F
Essay Author Location
The Face of Janus: Debatable
Issues in Mariken van Nieumeghen

 Elsa Strietman Vol 27, No 1,
Spring 1993
False Fidelity: Othello,
Otello, and Their Critics

 James Aldrich-Moodie Vol 28, No 3,
Fall 1994
Falstaff's False Staff: "Jonsonian"
Asexuality in The Merry Wives of Windsor

 Grace Tiffany Vol 26, No 3,
Fall 1992
Fansy and Foly: The Drama
of Fools in Magnyfycence

 Peter Happé Vol 27, No 4,
Winter 1993-94
The Farced Epistle as Dramatic Form
in the Twelfth Century Renaissance

 E. Catherine Dunn Vol 29, No 3,
Fall 1995
Feasting on Ayre: Community,
Consumption, and Communion
in The Shoemaker's Holiday

 Stephen Maynard Vol 32, No 3,
Fall 1998
Felt Absences: The Stage Properties
of Othello's Handkerchief

 Andrew Sofer Vol 31, No 3,
Fall 1997
The “Female Martinet”: Mrs. Harper,
Gender, and Civic Virtue on the Early
Republican Stage
view abstract

 Jason Shaffer Vol 40, No 4,
Winter 2006-07
Fertility and Comic Form in A Chaste
Maid in Cheapside

 Arthur F. Marotti Vol 3, No 1,
Spring 1969
Fifteenth-Century Flamboyant Style
and The Castle of Perseverance

 Michael R. Kelley Vol 6, No 1,
Spring 1972
The Figure of Mahomet
in the Towneley Cycle

 Michael Paull Vol 6, No 3,
Fall 1972
Fireworks, Turks, and Long-Necked
Mules: Pyrotechnic Theater in Germany
and Catalonia

 Max Harris Vol 32, No 3,
Fall 1998
The First Perugian Passion Play:
Aspects of Structure

 Kathleen Falvey Vol 11, No 2,
Summer 1977
The Five Voices of The Birth of Tragedy


 Michael Hinden Vol 22, No 2,
Summer 1988
Flattery in Shakespeare's Othello: The
Relevance of Plutarch and Sir Thomas Elyot
read first paragraph

Robert C. Evans Vol 35, No 1,
Spring 2001
Fletcher's Satire of Caratach in Bonduca

 Ronald J. Boling Vol 33, No 3,
Fall 1999
The Fleury Playbook and the
Traditions of Medieval Latin Drama

 C. Clifford Flanigan Vol 18, No 4,
Winter 1984-85
The Fleury Raising of Lazarus and
Twelfth-Century Currents of Thought

 Kathleen M. Ashley Vol 15, No 2,
Summer 1981
"Folly, in wisdom hatch'd": The Exemplary Comedy of Love's Labour's Lost

 Louis Adrian Montrose Vol 11, No 2,
Summer 1977
A Footnote to Footfalls: Footsteps
of Infinity on Beckett's Narrow Space

 Enoch Brater Vol 12, No 1,
Spring 1978
"Forget Scotland": Plays by Scots
on the London Stage, 1667-1715

 Adrienne Scullion Vol 31, No 1,
Spring 1997
Formalizing Frech Farce: Johan Johan
and Its French Connection

 Howard B. Norland Vol 17, No 2,
Summer 1983
Fortune and Virtue in The Duchess of Malfi


 Leslie Thomsom Vol 33, No 4,
Winter 1999-2000
Fortunes and Misfortunes of the Spanish
Lyric Theater in the Eighteenth Century

 John Dowling Vol 31, No 1,
Spring 1997
"Forward Backward" Time and
the Apocalypse in Hamlet
read first paragraph


 Maurice Hunt Volume 38, Issue 4,
Winter 2004-05
The Fragile World of Lear


 Peter S. Anderson Vol 5, No 4,
Winter 1971-72
Frame Structure in The
Conversion of St. Paul

 Victor I. Scherb Vol 26, No 2,
Summer 1992
"Framing" as Collaborative Technique:
Two Middleton-Rowley Plays

 Michael E. Mooney Vol 13, No 2,
Summer 1979
Frank Wedekind: A German Dramatist
of the Absurd?

 Robert A. Jones Vol 4, No 4,
Winter 1970-71
Friedrich Hartwich's Globus Fortunae
(1617): A Dramatization of the Amadis

 Steven R. Huff Vol 24, No 4,
Winter 1990-91
Friendship in Hamlet


 Robert C. Evans Vol 33, No 1,
Spring 1999
From Cruelty to Theatre: Antonin
Artaud and the Marquis de Sade

 Franco Tonelli Vol 3, No 2,
Summer 1969
From Fat Falstaff to Francophile Fop:
Russian Nationalism in Catherine the
Great's Merry Wives

 Lurana Donnels O'Malley Vol 33, No 3,
Fall 1999
From Gay to Gei: The Onnagata and
the Creation of Kabuki's Female Characters

 Samuel L. Leiter Vol 33, No 4,
Winter 1999-2000
From Jerusalem to Damascus: Bilocal Dramaturgy in Medieval and
Shakespearean Conversion Plays

 John W. Velz Vol 15, No 4,
Winter 1981-82
From Play to Plays: The Folklore of Comedy


 Harry Levin Vol 16, No 2,
Summer 1982
The "Full Meaning" of The
Two Gentlemen of Verona		 Howard C. Cole Vol 23, No 3,
Fall 1989

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