C
Essay Author Location
Can We Define the Nature of
Shakespearean Tragedy?

 Robert Ornstein Vol 19, No 3
Fall 1985
Cancer and the Common Woman
in Margaret Edison's W;t

 Jacqueline Vanhoutte Vol 36, No 3,4
Fall/Winter 2002-03
Canon, Pedagogy, Prospectus: Redesigning "Restoration and Eighteenth-Century English
Drama"

 Richard Bevis Vol 31, No 1
Spring 1997
Canvas Walls and Cardboard Fortresses: Representatives of Place in the National
Historical Dramas of Early
Nineteenth-Century France

 Barbara T. Cooper Vol 17, No 4
Winter 1983-84
"The care . . . of subjects' good":
Pericles, James I, and the Neglect
of Good Government

 Stuart M. Kurland Vol 30, No 2
Summer 1996
Caribbean Caliban: Shifting
the "I" of the Storm

James E. Robinson Vol 33, No 4
Winter 1999-2000
A Catalan Corpus Christi Play: The
Martyrdom of St. Sebastian with the
Hobby Horses and the Turks

 Max Harris Vol 31, No 2
Summer 1997
Castrati, Balzac, and BartheS/Z


 Yvonne Noble Vol 31, No 1
Spring 1997
Cathedral Chapter and Town Council:
Cooperative Ceremony and Drama in
Medieval Rouen

 Thomas P. Campbell Vol 27, No 1
Spring 1993
Cecchi and the Reconciliation
of Theatrical Traditions

 Douglas Radcliff-Umstead Vol 9, No 2
Summer 1975
Centlivre v. Hardwicke: Susannah
Centlivre's Plays and the Marriage
Act of 1753

 Margo Collins Vol 33, No 2
Summer 1999
The Changeling: Notes on
Mannerism in Dramatic Form

 Raymond J. Pentzell Vol 9, No 1
Spring 1975
The Changing Faces of Love in
English Renaissance Comedy

 Ejner J. Jensen Vol 6, No 4
Winter 1972-73
Chavittunātakam: Music-Drama
in Kerala
read first paragraph


 Joly Puthussery Vol 37, No 3,4
Fall/Winter 2003-04
Chekhov and Naturalism: From
Affinity to Devergence

Nicholas Moravcevich Vol 4, No 4
Winter 1970-71
Chekhov in Ireland: Brief Notes
on Friel's Philadelphia

 James Coakley Vol 7, No 3
Fall 1973
Children's Troupes: Dramatic Illusion
and Acting Style

 Michael Shapiro Vol 3, No 1
Spring 1969
Chinese Noh and Japanese Noh:
Nuo's Role in the Origination and
Formation of Noh
view abstract

 Min Tian Vol 37, No 3,4
Fall/Winter 2003-04
"Christicolae," Prudentius, and the
Quem Quaeritis Easter Dialogue

 Robert E. Jungman Vol 12, No 4
Winter 1978-79
The Christos Paschon and
the Byzantine Theater

 Sandro Sticca Vol 8, No 1
Spring 1974
Cibber and Vanbrugh: Language, Place,
and Social Order in Love's Last Shift

 Derek Hughes Vol 20, No 4
Winter 1986-87
The Classical Treatment of Don
Juan in Tirso, Molière, and Mozart:
What Cultural Work Does It Perform?

 J. Douglas Canfield Vol 31, No 1
Spring 1997
The Classicism of Robert Lowell's Phaedra


 Jerome Mazzaro Vol 7, No 2
Summer 1973
"Cockes face" and the Problem of
poydrace in the Chester Passion

 Lorrayne Y. Baird Vol 16, No 3
Fall 1982
Code-Switching in Medieval English Drama


 Hans-Jürgen Diller Vol 31, No 4
Winter 1997-98
Comedia and Trauerspiel: On Benjamin
and Calderón

 Anthony J. Cascardi Vol 16, No 1
Spring 1982
Comedic and Liturgical Restorations
in Everyman

 John Cunningham Vol 22, No 2
Summer 1988
Comedy and Control: Shakespeare
and the Plautine Poeta

 Douglas Bruster Vol 24, No 3
Fall 1990
"All Comes Clear at Last,"
but "the Readiness is All"

 Thomas B. Stroup Vol 10, No 1
Spring 1976
Comic Eschatology in the Chester
Coming of Antichrist

 Leslie Howard Martin Vol 5, No 3
Fall 1971
The Common Good and the Necessity
of War: Emergent Republican Ideals in Shakespeare's Henry V and Coriolanus
view abstract

 Rita Banerjee Volume 40, Issue 1
Spring 2006
The Community of Morality Plays Merle Fifield Vol 9, No 4
Winter 1975-76
Comparing Poverty: Fictions of a
“Poor Theater” in Ruzante and Shakespeare
view abstract

 Robert Henke Vol 41, No 2
Summer 2007
Confraternities and Carnival: The Context
of Lorenzo de' Medici's Rappresentazione
di Giovanni e Paolo

 Konrad Eisenbichler Vol 27, No 1
Spring 1993
The Confusions of Gallathea:
John Lyly as a Popular Dramatist

 Kent Cartwright Vol 32, No 2
Summer 1998
Contemporary Contexts of Jonson's
The Devil is an Ass

 Robert C. Evans Vol 26, No 2
Summer 1992
A Contemporary View of
The Duchess of Malfi

 Louis D. Giannetti Vol 3, No 4
Winter 1969-70
Continuity in the Art of Dying:
The Duchess of Malfi

 Bettie Anne Doebler Vol 14, No 3
Fall 1980
Coriolanus: History and the Crisis
of Semantic Order

 Leonard Tennenhouse Vol 10, No 4
Winter 1976-77
Corpus Christi "Cycles" in Yorkshire:
The Surviving Records

 Barbara D. Palmer Vol 27, No 2
Summer 1993
Correcting Some Errors in Annals of O'Neill


 Louis Sheaffer Vol 17, No 3
Fall 1983
Costume in the Moralities: The
Evidence of East Anglian Art

 Ann Eljenholm Nichols Vol 20, No 4
Winter 1986-87
Criticism and the Films
of Shakespeare's Plays

 Marvin Felheim Vol 9, No 2
Summer 1975
Critics, Catharsis and Colonus


 Edward J. Chute Vol 5, No 4
Winter 1971-72
Crommelynck's Farcical and
Mythmaking Expressionism

 Bettina Knapp Vol 10, No 4
Winter 1976-77
The Croxton Play of the Sacrament:
A Re-Reading

 Ann Eljenholm Nichols Vol 22, No 2
Summer 1988
A Cultural Dependence: The Social
Context of The London Merchant

 Jones DeRitter Vol 21, No 4
Winter 1987-88
Curing Oneself of the Work of Time:
W. B. Yeats's Purgatory

 Natalie Crohn Schmitt Vol 7, No 4
Winter 1973-74

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