O
|
| Author |
Essay |
Location |
| Odom, Glenn A. |
“The End of Nigerian History”: Wole
Soyinka and Yorùbá Historiography
view abstract
|
Volume 42, Issue 2
Summer 2008 |
| Ogden, Dunbar H. |
The Use of Architectural Space in Medieval Music-Drama |
Volume 8, Issue 1
Spring 1974
|
O'Malley, Lurana
Donnels |
From Fat Falstaff to Francophile Fop: Russian Nationalism in Catherine the Great's Merry Wives |
Volume 33, Issue 3
Fall 1999
|
| ------ |
Masks of the Empress: Polyphony of Personae in Catherine the Great's Oh, These Times! |
Volume 31, Issue 1
Spring 1997
|
| Oosterwijk, Sophie |
Lessons in "Hopping": The Dance of Death and the Chester Mystery Cycle
view abstract |
Volume 36, Issue 3,4
Fall/Winter 2002-03
|
| Ornstein, Robert |
Can We Define the Nature of Shakespearean Tragedy? |
Volume 19, Issue 3
Fall 1985
|
| Otten, Terry |
Ibsen and Albee's Spurious Children |
Volume 2, Issue 2
Summer 1968
|
| ------ |
Woyzeck and Othello: The Dimentions of Melodrama |
Volume 12, Issue 2
Summer 1978 |