A
Essay Author Location
Absorbing Interests: Kyd's Bloody
Handkerchief as Palimpsest
view abstract 		Andrew Sofer Volume 34, Issue 2
Summer 2000
The Absurd World of Strindberg's
The Dance of Death

 Orley I. Holtan Volume 1, Issue 3
Fall 1967
Absurdity in English: Joyce and O'Neill Ruby Cohn Volume 3, Issue 3
Fall 1969
The Achievement of Arthur Miller Robert W. Corrigan Volume 2, Issue 3
Fall 1968
The Actor and the Statue: Space,
Time, and Court Performance in
Molière's Dom Juan

 Michael Spingler Volume 25, Issue 4
Winter 1991-92
The Actor in the Script: Affective
Strategies in Shakespeare's Antony
and Cleopatra

 William E. Gruber Volume 19, Issue 1
Spring 1985
Actor, Maschera, and Role: An Approach
to Irony in Performance		 Raymond J. Pentzell Volume 16, Issue 3
Fall 1982
Admirable Musicians: Women's Songs
in Othello and The Maid's Tragedy		 Rochelle Smith Volume 28, Issue 3
Fall 1994
Aeschylus and O'Neill: A Phenomenological View John Chioles Volume 14, Issue 2
Summer 1980
African Theatre and the West Donald Baker Volume 11, Issue 3
Fall 1977
African Traditional Drama and Issues
in Theater and Performance Criticism		 John Conteh-Morgan Volume 28, Issue 1
Spring 1994
Ahab's Quenchless Feud: The Tragic
Vision In Shakespeare and Melville		 Richard B. Sewall Volume 1, Issue 3
Fall 1967
Albee's Gothic: The Resonances of Cliché Witherington, Paul Volume 4, Issue 3
Fall 1970
Aleksandar Popovic and Pop-Theatre:
Beyond the Absurd		 E. J. Czerwinski Volume 3, Issue 3
Fall 1969
Alfieri's Saul as Enlightenment Tragedy Jerome Mazzaro Volume 33, Issue 1
Spring 1999
All in the Family: Mother Courage and the Ideology in the Gestus Claire Gleitman Volume 25, Issue 2
Summer 1991
All injury’s forgot”: Restoration Sex Comedy
and National Amnesia
view abstract

 Laura J. Rosenthal Volume 42, Issue 1
Spring 2008
The Allegory of Wisdom
in Lyly's Endimion

 Carolyn Ruth Swift Lenz Volume 10, Issue 3
Fall 1976
The Alogical and Absurdist Aspects
of Russian Realist Drama

 Simon Karlinsky Volume 3, Issue 3
Fall 1969
The Amorous Machiavellism
of The Country Wife

 Gorman Beauchamp Volume 11, Issue 4
Winter 1977-78
Amphitheater Staging: In-the-Round
or to the Front (and What About Asides)?
view abstract 		Richard Fotheringham Volume 35, Issue 2
Summer 2001
An American in Ireland: The Representation
of the American in Brian Friel's Plays
view abstract
Maria Germanou Volume 38, Issue 2,3
Summer/Fall 2004
An Enemy of the People: A Key
to Arthur Miller's Art and Ethics

 David Bronson Volume 2, Issue 4
Winter 1968-69
An Enemy of the People:
Ibsen's Reluctant Comedy

 Harold C. Knutson Volume 27, Issue 2
Summer 1993
An Interlude or Mystery Play
by William Ireland, 1975

 J. W. Robinson Volume 13, Issue 3
Fall 1979
An Interpretation of DeWitt's Drawing
on the Methodological Ground of
Perspective Restitution

 Henryk and Jerzy Limon Volume 17, Issue 3
Fall 1983
An Ocean of Possibilities: From
Lokadharmī to Nātyadharmī in
a Kathakali Santānagōpālam

Phillip B. Zarrilli Volume 28, Issue 1
Spring 1994
Animal Symbolism in Shakespeare's
Hamlet: The Imagery of Sex Nausea

 Karl P. Wentersdorf Volume 17, Issue 4
Winter 1983-84
The Anonymous Masque-like
Entertainment in Egerton MS. 1994,
and Richard Brome

 John Cutts Volume 1, Issue 4
Winter 1967-68
Another Play On Salem Witch Trials:”
Lion Feuchtwanger, Communists, and Nazis
view abstract

 Waltraud Maierhofer Volume 43, Issue 3
Fall 2009
Anouilh's Little Antigone: Tragedy,
Theatricalism, and the Romantic Self

 Michael Spingler Volume 8, Issue 3
Fall 1974
The Antichrist Ubu


 James H. Bierman Volume 9, Issue 3
Fall 1975
Anti-Colonist Discourse, Tragicomedy,
and the "American" Behn
read first paragraph

 Adam R. Beach Volume 38, Issue 2,3
Summer/Fall 2004
Anti-Semitism and the English
Mystery Plays

 Stephen Spector Volume 13, Issue 1
Spring 1979
Anti-Semitism, Surrogacy, and the Invocation
of Mohammed in thePlay of the Sacrament
view abstract

 Michael Mark Chemers Volume 41, Issue 1
Spring 2007
Antonio's Revenge: "Never more
woe in lesser plot was found"

 George L. Geckle Volume 6, Issue 4
Winter 1972-73
Antony and Cleopatra and Rosmersholm:
"Third Empire" Love Tragedies

 Errol Durbach Volume 20, Issue 1
Spring 1986
Aphra Behn’s The City Heiress: Feminism
and the Dynamics of Popular Success on the
Late Seventeenth-Century Stage
view 1st paragraph

 Robert Markley Volume 41, Issue 2
Summer 2007
Aphrodite katadyomene: Dryden's
Cleopatra on the Cydnos

 Derek Hughes Volume 14, Issue 1
Spring 1980
Archetypal Patterns in Fry Emil Roy Volume 1, Issue 2
Summer 1967
The Archetypal Unity of
Eugene O'Neill's Drama

 Emil Roy Volume 3, Issue 4
Winter 1969-70
The Arena Theatres in Vienna
Codices 2535 and 2536

 Merle Fifiled Volume 2, Issue 4
Winter 1968-69
Ariel Dorfman and Harold Pinter:
Politics of the Periphery and Theater
of the Metropolis

 Stephen Gregory Volume 30, Issue 3
Fall 1996
The Arlecchino and Three English Tinkers
view first paragraph 		Nina DaVinci Nichols Volume 36, Issue 1,2
Spring/Summer 2002
The Arrival of Europeans: Folk
Dramatizations of Conquest and
Conversion in New Mexico

 Max Harris Volume 28, Issue 1
Spring 1994
Artaud's Revision of Shelley's The Cenci:
The Text and its Double

 Jane Goodall Volume 21, Issue 2
Summer 1987
Arthur Sullivan, Haddon Hall, and
the Iconic Mode

 Michael Beckerman Volume 22, Issue 1
Spring 1988
As imaginem suam: Regional Chant Variants
and the Origins of the Jeu d'Adam
view first paragraph

Charles T. Downey Volume 36, Issue 3,4
Fall/Winter 2002-03
As Secret as Maidenhead: The Profession
of the Boy-Actress in Twelfth Night

 Matthew H. Wikander Volume 20, Issue 4
Winter 1986-87
At the Hawk's Well: Yeats's Unresolved
Conflict Between Language and Silence

 Edna G. Sharoni Volume 7, Issue 2
Summer 1973
Audience and Meaning in Two Medieval Dramatic Realisms

 William F. Munson Volume 9, Issue 1
Spring 1975
August Strindberg: A Modernist in Spite
of Himself

 Göran Stockenström Volume 26, Issue 2
Summer 1992
Axel: Play and Hearsay Marilyn Gaddis Rose Volume 2, Issue 3
Fall 1968

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