A
Essay Author Location
Absorbing Interests: Kyd's Bloody
Handkerchief as Palimpsest
view abstract 		Andrew Sofer Vol 34, No 2
Summer 2000
The Absurd World of Strindberg's
The Dance of Death

 Orley I. Holtan Vol 1, No 3
Fall 1967
Absurdity in English: Joyce and O'Neill Ruby Cohn Vol 3, No 3
Fall 1969
The Achievement of Arthur Miller Robert W. Corrigan Vol 2, No 3
Fall 1968
The Actor and the Statue: Space,
Time, and Court Performance in
Molière's Dom Juan

 Michael Spingler Vol 25, No 4
Winter 1991-92
The Actor in the Script: Affective
Strategies in Shakespeare's Antony
and Cleopatra

 William E. Gruber Vol 19, No 1
Spring 1985
Actor, Maschera, and Role: An Approach
to Irony in Performance		 Raymond J. Pentzell Vol 16, No 3
Fall 1982
Admirable Musicians: Women's Songs
in Othello and The Maid's Tragedy		 Rochelle Smith Vol 28, No 3
Fall 1994
Aeschylus and O'Neill: A Phenomenological View John Chioles Vol 14, No 2
Summer 1980
African Theatre and the West Donald Baker Vol 11, No 3
Fall 1977
African Traditional Drama and Issues
in Theater and Performance Criticism		 John Conteh-Morgan Vol 28, No 1
Spring 1994
Ahab's Quenchless Feud: The Tragic
Vision In Shakespeare and Melville		 Richard B. Sewall Vol 1, No 3
Fall 1967
Albee's Gothic: The Resonances of Cliché Witherington, Paul Vol 4, No 3
Fall 1970
Aleksandar Popovic and Pop-Theatre:
Beyond the Absurd		 E. J. Czerwinski Vol 3, No 3
Fall 1969
Alfieri's Saul as Enlightenment Tragedy Jerome Mazzaro Vol 33, No 1
Spring 1999
All in the Family: Mother Courage and the Ideology in the Gestus Claire Gleitman Vol 25, No 2
Summer 1991
The Allegory of Wisdom
in Lyly's Endimion

 Carolyn Ruth Swift Lenz Vol 10, No 3
Fall 1976
The Alogical and Absurdist Aspects
of Russian Realist Drama

 Simon Karlinsky Vol 3, No 3
Fall 1969
The Amorous Machiavellism
of The Country Wife

 Gorman Beauchamp Vol 11, No 4
Winter 1977-78
Amphitheater Staging: In-the-Round
or to the Front (and What About Asides)?
view abstract 		Richard Fotheringham Vol 35, No 2
Summer 2001
An American in Ireland: The Representation
of the American in Brian Friel's Plays
view abstract
Maria Germanou Volume 38, Issue 2,3
Summer/Fall 2004
An Enemy of the People: A Key
to Arthur Miller's Art and Ethics

 David Bronson Vol 2, No 4
Winter 1968-69
An Enemy of the People:
Ibsen's Reluctant Comedy

 Harold C. Knutson Vol 27, No 2
Summer 1993
An Interlude or Mystery Play
by William Ireland, 1975

 J. W. Robinson Vol 13, No 3
Fall 1979
An Interpretation of DeWitt's Drawing
on the Methodological Ground of
Perspective Restitution

 Henryk and Jerzy Limon Vol 17, No 3
Fall 1983
An Ocean of Possibilities: From
Lokadharmī to Nātyadharmī in
a Kathakali Santānagōpālam

Phillip B. Zarrilli Vol 28, No 1
Spring 1994
Animal Symbolism in Shakespeare's
Hamlet: The Imagery of Sex Nausea

 Karl P. Wentersdorf Vol 17, No 4
Winter 1983-84
The Anonymous Masque-like
Entertainment in Egerton MS. 1994,
and Richard Brome

 John Cutts Vol 1, No 4
Winter 1967-68
Anouilh's Little Antigone: Tragedy,
Theatricalism, and the Romantic Self

 Michael Spingler Vol 8, No 3
Fall 1974
The Antichrist Ubu


 James H. Bierman Vol 9, No 3
Fall 1975
Anti-Colonist Discourse, Tragicomedy,
and the "American" Behn
read first paragraph

 Adam R. Beach Vol 38, No 2,3
Summer/Fall 2004
Anti-Semitism and the English
Mystery Plays

 Stephen Spector Vol 13, No 1
Spring 1979
Anti-Semitism, Surrogacy, and the Invocation
of Mohammed in thePlay of the Sacrament
view abstract

 Michael Mark Chemers Volume 41.1
Spring 2007
Antonio's Revenge: "Never more
woe in lesser plot was found"

 George L. Geckle Vol 6, No 4
Winter 1972-73
Antony and Cleopatra and Rosmersholm:
"Third Empire" Love Tragedies

 Errol Durbach Vol 20, No 1
Spring 1986
Aphra Behn’s The City Heiress: Feminism
and the Dynamics of Popular Success on the
Late Seventeenth-Century Stage
view 1st paragraph

 Robert Markley Vol 41, No 2
Summer 2007
Aphrodite katadyomene: Dryden's
Cleopatra on the Cydnos

 Derek Hughes Vol 14, No 1
Spring 1980
Archetypal Patterns in Fry Emil Roy Vol 1, No 2
Summer 1967
The Archetypal Unity of
Eugene O'Neill's Drama

 Emil Roy Vol 3, No 4
Winter 1969-70
The Arena Theatres in Vienna
Codices 2535 and 2536

 Merle Fifiled Vol 2, No 4
Winter 1968-69
Ariel Dorfman and Harold Pinter:
Politics of the Periphery and Theater
of the Metropolis

 Stephen Gregory Vol 30, No 3
Fall 1996
The Arlecchino and Three English Tinkers Nina DaVinci Nichols Vol 36, No 1,2
Spring/Summer 2002
The Arrival of Europeans: Folk
Dramatizations of Conquest and
Conversion in New Mexico

 Max Harris Vol 28, No 1
Spring 1994
Artaud's Revision of Shelley's The Cenci:
The Text and its Double

 Jane Goodall Vol 21, No 2
Summer 1987
Arthur Sullivan, Haddon Hall, and
the Iconic Mode

 Michael Beckerman Vol 22, No 1
Spring 1988
As imaginem suam: Regional Chant Variants
and the Origins of the Jeu d'Adam

 Charles T. Downey Vol 36, No 3,4
Fall/Winter 2002-03
As Secret as Maidenhead: The Profession
of the Boy-Actress in Twelfth Night

 Matthew H. Wikander Vol 20, No 4
Winter 1986-87
At the Hawk's Well: Yeats's Unresolved
Conflict Between Language and Silence

 Edna G. Sharoni Vol 7, No 2
Summer 1973
Audience and Meaning in Two Medieval Dramatic Realisms

 William F. Munson Vol 9, No 1
Spring 1975
August Strindberg: A Modernist in Spite
of Himself

 Göran Stockenström Vol 26, No 2
Summer 1992
Axel: Play and Hearsay Marilyn Gaddis Rose Vol 2, No 3
Fall 1968

_________________________________________________________________________________
Comparative Drama home Contact the Editors Reproduction Permission
Subscriptions and Back Issues Submission Guidelines Links
Current Issue Upcoming Issues Essay and Contributor Index