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| Author | Essay |
Location |
| Palacas, Arthur and Robert P. Merrix |
Gadshill, Hotspur, and the Design of Proleptic Parody | Vol 14, No 4 Winter 1980-81 |
| Palmer, Barbara D. | Corpus Christi "Cycles" in Yorkshire: The Surviving Records | Vol 27, No 2 Summer 1993 |
| ------ | "Towneley Plays" or "Wakefield Cycle" Revisited | Vol 21, No 4 Winter 1987-88 |
| Panek, Jennifer | "My naked weapon": Male Anxiety and the Violent Courtship of the Jacobean Stage Widow view abstract |
Vol 34, No 3 Fall 2000 |
| Pang, Cecilia | (Re)cycling Culture: Chinese Opera in the United States view abstract |
Vol 39, No. 3,4 Fall/Winter 2005-06 |
| Paolucci, Anne | Shakespeare and the Genius of the Absurd | Vol 7, No 3 Fall 1973 |
| Pasternack, Leslie | The Bride Wielded a Razor: Images of Women on the Blackface Stage of James McIntyre and Thomas Heath view abstract |
Vol 40, No 4 Winter 2006-07 |
| Paull, Michael | The Figure of Mahomet in the Towneley Cycle | Vol 6, No 3 Fall 1972 |
| Pearce, Brian | Granville Barker's Production of The Winter's Tale (1912) | Vol 30, No 3 Fall 1996 |
| Pentzell, Raymond J. | Actor, Maschera, and Role: An Approach to Irony in Performance | Vol 16, No 3 Fall 1982 |
| ------ | The Changeling: Notes on Mannerism in Dramatic Form | Vol 9, No 1 Spring 1975 |
| Peters, Julie Stone | Joan of Arc Internationale: Shaw, Brecht, and the Law of Nations view abstract |
Vol 38, No 4 Winter 2004-05 |
| Petersen, Nils Holger | A Newly Discovered Fragment of a Visitatio Sepulchri in Stockholm | Vol 30, No 1 Spring 1996 |
| Pettitt, Thomas | English Folk Drama in the Eighteenth Century: A Defense of the Revesby Sword Play | Vol 15, No 1 Spring 1981 |
| Pierce, Robert B. | Tragedy and Timon of Athens view abstract |
Vol 36, No 1,2 Spring/Summer 2002 |
| Plesch, Véronique | Étalage complaisant? The Torments of Christ in French Passion Plays | Vol 28, No 4 Winter 1994-95 |
| ------ | Killed by Words: Grotesque Verbal Violence and Tragic Atonement in French Passion Plays | Vol 33, No 1 Spring 1999 |
| ------ | Walls and Scaffolds: Pictoral and Dramatic Passion Cycles in the Duchy of Savoy | Vol 32, No 2 Summer 1998 |
| Poole, Kristen Elizabeth | Garbled Martyrdom in Christopher Marlowe's The Massacre at Paris | Vol 32, No 1 Spring 1998 |
| Postlewait, Thomas | Pinter's The Homecoming: Displacing and Repeating Ibsen | Vol 15, No 3 Fall 1981 |
| Poteet, Daniel P. II | Time, Eternity, and Dramatic Form in Ludus Coventriae "Passion Play I" | Vol 8, No 4 Winter 1974-75 |
| Potter, Robert | The Illegal Immigration of Medieval Drama to California | Vol 27, No 1 Spring 1993 |
| ------ | The Ordo Virtutum: Ancestor of the English Moralities? | Vol 20, No 3 Fall 1986 |
| Povey, John F. | West African Drama in English | Vol 1, No 2 Summer 1967 |
| ------ | Wole Soyinka: Two Nigerian Comedies | Vol 3, No 2 Summer 1969 |
| Prager, Carolyn | Heywood's Adaptation of Plautus' Rudens: The Problem of Slavery in The Captives | Vol 9, No 2 Summer 1975 |
| Preston, Michael J. | The Robin Hood Folk Plays of South-Central England | Vol 10, No 2 Summer 1976 |
| Price, Merrall Llewelyn | Re-Membering the Jews: Theatrical Violence in the N-Town Marian Plays view 1st paragraph |
Vol 41, No 4 Winter 2007-08 |
| Pronko, Leonard C. | Kabuki Today and Tomorrow | Vol 6, No 2 Summer 1972 |
| ------ | Trolls, Trills, and Tofu: Ibsen, Verdi, and Kabuki | Vol 29, No 3 Fall 1995 |
| Puthussery, Joly | Chavittunātakam: Music-Drama in Kerala read first paragraph |
Vol 37, No 3,4 Fall/Winter 2003-04 |
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