T
Book/Author Reviewer Location
Tarte à la crème: Comedy and
Gastronomy in Moliére's Theater
by Ronald W. Tobin

 Ronald D. LeBlanc Volume 24, Issue 4
Winter 1990-91
The Temptation of Innocence in the
Dramas of Arthur Miller
by Terry Otten

 Gregory W. Lanier Volume 37, Issue 1
Spring 2003
Tennessee Williams
by Felicia Hardison Londré

 Ina Rae Hark Volume 16, Issue 1
Spring 1982
Text and Supertext in Ibsen's Drama
by Brian Johnston

 Michael X. Zelenak Volume 25, Issue 2
Summer 1991
The Text in Play: Representations of
Rehearsal in Modern Drama
by Robert Baker-White

 Kinnereth Meyer Volume 35, Issue 3,4
Fall/Winter 2001-02
Texts and Traditions: Religion
in Shakespeare 1592-1604
by Beatrice Groves

 Dennis Taylor Volume 41, Issue 3
Fall 2007
Textual Patronage in English Drama,
1570–1640
by David M. Bergeron

 Michael G. Brennan Volume 40, Issue 3
Fall 2006
The Theater and the Dream: From
Metaphor to Form in Renaissance Drama
by Jackson I. Cope

Robert C. Jones Volume 7, Issue 3
Winter 1973-4
Theater and Incarnation
by Max Harris

 Pamela M. King Volume 40, Issue 3
Fall 2006
Theater and the Materialization of Mind
by William W. Demastes

 Gene A. Plunka Volume 37, Issue 1
Spring 2003
Theater and World: The Problematics
of Shakespeare's History
by Jonathan Hart

 Larry S. Champion Volume 26, Issue 3
Fall 1992
The Theater of Devotion: East
Anglian Drama and Society in
the Late Middle Ages
by Gail McMurray Gibson

 Sally-Beth Maclean Volume 25, Issue 3
Fall 1991
The Theater of Nikolay Gogol
ed. Milton Ehre

 E. J. Czerwinski Volume 15, Issue 1
Spring 1981
The Theater of the Marvelous: Surrealism
and the Contemporary Stage
by Orenstein  Feman

 Charles A. Berst Volume 11, Issue 4
Winter 1977-78
Theatre 5: The American Theatre
1971-72

 Wallace Johnson Volume 9, Issue 2
Summer 1975
Theatre and Drama in Francophone
Africa: A Critical Introduction
by John Conteh-Morgan

 Lifongo Vetinde Volume 31, Issue 2
Summer 1997
Theatre and Feminist Aesthetics
ed. Karen Laughlin and Catherine Schuler

 Regula Meyer Evitt Volume 32, Issue 2
Summer 1998
Theatre and Government under the
Early Stuarts
ed. J. R. Mulryne and Margaret Shewring

 Robert C. Evans Volume 29, Issue 4
Winter 1995-96
Theatre and Reformation
by Paul Whitfield White

 Peter Happé Volume 28, Issue 4
Winter 1994-95
Theatre and State in France,
1760-1905
by F. W. J. Hemmings

 Felicia Hardison Londré Volume 30, Issue 3
Fall 1996
Theatre at Stratford-upon-Avon: A
Catalogue-Index to Productions of
the Shakespeare Memorial/Royal
Shakespeare Theatre, 1879-1978
by Michael Mullin
and Karen Morris Muriello

 J. L. Styan Volume 15, Issue 2
Summer 1981
Theatre Censorship: From Walpole
to Wilson
by David Thomas, David Carlton,
and Anne Etienne
 Robert Justin Goldstein  Volume 43, Issue 1
Spring 2009
Theatre Censorship: From Walpole
to Wilson
by David Thomas, David Carlton,
and Anne Etienne

 Jeffrey M. Richards Volume 42, Issue 4
Winter 2008
Theatre Culture in America, 1825-1860
by Rosemarie K. Bank

 James Coakley Volume 33, Issue 2
Summer 1999
Theatre for Working-Class Audiences
in the United States, 1830-1980
ed. Bruce A. McConachie
and Daniel Friedman

 Thomas Greenfield Volume 21, Issue 2
Summer 1987
The Theatre in Search of a Fix
by Robert W. Corrigan

James Coakley Volume 9, Issue 3
Fall 1975
Theatre in Spain, 1490-1700
by Melveena McKendrick

 Joseph R. Jones Volume 25, Issue 3
Fall 1991
Theatre in the Solovki Prison Camp
by Natalia Kuziakina

 Sharon Marie Carnicke Volume 31, Issue 4
Winter 1997-98
Theatre in the Third Reich, the
Prewar Years: Essays on Theatre
in Nazi Germany
ed. Glen W. Gadberry

 Uwe-K. Ketelsen Volume 31, Issue 2
Summer 1997
The Theatre of Aphra Behn
by Derek Hughes

 Christopher Nagle Volume 36, Issue 3,4
Fall/Winter 2002-03
The Theatre of Suzuki Tadashi
by Ian Carruthers and Takahashi Yasunari

Loren Edelson Volume 39, Issue 1
Spring 2005
Theatre of Chaos: Beyond Absurdism,
into Orderly Disorder
by William W. Demastes

 Jeffrey D. Hoeper Volume 34, Issue 3
Fall 2000
Theatre of Fire: Special Effects in
Early English and Scottish Theatre
by Philip Butterworth

 Elizabeth M. S. Baldwin Volume 33, Issue 4
Winter 1999-2000
The Theatre of Medieval Europe:
New Research in Early Drama
ed. Eckehard Simon

 Lynette Muir Volume 26, Issue 1
Spring 1992
Theatre Semiotics: Signs of Life
by Marvin Carlson

 Anthony Graham-White Volume 25, Issue 4
Winter 1991-92
Theatre Through the Ages
by Cesare Molinari

 Peter Arnott Volume 11, Issue 4
Winter 1977-78
Theatre under the Nazis
ed. John London

 Robert Hinkel Volume 35, Issue 3,4
Fall/Winter 2001-02
Theatre, History, and National Identities
ed. Helka Mäniken, S. E. Wilmer,
and W. B. Worthen

 Stratos E. Constantinidis Volume 36, Issue 1,2
Spring/Summer 2002
Theatre, Opera, and Audience in
Revolutionary Paris: Analysis and
Repertory
by Emmet Kennedy, Marie-Laurence
Netter, and Mark V. Olsen

 Theodore E. D. Braun Volume 30, Issue 4
Winter 1996-97
"The Theatre We Worked For":
The Letters of Eugene O'Neill to
Kenneth Macgowan
ed. Jackson R. Bryer

 Michael Manheim Volume 17, Issue 3
Fall 1983
Theatres of the Left 1880-1935
by Raphael Samuel, Ewan MacColl,
and Stuart Cosgrove

 Thomas A. Greenfield Volume 20, Issue 1
Spring 1986
The Theatrical Compositions of the
Major English Romantic Poets
by Joan Mandell Baum

 John W. Ehrstine Volume 16, Issue 1
Spring 1982
The Theatrical Event: A Mythos,
a Vocabulary, a Perspective
by David Cole

 Natalie Crohn Schmitt Volume 10, Issue 2
Summer 1976
The Theatrical Instinct: Nikolai
Evreinov and the Russian Theatre
of the Early Twentieth Century
by Sharon Marie Carnicke

 Martha Manheim Volume 25, Issue 4
Winter 1991-92
Theatricalities of Power: The Cultural
Politics of Noh
by Steven T. Brown

 Carol Fisher Sorgenfrei Volume 37, Issue1
Spring 2003
Theatricality and Narrative in Medieval
and Early Modern Scotland
 by John J. McGavin

David N. Klausner Volume 42, Issue 2
Summer 2008
"Their Form Confounded": Studies in the Burlesque Play from Udall to Sheridan
by Robert F. Willson, Jr.

Sidney R. Homan Volume 10, Issue 4
Winter 1976-77
Things Supernatural and Causeless
by Marco Mincoff

 Grace Tiffany Volume 29, Issue 2
Summer 1995
The Third Citizen: Shakespeare's Theater
and the Early Modern House of Commons
 by Oliver Arnold

 Richard C. McCoy Volume 42, Issue 2
Summer 2008
Thomas Betterton and the Management
of Lincoln's Inn Fields 1695-1708
by Judith Milhous

 Frederick J. Rogers Volume 14, Issue 2
Summer 1980
Thomas Middleton and the New
Comedy Tradition
by George E. Rowe Jr.

 Donald K. Anderson, Jr. Volume 14, Issue 3
Fall 1980
Three Plays of Euripides: Alcestis,
Medea, The Bacchae
trans. Paul Roche

Roger Hornsby Volume 9, Issue 1
Spring 1975
Three Rastell Plays: Four Elements,
Calisto and Melebea, Gentleness
and Nobility
ed. Richard Axton

 David Bevington Volume 15, Issue 2
Summer 1981
Three Tragic Actresses: Siddons,
Rachel, Ristori
by Michael R. Booth

 Anne Russell Volume 32, Issue 2
Summer 1998
Three Turk Plays from Early Modern
England: Selimus, A Christian Turned
Turk, and The Renegado
ed. Daniel J. Vitkus

 John Saillant Volume 35, Issue 2
Summer 2001
Three Uses of the Knife: On the Nature
and Purpose of Drama
by David Mamet

 Richard W. Mitchell Volume 34, Issue 1
Spring 2000
Threshold of a Nation: A Study in
English and Irish Drama
by Philip Edwards

 Larry S. Champion Volume 14, Issue 4
Winter 1980-81
Time, Space, and Motion in the Age of Shakespeare,
by Angus Fletcher

 William N. West Volume 41, Issue 4
Winter 2007-08
Time, Tide and Tempest: A Study
of Shakespeare's Romances
by Douglas L. Peterson

 John Arthos Volume 9, Issue 2
Summer 1975
To Brecht and Beyond: Soundings
in Modern Dramaturgy
by Darko Suvin

 John Rouse Volume 19, Issue 4
Winter 1985-86
To the Third Empire: Ibsen's
Early Drama
by Brian Johnston

 Thomas F. Van Laan Volume 15, Issue 1
Spring 1981
Tom Stoppard and the Craft of
Comedy: Medium and Genre at Play
by Katherine E. Kelly

 Kinereth Meyer Volume 26, Issue 4
Winter 1992-93
Tom Stoppard
by Thomas Whitaker

 Elin Diamond Volume 20, Issue 1
Spring 1986
Tom Stoppard
by Felicia H. Londré

 Marilyn G. Rose Volume 16, Issue 4
Winter 1982-83
Tom Stoppard: The Artist as Critic
by Neil Sammells

 Katherine E. Kelly Volume 23, Issue 2
Summer 1989
Traditions of Medieval English Drama
by Stanley J. Kahrl

 Clifford Davidson Volume 9, Issue 3
Fall 1975
Tragedy and Enlightenment: Athenian
Political Thought and the Dilemmas
of Modernity
by Christopher Rocco

 Kathryn A. Morgan Volume 33, Issue 2
Summer 1999
Tragedy and Theory: The Problem
of Conflict Since Aristotle
by Michelle Gellrich

 Michael X. Zelenak Volume 24, Issue 2
Summer 1990
Tragedy in Athens: Performance Space
and Theatrical Meaning
by David Wiles

 Joseph P. Wilson Volume 33, Issue 4
Winter 1999-2000
The Tragedy of Origins: Pierre Corneille
and Historical Perspective
by John D. Lyons

 Bradley Rubidge Volume 31, Issue 4
Winter 1997-98
Tragedy's End: Closure and Innovation
in Euripidean Drama
by Francis M. Dunn

 Laurel M. Bowman Volume 33, Issue 3
Fall 1999
Tragic Conditions in Shakespeare:
Disinheriting the Globe
by Paul A. Kottman

Emma Smith Volume 44, Issue 2
Summer 2010
Tragic Drama and the Family:
Psychoanalytic Studies from
Aeschylus to Beckett
by Bennett Simon

 Nancy M. Tischler Volume 23, Issue 4
Winter 1989-90
Tragic Instance: The Sequence of
Shakespeare's Tragedies
by Ralph Berry

 Alexander Leggatt Volume 34, Issue 4
Winter 2000-01
Tragic Method and Tragic Theology:
Evil in Contemporary Drama and
Religious Thought
by Larry D. Bouchard

 Michael Hinden Volume 24, Issue 3
Fall 1990
The Tragic Paradox
by Leonard Moss

 Jennifer Wallace Volume 46, Issue 4
Winter 2012
Tragic Theory in the Critical Works
of Thomas Rymer, John Dennis,
and John Dryden
by Joan C. Grace

 G. L. Anderson Volume 10, Issue 1
Spring 1976
The Transformations of Godot
by Frederick Busi

 Leonard Powlick Volume 16, Issue 4
Winter 1982-83
Treason by Words: Literature, Law, and
Rebellion in Shakespeare's England
by Rebecca Lemon

 Charles Ross Volume 41, Issue 3
Fall 2007
Trevor Griffiths: Politics, Drama, History
by Stanton Garner, Jr.

 Jenny S. Spencer Volume 35, Issue 3,4
Fall/Winter 2001-02
Twentieth Century Russian Drama
by Harold B. Segel

 E. J. Czerwinski Volume 15, Issue 1
Spring 1981
The Two Faces of Ionesco
by Rosette Lamont and Melvin Friedman

Leonard C. Pronko Volume 13, Issue 3
Fall 1979
Two Moral Interludes: The Pride of
Life and Wisdom
ed. David N. Klausner

Alan J. Fletcher Volume 44, Issue 2
Summer 2010
Two Plays, 'Sodom and Gamorrah'
and 'Comedy: A Tragedy in One Act,'
by Nikos Kazantzakis

 M. Byron Raizis Volume 17, Issue 4
Winter 1983-84
Two Tudor Interludes
ed. Ian Lancashire

 John Scott Colley Volume 16, Issue 2
Summer 1982
Two Tudor Interludes: Nice Wanton
and Impatient Poverty
ed. Leonard Tennenhouse		 John Wasson Volume 19, Issue 2
Summer 1985

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