D
Essay Author Location
"Daddy Spoke to Me!": Gods Lost
and Found in Long Day's Journey Into
Night and Through a Glass Darkly

 Thomas P. Adler Volume 20, Issue 4
Winter 1986-87
Damnable Deconstructions: Vice
Language in the Interlude

 Alan Somerset Volume 31, Issue 4
Winter 1997-98
Dance to a Cut-Throat Temper:
Harold Pinter's Poetry as an Index
to Intended Audience Response

 Christopher C. Hudgins Volume 12, Issue 3
Fall 1978
Dances with Brecht: Huang Zuolin
and His Xieyi Theater

 Ronnie Bai Volume 33, Issue 3
Fall 1999
Dances with Mei Lanfang: Brecht
and the Alienation Effect

 Ronnie Bai Volume 32, Issue 3
Fall 1998
Danton's Death and the Conventions
of Historical Drama

 Herbert Lindenberger Volume 3, Issue 2
Summer 1969
"The Dark Disorders of a Divided State":
Otway and Shakespeare's Romeo and Juliet

 Jessica Munns Volume 19, Issue 4
Winter 1985-86
The Daughters of Herodias in
Hérodiade, Salomé and A Full
Moon in March

 Marilyn Gaddis Rose Volume 1, Issue 3
Fall 1967
The Death of Representation and the
Representation of Death: Ionesco, Beckett,
and Stoppard
view abstract
 Zoran Milutinović Volume 40, Issue 3
Fall 2006
"Deep clerks she dumbs": The Learned
Heroine in Apollonius of Tyre and Pericles

 Elizabeth Archibald Volume 22, Issue 4
Winter 1988-89
Defeated Sexuality in the Plays and
Novels of Samuel Beckett

 Kristin Morrison Volume 14, Issue 1
Spring 1980
The Defense of Psychoanalysis in
Literature: Long Day's Journey Into
Night and A View From The Bridge

 Albert Rothenberg
and Eugene D. Shapiro		 Volume 7, Issue 1
Spring 1973
Defining the South English Legendary
as a Form of Drama: The Relationship
between Theory and Praxis

 Karen Bjelland Volume 22, Issue 3
Fall 1988
The Democritean Universe
in Webster's The White Devil

 Norma Kroll Volume 7, Issue 1
Spring 1973
The Demons of John Gabriel Borkman


 Brian Johnston Volume 13, Issue 1
Spring 1979
Demonstration Performance of the
Cividale Planctus Mariae: A Report
view 1st paragraph

 Eric Strand,
Matthew Steel,
and Clifford Davidson 		Volume 42, Issue 3
Fall 2008
Desire and Forgiveness: O'Neill's Diptych


 Michael Hinden Volume 14, Issue 3
Fall 1980
The Devil and Society in
the English Mystery Plays

 John D. Cox Volume 28, Issue 4
Winter 1994-95
Devils and Vices in English Non-Cycle
Plays: Sacrament and Social Body

 John D. Cox Volume 30, Issue 2
Summer 1996
Devotional Iconography in the
N-Town Marian Plays

 Theresa Coletti Volume 11, Issue 1
Spring 1977
Devotional Themes in the Violence
and Humor of the Play of the Sacrament

 Richard L. Homan Volume 20, Issue 4
Winter 1986-87
Dialog and the Socialist World:
The Spectrum of Influence

 Edward J. Czerwinski Volume 2, Issue 1
Spring 1968
Diamonds, Maidens, Widow Dido,
and Cock-a-diddle-dow
view abstract

David Golz Volume 43, Issue 2
Summer 2009
Did the Wakefield Master Write
a Nine-Line Stanza?

 Martin Stevens Volume 15, Issue 2
Summer 1981
Didactic Characterization:
the Towneley Abraham

 Donna Smith Vinter Volume 14, Issue 2
Summer 1980
The Dilemma of Naturalistic
Tragedy: Strindberg's Miss Julie
read first paragraph

Göran Stockenström Volume 38, Issue 1
Spring 2004
Directing/Acting Beckett


 Barbara S. Becker
and Charles R. Lyons		 Volume 19, Issue 4
Winter 1985-86
The Director Intervenes: Christopher
Hampton's Savages

 Peter Holland Volume 13, Issue 2
Summer 1979
Disorder in the House of God: Disrupted
Worship in Shakespeare and Others
read first paragraph

 Bruce Boehrer Volume 38, Issue 1
Spring 2004
"Diverse Galskaber" in Ibsen's
The Wild Duck

 Brian Johnston Volume 30, Issue 1
Spring 1996
Doctor Faustus and Hamlet: Contrasting
Kinds of Christian Tragedy

 Thomas B. Stroup Volume 5, Issue 4
Winter 1971-72
Doctor Faustus from Adam to Sartre


 Erich Kahler Volume 1, Issue 2
Summer 1967
Documentary Drama: Form and Content


 Clas Zilliacus Volume 6, Issue 3
Fall 1972
The Double Vision of Euripides'
Cyclops: An Ethnographic Odyssey
on the Satyr Stage

 Carol Dougherty Volume 33, Issue 3
Fall 1999
Dragon Fathers and Unnatural Children:
Warring Generations in King Lear and
its Sources
view abstract

 Meredith Skura Volume 42, Issue 2
Summer 2008
Drama and Ritual Once Again: Notes
toward a Revival of Tragic Theory

 Michael Hinden Volume 29, Issue 2
Summer 1995
Drama, Politics, and the Hero:
Coriolanus, Brecht, and Grass

 Martin Scofield Volume 24, Issue 4
Winter 1990-91
Dramatic Allegory, or, Exploring
the Moral Play

 Joanne Spencer Kantrowitz Volume 7, Issue 1
Spring 1973
Dramatic Elements in Early Monastic
Induction Ceremonies

 George Klawitter Volume 15, Issue 3
Fall 1981
Dramatic Elements in Japanese Literature


 Donald Keene Volume 10, Issue 4
Winter 1976-77
The Dramatic Function of the Ministry
Group in the Towneley Cycle

 Robert A. Brawer Volume 4, Issue 3
Fall 1970
A Dramatic History of Misanthropes


 David Konstan Volume 17, Issue 2
Summer 1983
The Dramatic Strategies of
Chester's Passion Pagina

 Peter W. Travis Volume 8, Issue 3
Fall 1974
Dramatists in Search of Self:
A Backward Glance

 Czerwinski, E. J. Volume 3, Issue 3
Fall 1969
Dream and Ritual Process in
A Midsummer Night's Dream

 Florence Falk Volume 14, Issue 3
Fall 1980
"The Dream of the Rood"
and Liturgical Drama

 Julia Bolton Holloway Volume 18, Issue 1
Spring 1984
Drummond of Hawthornden:
The Season at Bourges, 1607

 Robert H. MacDonald Volume 4, Issue 2
Summer 1970
Dryden and the Art of Transversion


 Leslie Howard Martin Volume 6, Issue 1
Spring 1972
Dumb Reading: The Noise of the Mute
in Jonson’s Epicene
view abstract		 Adrian Curtin Volume 43, Issue 1
Spring 2009
The Durham Play of Mary and the
Poor Knight: Sources and Analogues
of a Lost English Miracle Play		 Stephen K. Wright Volume 17, Issue 3
Fall 1983

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