D
|
| Essay |
Author |
Location |
"Daddy Spoke to Me!": Gods Lost
and Found in Long Day's Journey Into
Night and Through a Glass Darkly
|
Thomas P. Adler |
Vol 20, No 4,
Winter 1986-87 |
Damnable Deconstructions: Vice
Language in the Interlude
|
Alan Somerset |
Vol 31, No 4,
Winter 1997-98 |
Dance to a Cut-Throat Temper:
Harold Pinter's Poetry as an Index
to Intended Audience Response
|
Christopher C. Hudgins |
Vol 12, No 3,
Fall 1978 |
Dances with Brecht: Huang Zuolin
and His Xieyi Theater
|
Ronnie Bai |
Vol 33, No 3,
Fall 1999 |
Dances with Mei Lanfang: Brecht
and the Alienation Effect
|
Ronnie Bai |
Vol 32, No 3,
Fall 1998 |
Danton's Death and the Conventions
of Historical Drama
|
Herbert Lindenberger |
Vol 3, No 2,
Summer 1969 |
"The Dark Disorders of a Divided State":
Otway and Shakespeare's Romeo and Juliet
|
Jessica Munns |
Vol 19, No 4,
Winter 1985-86 |
The Daughters of Herodias in
Hérodiade, Salomé and A Full
Moon in March
|
Marilyn Gaddis Rose |
Vol 1, No 3,
Fall 1967 |
The Death of Representation and the
Representation of Death: Ionesco, Beckett,
and Stoppard
view abstract
|
Zoran Milutinović |
Vol 40, No 3,
Fall 2006 |
"Deep clerks she dumbs": The Learned
Heroine in Apollonius of Tyre and Pericles
|
Elizabeth Archibald |
Vol 22, No 4,
Winter 1988-89 |
Defeated Sexuality in the Plays and
Novels of Samuel Beckett
|
Kristin Morrison |
Vol 14, No 1,
Spring 1980 |
The Defense of Psychoanalysis in
Literature: Long Day's Journey Into
Night and A View From The Bridge
|
Albert Rothenberg
and Eugene D. Shapiro |
Vol 7, No 1,
Spring 1973 |
Defining the South English Legendary
as a Form of Drama: The Relationship
between Theory and Praxis
|
Karen Bjelland |
Vol 22, No 3,
Fall 1988 |
The Democritean Universe
in Webster's The White Devil
|
Norma Kroll |
Vol 7, No 1,
Spring 1973 |
The Demons of John Gabriel Borkman
|
Brian Johnston |
Vol 13, No 1,
Spring 1979 |
Desire and Forgiveness: O'Neill's Diptych
|
Michael Hinden |
Vol 14, No 3,
Fall 1980 |
The Devil and Society in
the English Mystery Plays
|
John D. Cox |
Vol 28, No 4,
Winter 1994-95 |
Devils and Vices in English Non-Cycle
Plays: Sacrament and Social Body
|
John D. Cox |
Vol 30, No 2, Summer 1996 |
Devotional Iconography in the
N-Town Marian Plays
|
Theresa Coletti |
Vol 11, No 1,
Spring 1977 |
Devotional Themes in the Violence
and Humor of the Play of the Sacrament
|
Richard L. Homan |
Vol 20, No 4,
Winter 1986-87 |
Dialog and the Socialist World:
The Spectrum of Influence
|
Edward J. Czerwinski |
Vol 2, No 1,
Spring 1968 |
Did the Wakefield Master Write
a Nine-Line Stanza?
|
Martin Stevens |
Vol 15, No 2,
Summer 1981 |
Didactic Characterization:
the Towneley Abraham
|
Donna Smith Vinter |
Vol 14, No 2,
Summer 1980 |
The Dilemma of Naturalistic
Tragedy: Strindberg's Miss Julie
|
Göran Stockenström |
Vol 38, No 1,
Spring 2004 |
Directing/Acting Beckett
|
Barbara S. Becker
and Charles R. Lyons |
Vol 19, No 4,
Winter 1985-86 |
The Director Intervenes: Christopher
Hampton's Savages
|
Peter Holland |
Vol 13, No 2,
Summer 1979 |
Disorder in the House of God: Disrupted
Worship in Shakespeare and Others
read first paragraph
|
Bruce Boehrer |
Vol 38, No 1,
Spring 2004 |
"Diverse Galskaber" in Ibsen's
The Wild Duck
|
Brian Johnston |
Vol 30, No 1,
Spring 1996 |
Doctor Faustus and Hamlet: Contrasting
Kinds of Christian Tragedy
|
Thomas B. Stroup |
Vol 5, No 4,
Winter 1971-72 |
Doctor Faustus from Adam to Sartre
|
Erich Kahler |
Vol 1, No 2,
Summer 1967 |
Documentary Drama: Form and Content
|
Clas Zilliacus |
Vol 6, No 3,
Fall 1972 |
The Double Vision of Euripides'
Cyclops: An Ethnographic Odyssey
on the Satyr Stage
|
Carol Dougherty |
Vol 33, No 3,
Fall 1999 |
Drama and Ritual Once Again: Notes
toward a Revival of Tragic Theory
|
Michael Hinden |
Vol 29, No 2,
Summer 1995 |
Drama, Politics, and the Hero:
Coriolanus, Brecht, and Grass
|
Martin Scofield |
Vol 24, No 4,
Winter 1990-91 |
Dramatic Allegory, or, Exploring
the Moral Play
|
Joanne Spencer Kantrowitz |
Vol 7, No 1,
Spring 1973 |
Dramatic Elements in Early Monastic
Induction Ceremonies
|
George Klawitter |
Vol 15, No 3,
Fall 1981 |
Dramatic Elements in Japanese Literature
|
Donald Keene |
Vol 10, No 4,
Winter 1976-77 |
The Dramatic Function of the Ministry
Group in the Towneley Cycle
|
Robert A. Brawer |
Vol 4, No 3,
Fall 1970 |
A Dramatic History of Misanthropes
|
David Konstan |
Vol 17, No 2,
Summer 1983 |
The Dramatic Strategies of
Chester's Passion Pagina
|
Peter W. Travis |
Vol 8, No 3,
Fall 1974 |
Dramatists in Search of Self:
A Backward Glance
|
Czerwinski, E. J. |
Vol 3, No 3,
Fall 1969 |
Dream and Ritual Process in
A Midsummer Night's Dream
|
Florence Falk |
Vol 14, No 3,
Fall 1980 |
"The Dream of the Rood"
and Liturgical Drama
|
Julia Bolton Holloway |
Vol 18, No 1,
Spring 1984 |
Drummond of Hawthornden:
The Season at Bourges, 1607
|
Robert H. MacDonald |
Vol 4, No 2,
Summer 1970 |
Dryden and the Art of Transversion
|
Leslie Howard Martin |
Vol 6, No 1,
Spring 1972
|
The Durham Play of Mary and the
Poor Knight: Sources and Analogues
of a Lost English Miracle Play |
Stephen K. Wright |
Vol 17, No 3,
Fall 1983 |