I
|
| Essay |
Author |
Location |
“I desyre to be paid”: Interpreting the
Language of Remuneration in Early
Modern Dramatic Archives
view abstract
|
Kara Northway |
Vol 41, No 4
Winter 2007-08 |
"I See a Voice"
|
Thomas B. Stroup |
Vol 15, No 1
Spring 1981
|
"I would faine serve": John
Lyly's Career at Court
view abstract
|
Derek B. Alwes |
Vol 34, No 4
Winter 2000-01 |
Ibsen and Albee's Spurious Children
|
Terry Otten |
Vol 2, No 2
Summer 1968 |
Ibsen's Cycle as Hegelian Tragedy
|
Brian Johnston |
Vol 33, No 1
Spring 1999 |
The Iceman Cometh and the
Anatomy of Alcoholism
|
Thomas B. Gilmore |
Vol 18, No 4
Winter 1984-85 |
Iconographic Contexts of the Swedish
De uno peccatore qui promeruit gratiam
|
Stephen K. Wright |
Vol 27, No 1
Spring 1993 |
Iconography and Characterization
in English Tragedy 1585-1642
|
Huston Diehl |
Vol 12, No 2
Summer 1978 |
Iconography and the Montecassino Passion
|
Robert R. Edwards |
Vol 6, No 4
Winter 1972-73 |
The Iconography of Audience in
the Cuzco Corpus Christi Paintings
|
Barbara H. Jaye
and William P. Mitchell |
Vol 25, No 1
Spring 1991 |
The Iconography of Food and the
Motif of World Order in Friar Bacon
and Friar Bungay
|
Cecile Williamson Cary |
Vol 13, No 2
Summer 1979 |
The Iconography of Herod in the
Fleury Playbook and the Visual Arts
|
Miram Anne Skey |
Vol 17, No 1
Spring 1983 |
The Idea of a Definitive Production:
Chekhov in and out of Period
|
J. L. Styan |
Vol 4, No 3
Fall 1970 |
The Idea of a Person in
Medieval Morality Plays
|
Natalie Crohn Schmitt |
Vol 12, No 1
Spring 1978 |
If Looks Could Kill: Fathers and Sons
in The Revenger's Tragedy
|
Stephen Wigler |
Vol 9, No 3
Fall 1975 |
The Illegal Immigration of Medieval
Drama to California
|
Robert Potter |
Vol 27, No 1
Spring 1993 |
The Imperial Play as Final Chapter
in the Jesuit Theater in Austria
|
Eugene J. Devlin |
Vol 23, No 2
Summer 1989 |
Imprisonment in Camus' "Modern Tragedies":
Les Justes, Requiem pour une nonne,
Le Malentendu
|
Mary Ann Frese Witt |
Vol 5, No 1
Spring 1971 |
Incest Disguised: Ottonian Influence at
Gandersheim and Hrotsvit’s Abraham
view abstract
|
Regula Meyer Evitt |
Vol 41, No 3
Fall 2007 |
The Incest Motif in Shelley's The Cenci
|
Barbara Groseclose |
Vol 19, No 3
Fall 1985 |
Indian and Greek Drama: Two Definitions
|
Darius L. Swann |
Vol 3, No 2
Summer 1969 |
The Ingressus Pilatus Chant in
Medieval German Drama
|
Stephen K. Wright |
Vol 28, No 3
Fall 1994 |
Intercession, Detraction, and Just
Judgement in Othello
read first paragraph
|
R. Chris Jr. Hassel |
Vol 35, No 1
Spring 2001 |
Interior Action: The Impact of Noh
on Jean-Louis Barrault
|
John K. Gillespie |
Vol 16, No 4
Winter 1982-83 |
Interrogating the Devil: Social and Demonic Pressure in The Witch of Edmonton
|
David Nicol |
Volume 38, Issue 4
Winter 2004-05 |
Intertextualizing Polyphemus: Politics
and Ideology in Walcott’s Odyssey
view abstract
|
Zina Giannopoulou |
Volume 40, Issue 1
Spring 2006 |
Irish Babel: Brian Friel's Translations
and George Steiner's After Babel
|
F. C. McGrath |
Vol 23, No 1
Spring 1989 |
Irony and Theatricality in Chekhov's
The Sea Gull
|
Carol Strongin |
Vol 15, No 4
Winter 1981-82 |
“Is everything history?”: Churchill, Barker
and the Modern History Play
view abstract
|
Brean S. Hammond |
Volume 41.1
Spring 2007 |
Isidore and the Theater
|
Joseph R. Jones |
Vol 16, No 1
Spring 1982 |
The Islamization of Spain in William
Rowley and Mary Pix: The Politics
of Nation and Gender
view abstract
|
Pilar Cuder-Domínguez |
Vol 36, No 3,4
Fall/Winter 2002-03 |
"It Is Written": Tom Stoppard and
the Drama of the Intertext
|
Kinereth Meyer |
Vol 23, No 2
Summer 1989 |
"It lak'th but life": Redford's Wit and
Science, Anne of Cleves, and the
Politics of Interpretation
|
Hillary Nunn |
Vol 33, No 2
Summer 1999 |
Italian Renaissance Drama in
the Eighteenth Century |
Beatrice Corrigan |
Vol 10, No 2
Summer 1976 |