneration in Early
Modern Dramatic Archives
view abstract

Kara Northway Vol 41, No 4
Winter 2007-08
"I See a Voice"

 Thomas B. Stroup Vol 15, No 1
Spring 1981
"I would faine serve": John
Lyly's Career at Court
view abstract

Derek B. Alwes Vol 34, No 4
Winter 2000-01
Ibsen and Albee's Spurious Children


 Terry Otten Vol 2, No 2
Summer 1968
Ibsen's Cycle as Hegelian Tragedy


 Brian Johnston Vol 33, No 1
Spring 1999
The Iceman Cometh and the
Anatomy of Alcoholism

 Thomas B. Gilmore Vol 18, No 4
Winter 1984-85
Iconographic Contexts of the Swedish
De uno peccatore qui promeruit gratiam

 Stephen K. Wright Vol 27, No 1
Spring 1993
Iconography and Characterization
in English Tragedy 1585-1642

 Huston Diehl Vol 12, No 2
Summer 1978
Iconography and the Montecassino Passion


 Robert R. Edwards Vol 6, No 4
Winter 1972-73
The Iconography of Audience in
the Cuzco Corpus Christi Paintings

 Barbara H. Jaye
and William P. Mitchell		 Vol 25, No 1
Spring 1991
The Iconography of Food and the
Motif of World Order in Friar Bacon
and Friar Bungay

 Cecile Williamson Cary Vol 13, No 2
Summer 1979
The Iconography of Herod in the
Fleury Playbook and the Visual Arts

 Miram Anne Skey Vol 17, No 1
Spring 1983
The Idea of a Definitive Production:
Chekhov in and out of Period

 J. L. Styan Vol 4, No 3
Fall 1970
The Idea of a Person in
Medieval Morality Plays

 Natalie Crohn Schmitt Vol 12, No 1
Spring 1978
If Looks Could Kill: Fathers and Sons
in The Revenger's Tragedy

 Stephen Wigler Vol 9, No 3
Fall 1975
The Illegal Immigration of Medieval
Drama to California

 Robert Potter Vol 27, No 1
Spring 1993
The Imperial Play as Final Chapter
in the Jesuit Theater in Austria

 Eugene J. Devlin Vol 23, No 2
Summer 1989
Imprisonment in Camus' "Modern Tragedies":
Les Justes, Requiem pour une nonne,
Le Malentendu

 Mary Ann Frese Witt Vol 5, No 1
Spring 1971
Incest Disguised: Ottonian Influence at
Gandersheim and Hrotsvit’s Abraham
view abstract

 Regula Meyer Evitt Vol 41, No 3
Fall 2007
The Incest Motif in Shelley's The Cenci


 Barbara Groseclose Vol 19, No 3
Fall 1985
Indian and Greek Drama: Two Definitions


 Darius L. Swann Vol 3, No 2
Summer 1969
The Ingressus Pilatus Chant in
Medieval German Drama

Stephen K. Wright Vol 28, No 3
Fall 1994
Intercession, Detraction, and Just
Judgement in Othello
read first paragraph

 R. Chris Jr. Hassel Vol 35, No 1
Spring 2001
Interior Action: The Impact of Noh
on Jean-Louis Barrault

 John K. Gillespie Vol 16, No 4
Winter 1982-83
Interrogating the Devil: Social and Demonic Pressure in The Witch of Edmonton

 David Nicol Volume 38, Issue 4
Winter 2004-05
Intertextualizing Polyphemus: Politics
and Ideology in Walcott’s Odyssey
view abstract

Zina Giannopoulou Volume 40, Issue 1
Spring 2006
Irish Babel: Brian Friel's Translations
and George Steiner's After Babel

 F. C. McGrath Vol 23, No 1
Spring 1989
Irony and Theatricality in Chekhov's
The Sea Gull

 Carol Strongin Vol 15, No 4
Winter 1981-82
“Is everything history?”: Churchill, Barker
and the Modern History Play
view abstract

 Brean S. Hammond  Volume 41.1
Spring 2007
Isidore and the Theater


Joseph R. Jones Vol 16, No 1
Spring 1982
The Islamization of Spain in William
Rowley and Mary Pix: The Politics
of Nation and Gender
view abstract

 Pilar Cuder-Domínguez Vol 36, No 3,4
Fall/Winter 2002-03
"It Is Written": Tom Stoppard and
the Drama of the Intertext

 Kinereth Meyer Vol 23, No 2
Summer 1989
"It lak'th but life": Redford's Wit and
Science, Anne of Cleves, and the
Politics of Interpretation

 Hillary Nunn Vol 33, No 2
Summer 1999
Italian Renaissance Drama in
the Eighteenth Century		 Beatrice Corrigan Vol 10, No 2
Summer 1976

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