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| Author | Essay |
Location |
| Waith, Eugene M. | Richard Cumberland, Comic Force, and Misanthropy | Volume 12, Issue 4 Winter 1978-79 |
| Wallace, Elizabeth Kowaleski | Theatricality and Cosmopolitanism in Hannah Cowley's The Belle's Stratagem read first paragraph |
Volume 35, Issue 3,4 Fall/Winter 2001-02 |
| Walsh, Martin W. | Rubin and Mercator: Grotesque Comedy in the German Easter Play read first paragraph |
Volume 36, Issue 1,2 Spring/Summer 2002 |
| ------ | The Urner Tellenspiel of 1512: Strategies of Early Political Drama read first paragraph |
Volume 34, Issue 2 Summer 2000 |
| Warner, Elizabeth A. | Work and Play: Some Aspects of Folk Drama in Russia | Volume 12, Issue 2 Summer 1978 |
| Wasson, John | The Morality Play: Ancestor of Elizabethan Drama? | Volume 13, Issue 3 Fall 1979 |
| Watt, Stephen | O'Neill and Otto Rank: Doubles, "Death Instincts," and the Trauma of Birth | Volume 20, Issue 3 Fall 1986 |
| ------ | Shaw's Saint Joan and the Modern History Play | Volume 19, Issue 1 Spring 1985 |
| Weiss, Auréliu | Mob Scenes: Their Generic Limitations | Volume 1, Issue 4 Winter 1967-68 |
| Weiss, Auréliu (trans. Martin B. Friedman) |
Truth and Theater | Volume 4, Issue 1 Spring 1970 |
| Welsh, James M. and D. Heyward Brock |
Percy McKaye: Community Drama and the Masque Tradition | Volume 6, Issue 1 Spring 1972 |
| Wentersdorf, Karl P. | Animal Symbolism in Shakespeare's Hamlet: The Imagery of Sex Nausea | Volume 17, Issue 4 Winter 1983-84 |
| Wertheim, Albert | Bertolt Brecht and George Farquhar's The Recruiting Officer | Volume 7, Issue 3 Fall 1973 |
| ------ | Euripides in South Africa: Medea and Demea | Volume 29, Issue 3 Fall 1995 |
| ------ | The Modern British Homecoming Play | Volume 19, Issue 2 Summer 1985 |
| Westfall, Suzanne | The Boy Who Would be King: Court Revels of King Edward VI, 1547-53 read first paragraph |
Volume 35, Issue 3,4 Fall/Winter 2001-02 |
| Westgate, J. Chris | Evicted In—and From—Toronto: Walker’s Beautiful City at Factory Theatre view abstract |
Volume 43, Issue 2 Summer 2009 |
| Wheeler, Richard P. | History, Character and Conscience in Richard III | Volume 5, Issue 4 Winter 1971-72 |
| ------ | The King and the Physician's Daughter: All's Well That Ends Well and the Late Romances | Volume 8, Issue 4 Winter 1974-75 |
| Widmayer, Anne F. | The Politics of Adapting Behn's Oroonoko read first paragraph |
Volume 37, Issue 2 Summer 2003 |
| Wigler, Stephen | If Looks Could Kill: Fathers and Sons in The Revenger's Tragedy | Volume 9, Issue 3 Fall 1975 |
| Wikander, Matthew H. | As Secret as Maidenhead: The Profession of the Boy-Actress in Twelfth Night | Volume 20, Issue 4 Winter 1986-87 |
| ------ | The Protean Prince Hal | Volume 26, Issue 4 Winter 1992-93 |
| Williamson, Marilyn L. | The Masque of Hymen in As You Like It | Volume 2, Issue 4 Winter 1968-69 |
| Wirth, Andrzej | Brecht and Witkiewicz: Two Concepts of Revolution in the Drama of the Twenties | Volume 3, Issue 3 Fall 1969 |
| Witherington, Paul | Albee's Gothic: The Resonances of Cliché | Volume 4, Issue 3 Fall 1970 |
| Witt, Mary Ann Frese | From Saint Genesius to Kean: Actors, Martyrs, and Metatheater view abstract |
Volume 43, Issue 1 Spring 2009 |
| ------ | Imprisonment in Camus' "Modern Tragedies": Les Justes, Requiem pour une nonne, Le Malentendu | Volume 5, Issue 1 Spring 1971 |
| ------ | Towards a Theater of Immobility: Henry IV, The Condemned of Altona, and The Balcony | Volume 24, Issue 2 Summer 1990 |
| Wixson, Christopher | "In Better Places": Space, Identity, and Alienation in Sarah Kane's Blasted read first paragraph |
Volume 39, Issue 1 Spring 2005 |
| Woodrow, Mervyn | South African Drama in English | Volume 4, Issue 2 Summer 1970 |
| Woodyard, George W. | The Theatre of the Absurd in Spanish America | Volume 3, Issue 3 Fall 1969 |
| Wortham, Christopher | Temperance and the End of Time: Emblematic Antony and Cleopatra | Volume 29, Issue 1 Spring 1995 |
| Worthen, William B. | The Theatre of the Absurd in Spanish America | Volume 18, Issue 3 Fall 1984 |
| Wright, Stephen K. | Iconographic Contexts of the Swedish De uno peccatore qui promeruit gratiam | Volume 27, Issue 1 Spring 1993 |
| ------ | The Durham Play of Mary and the Poor Knight: Sources and Analogues of a Lost English Miracle Play | Volume 17, Issue 3 Fall 1983 |
| ------ | The Ingressus Pilatus Chant in Medieval German Drama | Volume 28, Issue 3 Fall 1994 |
| ------ | The Player's Eye: Shakespeare on Television | Volume 17, Issue 3 Fall 1983 |
| Wulstan, David | Liturgical Drama and the “School of Abelard” view 1st paragraph |
Volume 42, Issue 3 Fall 2008 |
| Wutrich, Timothy Richard | A Proposal for a Theater Museum: Staging the Fragments of Greek and Roman Drama | Volume 29, Issue 4 Winter 1995-96 |
| ------ | Staging Act Five of Schiller’s Wilhelm Tell view abstract |
Volume 40, Issue 1 Spring 2006 |
| Wyatt, Diana | The English Pater Noster Play: Evidence and Extrapolations | Volume 30, Issue 4 Winter 1996-97 |
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