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| Author | Essay |
Location |
| Odom, Glenn A. | “The End of Nigerian History”: Wole Soyinka and Yorùbá Historiography view abstract |
Volume 42, Issue 2 Summer 2008 |
| Ogden, Dunbar H. | The Use of Architectural Space in Medieval Music-Drama | Volume 8, Issue 1 Spring 1974 |
| O'Malley, Lurana Donnels |
From Fat Falstaff to Francophile Fop: Russian Nationalism in Catherine the Great's Merry Wives | Volume 33, Issue 3 Fall 1999 |
| ------ | Masks of the Empress: Polyphony of Personae in Catherine the Great's Oh, These Times! | Volume 31, Issue 1 Spring 1997 |
| Oosterwijk, Sophie | Lessons in "Hopping": The Dance of Death and the Chester Mystery Cycle view abstract |
Volume 36, Issue 3,4 Fall/Winter 2002-03 |
| Ornstein, Robert | Can We Define the Nature of Shakespearean Tragedy? | Volume 19, Issue 3 Fall 1985 |
| Otten, Terry | Ibsen and Albee's Spurious Children | Volume 2, Issue 2 Summer 1968 |
| ------ | Woyzeck and Othello: The Dimentions of Melodrama | Volume 12, Issue 2 Summer 1978 |
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