C
|
| Book/Author |
Reviewer |
Location |
The Calms of Capricorn:
A Preliminary Edition
by Eugene O'Neill
ed. Donald Gallup
|
Michael Hinden |
Volume 17, Issue 2
Summer 1983 |
The Cambridge Companion to
Christopher Marlowe
ed. Patrick Cheney
|
Clifford Davidson |
Volume 39, Issue 2
Summer 2005 |
The Cambridge Companion to Ibsen
ed. James McFarland
|
Brian Johnston |
Volume 28, Issue 4
Winter 1994-95 |
The Cambridge Companion to Moliere,
eds. David Bradby and Andrew Calder
|
Paul Scott |
Volume 41, Issue 4
Winter 2007-08 |
The Cambridge Companion
to Sam Shepard
ed. Matthew Roudané
|
Arvid F. Sponberg |
Volume 37, Issue 1
Spring 2003 |
The Cambridge Companion to
Shakespeare on Film
ed. Russell Jackson
|
Frances Teague |
Volume 35, Issue 3,4
Fall/Winter 2001-02 |
The Cambridge Companion to
Victorian and Edwardian Theatre
ed. Kerry Powell
|
Stephen Watt |
Volume 38, Issue 1
Spring 2004 |
The Cambridge Introduction to Comedy
by Eric Weitz
|
Miriam Chirico |
Volume 44, Issue 2
Summer 2010 |
The Cambridge Introduction
to Early English Theatre
by Janette Dillon
|
Peter Happé |
Volume 41, Issue 2
Summer 2007 |
Canters and Chronicles: The Use of
Narrative in the Plays of Samuel Beckett
and Harold Pinter
by Kristen Morrison
|
Enoch Brater |
Volume 18, Issue 2
Summer 1984 |
A Catalogue of Paintings in the Folger Shakespeare Library: "As Imagination
Bodies Forth"
by William L. Pressly
|
Sandra Billington |
Volume 28, Issue 2
Summer 1994 |
Catharsis of Comedy
by Dana F. Sutton
|
William M. Owens |
Volume 31, Issue 2
Summer 1997 |
Céline: Man of Hate
by Bettina Knapp
|
Marilyn Gaddis Rose |
Volume 10, Issue 2
Summer 1976 |
The Censorship of British Drama,
1900-1968, vol. 1, 1900-1932;
and vol. 2, 1933-1952
by Steve Nicholson
|
William C. Boles |
Volume 40, Issue 2
Summer 2006 |
The Censorship of English Drama
1824-1901
by John Russell Stephens
|
Carl Woodring |
Volume 17, Issue 1
Spring 1983 |
Charismatic Authority in Early
Modern English Tragedy
by Raphael Falco
|
Christy Desmet |
Volume 34, Issue 4
Winter 2000-01 |
Chekhov and O'Neill: The Uses of
the Short Story in Chekhov's and
O'Neill's Plays
by Peter Egri
|
Michael Manheim |
Volume 21, Issue 3
Fall 1987 |
Chekhov, 1860-1904
by Sophie Laffitte
|
J. L. Styan |
Volume 10, Issue 1
Spring 1976 |
Chekhov: A Study of the Four
Major Plays
by Richard Peace
|
E. J. Czerwinski |
Volume 19, Issue 1
Spring 1985 |
Chekhov: The Critical Heritage
ed.
Victor Emeljanov
|
James Curtis |
Volume 16, Issue 2
Summer 1982 |
Cheshire including Chester: Records
of Early English Drama
Elizabeth Baldwin, Lawrence M. Clopper,
and David Mills, eds.
|
Peter Happé |
Volume 42, Issue 2
Summer 2008 |
The Chester Mystery Cycle: A
Reduced Facsimile of Huntington
Library MS 2. Leeds Texts and
Monographs
Intro by R. M. Lumiansky
and David Mills
|
Lawrence M. Clopper |
Volume 15, Issue 4
Winter 1981-82 |
Children of the Revels: The Boy
Companies of Shakespeare's Time
and Their Plays
by Michael Shapiro
|
Philip Kolin |
Volume 12, Issue 4
Winter 1978-79 |
The Children of Paul's: The Story
of a Theatre Company 1553-1608
by Reavley Gair
|
Ejner J. Jensen |
Volume 18, Issue 1
Spring 1984 |
China on Stage: An American Actress
in the People's Republic
by Lois Wheeler Snow
|
G. L. Anderson |
Volume 7, Issue 3
Fall 1973 |
Chinese Amusement:
The Lively Plays of Li Yü
by Eric Henry
|
Nathan K. Mao |
Volume 15, Issue 4
Winter 1981-82 |
Chinese Theatre and the Actor
in Performance
by Jo Riley
|
Nancy Guy |
Volume 33, Issue 4
Winter 1999-2000 |
Christopher Marlowe in the Eighties:
An Annotated Bibliography
by Bruce E. Brandt
|
Robert C. Evans |
Volume 27, Issue 2
Summer 1993 |
Christopher Marlowe: Poet for the Stage
by Clifford Leech
|
Edward L. Galligan |
Volume 10, Issue 2
Summer 1976 |
Church and Stage in Victorian England
by Richard Foulkes
|
Robert Sawyer |
Volume 34, Issue 4
Winter 2000-01 |
Citizen Comedy in the Age of Shakespeare
by Alexander Leggatt
|
Larry S. Champion |
Volume 9, Issue 3
Fall 1975 |
Civic Ritual and Drama
ed. Alexandra F. Johnston
and Wim Hüsken
|
John J. McGavin |
Volume 32, Issue 3
Fall 1998 |
Civil Idolatry: Desacralizing and
Monarchy in Spenser, Shakespeare,
and Milton
by Richard F. Hardin
|
Sandra Billington |
Volume 26, Issue 4
Winter 1992-93 |
The Classical Tradition in Shakespeare,
Donne, Herbert, and Milton
by Camlille W. Slights
|
Warren H. Chelline |
Volume 16, Issue 4
Winter 1982-83 |
Clifford Odets: Playwright-Poet
by Harold Cantor
|
Walter J. Meserve |
Volume 14, Issue 2
Summer 1980 |
Collaborations with the Past: Reshaping
Shakespeare across Time and Media
by Diana E. Henderson
|
Thomas Cartelli |
Volume 41, Issue 2
Summer 2007 |
The Collected Screenplays
of Bernard Shaw
ed.
Bernard F. Dukore
|
Arthur Ganz |
Volume 15, Issue 3
Fall 1981 |
The Comedies of Ariosto
trans and ed. Edmond M. Beame
and Leonard G. Sbrocchi
|
Beatrice Corrigan |
Volume 10, Issue 1
Spring 1976 |
A Complete Concordance to The
Chester Mystery Plays and a KWIC Concordance to the Plays of the
Wakefield Master
by Michael Preston and Jean Pfleiderer
|
Clifford Davidson |
Volume 16, Issue 2
Summer 1982 |
A Companion to Henslowe's Diary
by Neil Carson
|
Arthur F. Kinney |
Volume 23, Issue 2
Summer 1989 |
The Complete Plays of John Bale
ed. Peter Happé
|
John Wasson |
Volume 20, Issue 3
Fall 1986 |
A Concise History of Opera
by Leslie Orrey
|
Audrey Davidson |
Volume 9, Issue 1
Spring 1975 |
"Concord in Discord": The Plays of
John Ford 1586-1986
ed. Donald K. Anderson
|
Phoebe S. Spinrad |
Volume 23, Issue 2
Summer 1989 |
A Concordance to the Plays and Poems
of Sir George Etherege
by David D. Mann
|
Christopher Spencer |
Volume 20, Issue 2
Summer 1986 |
The Construction of the Wakefield Cycle
by John Gardner
|
Robert L. Blanch |
Volume 11, Issue 2
Summer 1977 |
Contemporary Approaches to Ibsen:
Reports from the Fourth International
Ibsen Seminar
ed. Daniel Haakonsen
|
Brian Johnston |
Volume 14, Issue 3
Fall 1980 |
Contemporary Black and Asian
Women Playwrights in Britain
by Gabrielle Griffin |
Sara Freeman |
Volume 39, Issue 1
Spring 2005 |
The Contemporary French Theater
ed. Bettina Knapp
|
Marilyn Gaddis Rose |
Volume 10, Issue 2
Summer 1976 |
Contemporary Latina/o Theater:
Writing Ethnicity
by Jon D. Rossini
|
Brian Eugenio Herrera |
Volume 43, Issue 2
Summer 2009 |
Contemporary Polish Theater and Drama
(1956-1984)
by E. J. Czerwinski
|
Zbigniew Folejewski |
Volume 23, Issue 4
Winter 1989-90 |
The Contemporary Spanish Theater
(1949-1972)
by Marion P. Holt
|
George Woodyard |
Volume 10, Issue 2
Summer 1976 |
Contexts for Early English Drama
ed. Marianne Briscoe and John C. Coldewey
|
Anne Eljenholm Nichols |
Volume 24, Issue 4
Winter 1990-91 |
Contour in Time: The Plays
of Eugene O'Neill
by Travis Bogard
|
John H. Stroupe |
Volume 8, Issue 4
Winter 1974-5 |
Conversations with Edward Albee
ed. Philip C. Kolin
|
Philip J. Egan |
Volume 23, Issue 1
Spring 1989 |
Corneille and Racine:
Problems of Tragic Form
by
Gordon Pocock
|
Philip Butler |
Volume 9, Issue 3
Fall 1975 |
Cornwall
ed. Sally L. Joyce and Evelyn S. Newlyn
|
Brian Murdoch |
Volume 34, Issue 2
Summer 2000 |
Cosmetics in Shakespearean
and Renaissance Drama
by Farah Karim-Cooper
|
Patricia Phillippy |
Volume 41, Issue 3
Fall 2007 |
The Creation of the World: A Critical
Edition with Translation
ed. and trans. Paula Neuss
|
Robert T. Meyer |
Volume 18, Issue 1
Spring 1984 |
Critical Essays on Edward Albee
ed. Philip C. Kolin and J. Madison
|
Philip J. Egan |
Volume 23, Issue 1
Spring 1989 |
Critical Essays on Henrik Ibsen
ed. Charles R. Lyons
|
Michael Hinden |
Volume 22, Issue 3
Fall 1988 |
A Critical History of Irish Drama,
1891-1980
by D. E. S. Maxwell
|
James Coakley |
Volume 22, Issue 1
Spring 1988 |
Cruelty and Desire in the Modern
Theater: Antonin Artaud, Sarah Kane,
and Samuel Beckett
by Laurens De Vos
|
Rob Connick |
Volume 47, Issue 1
Spring 2013 |
Cultural Readings of Restoration
and Eighteenth-Century English Theater
ed. J. Douglas Canfield
and Deborah C. Payne
|
Luis Gámez |
Volume 30, Issue 4
Winter 1996-97 |
The Culture of Violence
by Francis Barker
|
William Gruber |
Volume 28, Issue 4
Winter 1994-95 |
Cultural Thematics: The Formation
of the Faustian Ethos
by T. K. Seung
|
Robert McCauley |
Volume 12, Issue 2
Summer 1978 |
The Cultural Uses of the Caesars on the
English Renaissance Stage
by Lisa Hopkins
|
Barbara L. Parker |
Volume 43, Issue 2
Summer 2009 |
"Curious-Knotted Garden": The Form,
Themes, and Contexts of Shakespeare's
Love's Labour's Lost
by Louis Adrian Montrose
|
Arthos, John |
Volume 12, Issue 3
Fall 1978 |