Comparative Drama — Reproduction Permissions

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Essay	Author	Location
Gadshill, Hotspur, and the Design of Proleptic Parody	Robert P. Merrix and Arthur Palacas	Vol 14, No 4 Winter 1980-81
Garbled Martyrdom in Christopher Marlowe's The Massacre at Paris	Kristen Elizabeth Poole	Vol 32, No 1 Spring 1998
G. B. Shaw’s Heartbreak House and Harold Pinter’s The Homecoming: Comedies of Implosion view abstract	Emil Roy	Vol 41, No 3 Fall 2007
Generic Complexity in Ibsen's An Enemy of the People	Thomas F. Van Laan	Vol 20, No 2 Summer 1986
Genet's The Blacks and The Screens: Dialectic of Refusal and Revolutionary Consciousness	W. F. Sohlich	Vol 10, No 3 Fall 1976
Giulio Camillo's Idea of the Theatre: The Enigma of the Renaissance	Albert R. Cirillo	Vol 1, No 1 Spring 1967
The Globalization of Beckett's Godot read first paragraph	Enoch Brater	Vol 37, No 2 Summer 2003
Goodnight Desdemona (Good Morning Juliet): From Shakespearean Tragedy to Postmodern Satyr Play read first paragraph	Igor Djordjevic	Vol 37, No 1 Spring 2003
Granville Barker's Production of The Winter's Tale (1912)	Brian Pearce	Vol 30, No 3 Fall 1996
The Great Calvaries of Brittany and the Medieval Breton Burzud braz Jezuz	Stanley Damberger and Ellin M. Kelly	Vol 25, No 1 Spring 1991