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| Author | Essay |
Location |
| Said, Aleya A. | Wavering Identity: A Priandellean Reading of Saadallah Wannus's The King is the King | Vol 32, No 3 Fall 1998 |
| Salinger, Herman | Heinrich Von Kleist's Penthesilea: Amazon or Bluestocking | Vol 1, No 1 Spring 1967 |
| Saltz, David Z. | Radical Mimesis: The "Pinter Problem" Revisited | Vol 26, No 3 Fall 1992 |
| Sanchez, Reuben | ‘Things like truths, well feigned’: Mimesis and Secrecy in Jonson’s Epicoene view abstract |
Vol 40, No 3 Fall 2006 |
| Sanders, Barry | Who's Afraid of Jesus Christ?: Games in the Coliphizacio | Vol 2, No 2 Summer 1968 |
| Sanderson, Richard K. | Suicide as Message and Metadrama in English Renaissance Tragedy | Vol 26, No 3 Fall 1992 |
| Savage, Edward B. | Love and Infamy: The Paradox of Monteverdi's L'Incoronazione di Poppea | Vol 4, No 3 Fall 1970 |
| Schell, Edgar | Richard II and Some Forms of Theatrical Time | Vol 24, No 3 Fall 1990 |
| ------ | The Limits of Typology and the Wakefield Master's Processus Noe | Vol 25, No 2 Summer 1991 |
| Scherb, Victor I. | Frame Structure in The Conversion of St. Paul | Vol 26, No 2 Summer 1992 |
| ------ | Liturgy and Community in N-Town Passion Play I |
Vol 29, No 4 Winter 1995-96 |
| ------ | Situating the Holy: Celtic Community in Breton and Cornish Saint Plays | Vol 35, No 3,4 Fall/Winter 2001-02 |
| Schlueter, June | Peter Handke's The Ride Across Lake Constance: The Illusion of Self-Sufficiency | Vol 11, No 2 Summer 1977 |
| Schmitt, Natalie Crohn | Curing Oneself of the Work of Time: W. B. Yeats's Purgatory | Vol 7, No 4 Winter 1973-74 |
| ------ | Ecstasy and Peak-Experience: W. B. Yeats, Marghanita Laski, and Abraham Maslow | Vol 28, No 2 Summer 1994 |
| ------ | "Haunted by Places": Landscape in Three Plays by W. B. Yeats | Vol 31, No 3 Fall 1997 |
| ------ | The Idea of a Person in Medieval Morality Plays | Vol 12, No 1 Spring 1978 |
| Schreiber, Earl G. | Everyman in America | Vol 9, No 2 Summer 1975 |
| Schuler, Robert M. | Magic Mirrors in Richard II read first paragraph |
Vol 38, No 2,3 Summer/Fall 2004 |
| Schwarz, Alfred | The Limits of Violence: Camus's Tragic View of the Rebel | Vol 6, No 1 Spring 1972 |
| Schwerdt, Lisa M. and Albert E. Kalson |
Eternal Recurrence and the Shaping of O'Neill's Dramatic Structures | Vol 24, No 2 Summer 1990 |
| Scofield, Martin | Drama, Politics, and the Hero: Coriolanus, Brecht, and Grass | Vol 24, No 4 Winter 1990-91 |
| Scoville, Chester | But owthir in frith or felde: The Rural in the York Cycle read first paragraphs |
Vol 37, No 2 Summer 2003 |
| Scullion, Adrienne | "Forget Scotland": Plays by Scots on the London Stage, 1667-1715 | Vol 31, No 1 Spring 1997 |
| ------ | Politesse and the Woman at Risk: The Social Comedies of Marie- Thérèse De Camp view abstract |
Vol 38, No 2,3 Summer/Fall 2004 |
| Sears, Laurie J. | Rethinking Indian Influence in Javanese Shadow Theater Traditions | Vol 28, No 1 Spring 1994 |
| Seaton, Jean Q. | Source of Order or Sovereign Lord: God and the Pattern of Relationships in Two Middle English "Fall of Lucifer" Plays | Vol 18, No 3 Fall 1984 |
| Serper, Zvika | "Between Two Worlds": The Dybbuk and the Japanese Noh and Kabuki Ghost Plays read first paragraph |
Vol 35, No 3,4 Fall/Winter 2001-02 |
| ------ | Japanese Noh and Kyōgen Plays: Staging Dichotomy view abstract |
Vol 39, No. 3,4 Fall/Winter 2005-06 |
| Sewall, Richard B. | Ahab's Quenchless Feud: The Tragic Vision In Shakespeare and Melville | Vol 1, No 3 Fall 1967 |
| Shaffer, Jason | The “Female Martinet”: Mrs. Harper, Gender, and Civic Virtue on the Early Republican Stage view abstract |
Vol 40, No 4 Winter 2006-07 |
| Shapiro, Eugene D. and Albert Rothenberg |
The Defense of Psychoanalysis in Literature: Long Day's Journey Into Night and A View From the Bridge | Vol 7, No 1 Spring 1973 |
| Sharoni, Edna G. | At the Hawk's Well: Yeats's Unresolved Conflict Between Language and Silence | Vol 7, No 2 Summer 1973 |
| ------ | "Peace" and "Unbar the Door": T. S. Eliot's Murder in the Cathedral and Some Stoic Forebears | Vol 6, No 2 Summer 1972 |
| Sheaffer, Louis | Correcting Some Errors in Annals of O'Neill | Vol 17, No 3 Fall 1983 |
| Shershow, Scott Cutler | Windings and Turnings: The Metaphoric Labyrinth of Restoration Dramatic Theory | Vol 26, No 1 Spring 1992 |
| Shilstone, Frederick W. | Byron's "Mental Theatre" and the German Classical Precedent | Vol 10, No 3 Fall 1976 |
| Sielgel, Linda | Schumann's Genoveva as German Romantic Drama | Vol 6, No 4 Winter 1972-73 |
| Simonds, Peggy Muñoz | "My charms crack not": The Alchemical Structure of The Tempest | Vol 31, No 4 Winter 1997-98 |
| ------ | "Sweet Power of Music": The Political Magic of "the Miraculous Harp" in Shakespeare's The Tempest | Vol 29, No 1 Spring 1995 |
| Skey, Miram Anne | Herod the Great in Medieval European Drama | Vol 13, No 4 Winter 1979-80 |
| ------ | The Iconography of Herod in the Fleury Playbook and the Visual Arts | Vol 17, No 1 Spring 1983 |
| Slights, William W. E. | The Trickster-Hero and Middleton's A Mad World, My Masters | Vol 3, No 2 Summer 1969 |
| Smith, Amy L. | Performing Marriage with a Difference: Wooing, Wedding, and Bedding in The Taming of the Shrew read first paragraph |
Vol 36, No 3,4 Fall/Winter 2002-03 |
| Smith, David L. and David Bevington |
James I and Timon of Athens | Vol 33, No 1 Spring 1999 |
| Smith, Leslie | Edward Bond's Lear | Vol 13, No 1 Spring 1979 |
| Smith, Rochelle | Admirable Musicians: Women's Songs in Othello and The Maid's Tragedy | Vol 28, No 3 Fall 1994 |
| Smolden, William L. | The Melodies of the Medieval Church-Dramas and Their Significance | Vol 2, No 3 Fall 1968 |
| Sofer, Andrew | Absorbing Interests: Kyd's Bloody Handkerchief as Palimpsest view abstract |
Vol 34, No 2 Summer 2000 |
| ------ | Felt Absences: The Stage Properties of Othello's Handkerchief | Vol 31, No 3 Fall 1997 |
| Sohlich, W. F. | Genet's The Blacks and The Screens: Dialectic of Refusal and Revolutionary Consciousness | Vol 10, No 3 Fall 1976 |
| Sohlich, Wolfgang | Prolegomenon for a Theory of Drama Reception: Peter Brook's Measure fof Measure and the Emergent Bourgeoisie | Vol 18, No 1 Spring 1984 |
| Sokel, Walter H. | Brecht's Concept of Character | Vol 5, No 3 Fall 1971 |
| Somerset, Alan | Damnable Deconstructions: Vice Language in the Interlude | Vol 31, No 4 Winter 1997-98 |
| Spector, Stephen | Anti-Semitism and the English Mystery Plays | Vol 13, No 1 Spring 1979 |
| Spingler, Michael | Anouilh's Little Antigone: Tragedy, Theatricalism, and the Romantic Self | Vol 8, No 3 Fall 1974 |
| ------ | The Actor and the Statue: Space, Time, and Court Performance in Molière's Dom Juan | Vol 25, No 4 Winter 1991-92 |
| ------ | The King's Play: Censorship and the Politics of Performance in Molière's Tartuffe | Vol 19, No 3 Fall 1985 |
| Spingler, Michael and Richard Takvorian |
Sounding Ionesco: Problems in Translating La Leçon and Jacques ou La Soumission | Vol 17, No 1 Spring 1973 |
| Squires, Lynn | Law and Disorder in Ludus Coventriae | Vol 12, No 3 Fall 1978 |
| Staines, David | To Out-Herod Herod: The Development of a Dramatic Character | Vol 10, No 1 Spring 1976 |
| Stanton, Stephen S. | Trolls in Ibsen's Late Plays | Vol 32, No 4 Winter 1998-99 |
| Steele, Eugene | Shakespeare, Goldoni, and the Clowns | Vol 11, No 3 Fall 1977 |
| Stevens, Martin | Did the Wakefield Master Write a Nine-Line Stanza? | Vol 15, No 2 Summer 1981 |
| Sticca, Sandro | The Christos Paschon and the Byzantine Theater | Vol 8, No 1 Spring 1974 |
| Stockenström, Göran | August Strindberg: A Modernist in Spite of Himself | Vol 26, No 2 Summer 1992 |
| ------ | Strindberg's Cosmos in A Dream Play: Medieval or Modern | Vol 30, No 1 Spring 1996 |
| ------ | The Dilemma of Naturalistic Tradgedy: Strindberg's Miss Julie | Vol 38, No 1 Spring 2004 |
| Stokes, James | The Lost Playing Places of Lincolnshire view abstract |
Vol 37, No 3,4 Fall/Winter 2003-04 |
| ------ | The Wells Cordwainers Show: New Evidence Concerning Guild Entertainments in Somerset | Vol 19, No 4 Winter 1985-86 |
| ------ | Women and Mimesis in Medieval and Renaissance Somerset (and Beyond) | Vol 27, No 2 Summer 1993 |
| Strietman, Elsa | The Face of Janus: Debatable Issues in Mariken van Nieumeghen | Vol 27, No 1 Spring 1993 |
| Strongin, Carol | Irony and Theatricality in Chekhov's The Sea Gull | Vol 15, No 4 Winter 1981-82 |
| Stroud, Ronald | The Bastard to the Time in King John | Vol 6, No 2 Summer 1972 |
| Stroup, Thomas B. | "All Comes Clear at Last," but "the Readiness is All" | Vol 10, No 1 Spring 1976 |
| ------ | Doctor Faustus and Hamlet: Contrasting Kinds of Christian Tragedy | Vol 5, No 4 Winter 1971-72 |
| ------ | "I See a Voice" | Vol 15, No 1 Spring 1981 |
| ------ | Ritual and Ceremony in the Drama | Vol 11, No 2 Summer 1977 |
| ------ | Ritual in Marlowe's Plays | Vol 7, No 3 Fall 1973 |
| Stroupe, John H. and Joseph J. Moleski |
Jean Anouilh and Eugene O'Neill: Repetition as Negativity | Vol 20, No 4 Winter 1986-87 |
| Stump, Donald | Marlowe's Travesty of Virgil: Dido and Elizabethan Dreams of Empire read first paragraph |
Vol 34, No 1 Spring 2000 |
| Styan, J. L. | High Tide in the London Theatre: Some Notes on the 1978-79 Season | Vol 13, No 3 Fall 1979 |
| ------ | The Idea of a Definitive Production: Chekhov in and out of Period | Vol 4, No 3 Fall 1970 |
| ------ | Some Late Reflections on Tragedy and Its Theatrical Chemistry | Vol 33, No 1 Spring 1999 |
| Sugano, Douglas | "This game wel pleyd in good a-ray": The N-Town Playbooks and East Anglican Games | Vol 28, No 2 Summer 1994 |
| Swann, Darius L. | Indian and Greek Drama: Two Definitions | Vol 3, No 2 Summer 1969 |
| Syndergaard, Larry E. | The Skogsrå of Folklore and Strindberg's The Crown Bride | Vol 6, No 4 Winter 1972-73 |
| Szönyi, György E. | European Influences and National Tradition in Medieval Hungarian Theater | Vol 15, No 2 Summer 1981 |
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