B
Essay Author Location
Backbiter and the Rhetoric of Detraction
read first paragraph


 Douglas W. Hayes Vol 34, No 1,
Spring 2000
Bandello's "Timbreo and Fenicia" and
The Winter's Tale
read first paragraph

Thomas E. Mussio Vol 34, No 2,
Summer 2000
Bartholomew Fair: Ben Jonson's "A
Midsummer Night's Dream"

 John Scott Colley Vol 11, No 1,
Spring 1977
The Bastard to the Time in King John Ronald Stroud Vol 6, No 2,
Summer 1972
Beckett's Major Plays and the Trilogy Charles R. Lyons Vol 5, No 4,
Winter 1971-72
The Beginning of Hamlet Cherrell Guilfoyle Vol 14, No 2,
Summer 1980
"A beggar's book/ Outworths a
noble's blood": The Politics of Faction
in Henry VIII

 Stuart M. Kurland Vol 26, No 3,
Fall 1992
Ben Jonson on Spectacle


 Richard Finkelstein Vol 21, No 2,
Summer 1987
Ben Jonson's Social Attitudes:
A Statistical Analysis

 Judith K. Gardiner
and Susanna S. Epp		 Vol 9, No 1,
Spring 1975
Bertolt Brecht and George Farquhar's
The Recruiting Officer

 Albert Wertheim Vol 7, No 3,
Fall 1973
"In Better Places": Space, Identity, and
Alienation in Sarah Kane's Blasted

 Christopher Wixson Vol 39, No. 1,
Spring 2005
"Between Two Worlds": The Dybbuk and
the Japanese Noh and Kabuki Ghost Plays
read first paragraph



 Zvika Serper Vol 35, No 3,4, Fall/Winter 2001-02
Bianca de'Rossi as Play, Ballet, Opera:
Contours of "Modern" Historical Tragedy
in the 1790s

 Maria Petzoldt
McClymonds		 Vol 31, No 1,
Spring 1997
The Bible in English Renaissance
Civic Pageants		 David M. Bergeron Vol 20, No 2,
Summer 1986
The Birth of Reason from the
Spirit of Carnival: Hans Sachs
and Das Narren-Schneyden

 Ralf Erik Remhardt Vol 23, No 1,
Spring 1989
Blackened Faces and a Veiled Woman:
The Early Korčula Moreška
view abstract

 Max Harris
and Lada Čale Feldman		 Vol 37, No 3,4,
Fall/Winter 2003-04
"Blake and wyght, fowll and fayer":
Stage Picture in Wisdom Who Is Christ

 David Bevington Vol 19, No 2, Summer 1985
"Bodied Forth": Spectator, Stage, and
Actor in the Early Modern Theater

Jennifer A. Low Vol 39, No. 1,
Spring 2005
Body and Ritual in Farquhar Derek Hughes Vol 31, No 3,
Fall 1997
"Body's Image": Yerma, The Player Queen,
and the Upright Posture

 Murray Baumgarten Vol 8, No 3,
Fall 1974
Borrowings and the Authorial Domain:
Gostanzo, Polonius, and Marston's Gonzago
view abstract

Charles Cathcart Vol 37, No 2,
Summer 2003
"Both bodily deth and werldly shame":
"Little Musgrave and Lady Barnard" as
Source for A Woman Killed With Kindness

 Dean A. Hoffman Vol 23, No 2, Summer 1989
The Boundaries of the Rhetoricians' Stage W. M. H. Hummelen Vol 28, No 2,
Summer 1994
The Boy Who Would be King:
Court Revels of King Edward VI,
1547-53
read first paragraph

Suzanne Westfall Vol 35, No 3,4,
Fall/Winter 2001-02
Brecht and Witkiewicz: Two Concepts of Revolution in the Drama of the Twenties

 Andrzej Wirth Vol 3, No 3,
Fall 1969
Brecht on Shakespeare: A Revaluation


 Doc Rossi Vol 30, No 2,
Summer 1996
Brecht's Alienated Actor in Beckett's Theater


 Enoch Brater Vol 9, No 3,
Fall 1975
Brecht's Concept of Character


 Walter H. Sokel Vol 5, No 3,
Fall 1971
Brecht's Contacts With the Theater
of Meyerhold

 Katherine Eaton Vol 11, No 1,
Spring 1977
Brecht's Quarrel with God: From
Anti-Theodicy to Eschatology

 Edward M. Berckman Vol 10, No 2,
Summer 1976
The “Female Martinet”: Mrs. Harper,
Gender, and Civic Virtue on the Early
Republican Stage
view abstract

 Jason Shaffer Vol 40, No 4,
Winter 2006-07
Brokering Glory for the Chinese Nation:
Peking Opera's 1930 American Tour

 Nancy Guy Vol 35, No 3,4,
Fall/Winter 2001-02
Buddha, Kazanttzakis' Most Ambitious
and Most Neglected Play

 Peter Bien Vol 11, No 3,
Fall 1977
Building a Scene: The Text and Its
Representation in The Atheist's Tragedy

 William E. Gruber Vol 19, No 3,
Fall 1985
But owthir in frith or felde: The Rural
in the York Cycle
read first paragraph

Chester Scoville Vol 37, No 2,
Summer 2003
Byron and the Drama of Temptation


 Mervyn Nicholson Vol 25, No 4,
Winter 1991-92
Byron's "Mental Theatre" and the
German Classical Precedent

 Frederick W. Shilstone Vol 10, No 3,
Fall 1976

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