F
|
| Essay |
Author |
Location |
The Face of Janus: Debatable
Issues in Mariken van Nieumeghen
|
Elsa Strietman |
Volume 27, Issue 1
Spring 1993 |
False Fidelity: Othello,
Otello, and Their Critics
|
James Aldrich-Moodie |
Volume 28, Issue 3
Fall 1994 |
Falstaff's False Staff: "Jonsonian"
Asexuality in The Merry Wives of Windsor
|
Grace Tiffany |
Volume 26, Issue 3
Fall 1992 |
Fansy and Foly: The Drama
of Fools in Magnyfycence
|
Peter Happé |
Volume 27, Issue 4
Winter 1993-94 |
The Farced Epistle as Dramatic Form
in the Twelfth Century Renaissance
|
E. Catherine Dunn |
Volume 29, Issue 3
Fall 1995 |
Feasting on Ayre: Community,
Consumption, and Communion
in The Shoemaker's Holiday
|
Stephen Maynard |
Volume 32, Issue 3
Fall 1998 |
Felt Absences: The Stage Properties
of Othello's Handkerchief
|
Andrew Sofer |
Volume 31, Issue 3
Fall 1997 |
The “Female Martinet”: Mrs. Harper,
Gender, and Civic Virtue on the Early
Republican Stage
view abstract
|
Jason Shaffer |
Volume 40, Issue 4
Winter 2006-07 |
Fertility and Comic Form in A Chaste
Maid in Cheapside
|
Arthur F. Marotti |
Volume 3, Issue 1
Spring 1969 |
Fifteenth-Century Flamboyant Style
and The Castle of Perseverance
|
Michael R. Kelley |
Volume 6, Issue 1
Spring 1972 |
The Figure of Mahomet
in the Towneley Cycle
|
Michael Paull |
Volume 6, Issue 3
Fall 1972 |
Fireworks, Turks, and Long-Necked
Mules: Pyrotechnic Theater in Germany
and Catalonia
|
Max Harris |
Volume 32, Issue 3
Fall 1998 |
The First Perugian Passion Play:
Aspects of Structure
|
Kathleen Falvey |
Volume 11, Issue 2
Summer 1977 |
The Five Voices of The Birth of Tragedy
|
Michael Hinden |
Volume 22, Issue 2
Summer 1988 |
Flattery in Shakespeare's Othello: The
Relevance of Plutarch and Sir Thomas Elyot
read first paragraph
|
Robert C. Evans |
Volume 35, Issue 1
Spring 2001 |
Fletcher, Massinger, and Roman
Imperial Character
view abstract
|
John E. Curran, Jr. |
Volume 43, Issue 3
Fall 2009 |
Fletcher's Satire of Caratach in Bonduca
|
Ronald J. Boling |
Volume 33, Issue 3
Fall 1999
|
The Fleury Playbook and the
Traditions of Medieval Latin Drama
|
C. Clifford Flanigan |
Volume 18, Issue 4
Winter 1984-85 |
The Fleury Raising of Lazarus and
Twelfth-Century Currents of Thought
|
Kathleen M. Ashley |
Volume 15, Issue 2
Summer 1981 |
"Folly, in wisdom hatch'd": The Exemplary Comedy of Love's Labour's Lost
|
Louis Adrian Montrose |
Volume 11, Issue 2
Summer 1977 |
A Footnote to Footfalls: Footsteps
of Infinity on Beckett's Narrow Space
|
Enoch Brater |
Volume 12, Issue 1
Spring 1978 |
“For want of Clelia”: Re-Placing the
Maternal Body in The Twin Rivals
view abstract
|
Elizabeth Savage |
Volume 42, Issue 4
Winter 2008 |
"Forget Scotland": Plays by Scots
on the London Stage, 1667-1715
|
Adrienne Scullion |
Volume 31, Issue 1
Spring 1997 |
Formalizing Frech Farce: Johan Johan
and Its French Connection
|
Howard B. Norland |
Volume 17, Issue 2
Summer 1983 |
Fortune and Virtue in The Duchess of Malfi
|
Leslie Thomsom |
Volume 33, Issue 4
Winter 1999-2000 |
Fortunes and Misfortunes of the Spanish
Lyric Theater in the Eighteenth Century
|
John Dowling |
Volume 31, Issue 1
Spring 1997 |
"Forward Backward" Time and
the Apocalypse in Hamlet
read first paragraph
|
Maurice Hunt |
Volume 38, Issue 4
Winter 2004-05 |
The Fragile World of Lear
|
Peter S. Anderson |
Volume 5, Issue 4
Winter 1971-72 |
Frame Structure in The
Conversion of St. Paul
|
Victor I. Scherb |
Volume 26, Issue 2
Summer 1992 |
"Framing" as Collaborative Technique:
Two Middleton-Rowley Plays
|
Michael E. Mooney |
Volume 13, Issue 2
Summer 1979 |
Frank Wedekind: A German Dramatist
of the Absurd?
|
Robert A. Jones |
Volume 4, Issue 4
Winter 1970-71 |
Friedrich Hartwich's Globus Fortunae
(1617): A Dramatization of the Amadis
|
Steven R. Huff |
Volume 24, Issue 4
Winter 1990-91 |
Friendship in Hamlet
|
Robert C. Evans |
Volume 33, Issue 1
Spring 1999 |
From Cruelty to Theatre: Antonin
Artaud and the Marquis de Sade
|
Franco Tonelli |
Volume 3, Issue 2
Summer 1969 |
From Fat Falstaff to Francophile Fop:
Russian Nationalism in Catherine the
Great's Merry Wives
|
Lurana Donnels O'Malley |
Volume 33, Issue 3
Fall 1999 |
From Gay to Gei: The Onnagata and
the Creation of Kabuki's Female Characters
|
Samuel L. Leiter |
Volume 33, Issue 4
Winter 1999-2000 |
From Great Women to Top Girls: Pageants
of Sisterhood in British Feminist Theatre
view abstract
|
Rebecca Cameron |
Voulme 43, Issue 2
Summer 2009 |
From Jerusalem to Damascus: Bilocal Dramaturgy in Medieval and
Shakespearean Conversion Plays
|
John W. Velz |
Volume 15, Issue 4
Winter 1981-82 |
From Play to Plays: The Folklore of Comedy
|
Harry Levin |
Volume 16, Issue 2
Summer 1982 |
From Saint Genesius to Kean: Actors,
Martyrs, and Metatheater
view abstract
|
Mary Ann Frese Witt |
Volume 43, Issue 1
Spring 2009 |
The "Full Meaning" of The
Two Gentlemen of Verona |
Howard C. Cole |
Volume 23, Issue 3
Fall 1989 |