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| Essay | Author | Location |
| The Earliest Middle English Interludes view abstract |
Stephanie Thompson Lundeen | Volume 43, Issue 3 Fall 2009 |
| Ecstasy and Peak-Experience: W. B. Yeats, Marghanita Laski, and Abraham Maslow |
Natalie Crohn Schmitt | Volume 28, Issue 2 Summer 1994 |
| The Editorial Recuperation of Claudio | Michael D. Friedman | Volume 25, Issue 4 Winter 1991-92 |
| Edmund Eyre's The Maid of Normandy; or, Charlotte Corday in Anglo-Irish Docudrama view abstract |
Wendy C. Nielsen | Volume 40, Issue 2 Summer 2006 |
| Edward Bond's Lear |
Leslie Smith | Volume 13, Issue 1 Spring 1979 |
| Edwin Forrest’s Redding Up: Elocution, Theater, and the Performance of the Frontier view abstract |
Matthew Rebhorn | Volume 40, Issue 4 Winter 2006-07 |
| Elizabethan Drama and the Art of Abstraction |
Russell Fraser | Volume 2, Issue 2 Summer 1968 |
| Emblematic Pictures for the Less Privileged in Shakespeare's England |
Elizabeth Truax | Volume 29, Issue 1 Spring 1995 |
| Emblematic Technique in the Auto Sacramental: Calderón's No hay más fortuna que Dios |
Frederick E. Danker | Volume 6, Issue 1 Spring 1972 |
| Emblems of Folly in the First Othello: Renaissance Blackface, Moor's Coat, and "Muckender" view abstract |
Robert Hornback | Volume 35, Issue 1 Spring 2001 |
| The Emotional Theater of Milton’s Paradise Lost view abstract |
Elizabeth Bradburn | Volume 40, Issue 1 Spring 2006 |
| The End of Elizabethan Drama | Harry Levin | Volume 3, Issue 4 Winter 1969-70 |
| “The End of Nigerian History”: Wole Soyinka and Yorùbá Historiography view abstract |
Glenn A. Odom | Volume 42, Issue 2 Summer 2008 |
| The Ending of A Doll House and Augier's Maître Guérin |
Thomas F. Van Laan | Volume 17, Issue 4 Winter 1983-84 |
| English Folk Drama in the Eighteenth Century: A Defense of the Revesby Sword Play |
Thomas Pettitt | Volume 15, Issue 1 Spring 1981 |
| The English Pater Noster Play: Evidence and Extrapolations |
Diana Wyatt | Volume 30, Issue 4 Winter 1996-97 |
| The Ensalada and the Origins of the Lyric Theater in Spain |
Maricarmen Gómez | Volume 28, Issue 3 Fall 1994 |
| Entropy and the "Death" of Tragedy: Notes for a Theory of Drama |
George Kurman | Volume 9, Issue 4 Winter 1975-76 |
| Epiphanal Encounters in Shakespearean Dramaturgy |
Robert L. Reid | Volume 32, Issue 4 Winter 1998-99 |
| Episodic Structure in Four Tudor Plays: A Virtue of Necessity |
John W. Velz | Volume 6, Issue 2 Summer 1972 |
| Epistemology and Ethics in Tom Stoppard's Professional Foul |
Richard J. Buhr | Volume 13, Issue 4 Winter 1979-80 |
| Equity and Mercy in English Law and Drama (1405-1641) |
W. Nicholas Knight | Volume 6, Issue 1 Spring 1972 |
| The Error of Our Eye in Troilus and Cressida |
John D. Cox | Volume 10, Issue 2 Summer 1976 |
| Étalage complaisant? The Torments of Christ in French Passion Plays |
Véronique Plesch | Volume 28, Issue 4 Winter 1994-95 |
| Eternal Recurrence and the Shaping of O'Neill's Dramatic Structures |
Albert E. Kalson and Lisa M. Schwerdt |
Volume 24, Issue 2 Summer 1990 |
| Eugene O'Neill and the Cruelty of Theater |
Joseph J. Moleski | Volume 15, Issue 4 Winter 1981-82 |
| Eugene O'Neill's Joseph: A Touch of the Dreamer |
Kurt Eisen | Volume 23, Issue 4 Winter 1989-90 |
| Eugene O'Neill's The Emperor Jones and The Hairy Ape as Mirror Plays |
Emil Roy | Volume 2, Issue 1 Spring 1968 |
| Euripides in South Africa: Medea and Demea |
Albert Wertheim | Volume 29, Issue 3 Fall 1995 |
| Euripides' Medea: The Stranger in the House |
S. Georgia Nugent | Volume 27, Issue 3 Fall 1993 |
| European Influences and National Tradition in Medieval Hungarian Theater |
György E. Szönyi | Volume 15, Issue 2 Summer 1981 |
| Everyman in America |
Earl G. Schreiber | Volume 9, Issue 2 Summer 1975 |
| Eve's Flesh and Blood in Jonson's Bartholomew Fair |
Renu Juneja | Volume 12, Issue 4 Winter 1978-79 |
| Evicted In—and From—Toronto: Walker’s Beautiful City at Factory Theatre view abstract |
J. Chris Westgate | Volume 43, Issue 2 Summer 2009 |
| Evidence for Ambivalence of Motives in Murder in the Cathedral |
John P. Cutts | Volume 8, Issue 2 Summer 1974 |
| The Evolution of Shakespearean Metadrama: Abel, Burkhardt, and Calderwood |
Richard Fly | Volume 20, Issue 2 Summer 1986 |
| Extending the Breaks: Fires in the Mirror in the Context of Hip-Hop Structure, Style, and Culture read first paragraph |
Steve Feffer | Volume 37, Issue 3,4 Fall/Winter 2003-04 |
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