E
Essay Author Location
Ecstasy and Peak-Experience:
W. B. Yeats, Marghanita Laski,
and Abraham Maslow

 Natalie Crohn Schmitt Vol 28, No 2
Summer 1994
The Editorial Recuperation of Claudio Michael D. Friedman Vol 25, No 4
Winter 1991-92
Edmund Eyre's The Maid of Normandy;
or, Charlotte Corday in Anglo-Irish
Docudrama
view abstract

 Wendy C. Nielsen Vol 40, No 2
Summer 2006
Edward Bond's Lear


 Leslie Smith Vol 13, No 1
Spring 1979
Edwin Forrest’s Redding Up: Elocution,
Theater, and the Performance of the Frontier
view abstract

 Matthew Rebhorn Vol 40, No 4
Winter 2006-07
Elizabethan Drama and the
Art of Abstraction

 Russell Fraser Vol 2, No 2
Summer 1968
Emblematic Pictures for the Less
Privileged in Shakespeare's England

 Elizabeth Truax Vol 29, No 1
Spring 1995
Emblematic Technique in the Auto
Sacramental: Calderón's No hay
más fortuna que Dios

 Frederick E. Danker Vol 6, No 1
Spring 1972
Emblems of Folly in the First Othello: Renaissance Blackface, Moor's Coat,
and "Muckender"
view abstract

Robert Hornback Vol 35, No 1
Spring 2001
The Emotional Theater of Milton’s
Paradise Lost
view abstract

 Elizabeth Bradburn Volume 40, Issue 1
Spring 2006
The End of Elizabethan Drama Harry Levin Vol 3, No 4
Winter 1969-70
The Ending of A Doll House
and Augier's Maître Guérin

 Thomas F. Van Laan Vol 17, No 4
Winter 1983-84
English Folk Drama in the Eighteenth
Century: A Defense of the
Revesby Sword Play

 Thomas Pettitt Vol 15, No 1
Spring 1981
The English Pater Noster Play:
Evidence and Extrapolations

 Diana Wyatt Vol 30, No 4
Winter 1996-97
The Ensalada and the Origins
of the Lyric Theater in Spain

 Maricarmen Gómez Vol 28, No 3
Fall 1994
Entropy and the "Death" of Tragedy:
Notes for a Theory of Drama

 George Kurman Vol 9, No 4
Winter 1975-76
Epiphanal Encounters in Shakespearean Dramaturgy

 Robert L. Reid Vol 32, No 4
Winter 1998-99
Episodic Structure in Four Tudor Plays:
A Virtue of Necessity

 John W. Velz Vol 6, No 2
Summer 1972
Epistemology and Ethics in Tom
Stoppard's Professional Foul

 Richard J. Buhr Vol 13, No 4
Winter 1979-80
Equity and Mercy in English Law
and Drama (1405-1641)

 W. Nicholas Knight Vol 6, No 1
Spring 1972
The Error of Our Eye
in Troilus and Cressida

 John D. Cox Vol 10, No 2
Summer 1976
Étalage complaisant? The Torments
of Christ in French Passion Plays

 Véronique Plesch Vol 28, No 4
Winter 1994-95
Eternal Recurrence and the Shaping
of O'Neill's Dramatic Structures

 Albert E. Kalson
and Lisa M. Schwerdt		 Vol 24, No 2
Summer 1990
Eugene O'Neill and the Cruelty of Theater


 Joseph J. Moleski Vol 15, No 4
Winter 1981-82
Eugene O'Neill's Joseph:
A Touch of the Dreamer

 Kurt Eisen Vol 23, No 4
Winter 1989-90
Eugene O'Neill's The Emperor Jones
and The Hairy Ape as Mirror Plays

 Emil Roy Vol 2, No 1
Spring 1968
Euripides in South Africa:
Medea and Demea

 Albert Wertheim Vol 29, No 3
Fall 1995
Euripides' Medea: The
Stranger in the House

 S. Georgia Nugent Vol 27, No 3
Fall 1993
European Influences and National
Tradition in Medieval Hungarian Theater

 György E. Szönyi Vol 15, No 2
Summer 1981
Everyman in America


 Earl G. Schreiber Vol 9, No 2
Summer 1975
Eve's Flesh and Blood in
Jonson's Bartholomew Fair

 Renu Juneja Vol 12, No 4
Winter 1978-79
Evidence for Ambivalence of Motives
in Murder in the Cathedral

 John P. Cutts Vol 8, No 2
Summer 1974
The Evolution of Shakespearean
Metadrama: Abel, Burkhardt,
and Calderwood

 Richard Fly Vol 20, No 2
Summer 1986
Extending the Breaks: Fires in the Mirror
in the Context of Hip-Hop Structure,
Style, and Culture
read first paragraph
 Steve Feffer Vol 37, No 3,4
Fall/Winter 2003-04

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