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| Author | Essay |
Location |
| MacDonald, Joyce Green |
'Hay for the Daughters!' Gender and Patriarchy in The Miseries of Civil War and Henry VI | Vol 24, No 3 Fall 1990 |
| MacDonald, Robert H. | Drummond of Hawthornden: The Season at Bourges, 1607 | Vol 4, No 2 Summer 1970 |
| MacKenzie, Clayton G. | Questions of Identity in Contemporary Hong Kong Theater | Vol 29, No 2 Summer 1995 |
| MacKenzie, Clayton G. and Moira Arthurs | "Together Again": Theater in Postcolonial Hong Kong read first paragraph |
Vol 37, No 1 Spring 2003 |
| Mackerras, Colin | Peking Opera before the Twentieth Century | Vol 28, No 1 Spring 1994 |
| MacNicholas, John | Joyce contra Wagner | Vol 9, No 1 Spring 1975 |
| Manheim, Michael | O'Neill's Transcendence of Melodrama in A Touch of the Poet and A Moon for the Misbegotten | Vol 16, No 3 Fall 1982 |
| Marche, Stephen | Mocking Dead Bones: Historical Memory and the Theater of the Dead in Richard III read first paragraph |
Vol 37, No 1 Spring 2003 |
| Markley, Robert | Aphra Behn’s The City Heiress: Feminism and the Dynamics of Popular Success on the Late Seventeenth-Century Stage read first paragraph |
Vol 41, No 2 Summer 2007 |
| Marks, Elise | "Othello/me": Racial Drag and the Pleasures of Boundry-Crossing with Othello view 1st paragraph |
Vol 35, No 1 Spring 2001 |
| Marotti, Arthur F. | Fertility and Comic Form in A Chaste Maid in Cheapside | Vol 3, No 1 Spring 1969 |
| Martin, Leslie Howard | Comic Eschatology in the Chester Coming of Antichrist | Vol 5, No 3 Fall 1971 |
| ------ | Dryden and the Art of Transversion | Vol 6, No 1 Spring 1972 |
| Martin, R. A. | Metatheater, Gender, and Subjectivity in Richard II and Henry IV, Part I | Vol 23, No 3 Fall 1989 |
| Massey, Dawn | Veritas filia Temporis: Apocalyptic Polemics in the Drama of the English Reformation | Vol 32, No 1 Spring 1998 |
| Massip, J. Francesc | The Staging of the Assumption in Europe | Vol 25, No 1 Spring 1991 |
| Maynard, Stephen | Feasting on Ayre: Community, Consumption, and Communion in The Shoemaker's Holiday | Vol 32, No 3 Fall 1998 |
| Mazzaro, Jerome | Alfieri's Saul as Enlightenment Tragedy | Vol 33, No 1 Spring 1999 |
| ------ | Madness and Memory: Shakespeare's Hamlet and King Lear | Vol 19, No 2 Summer 1985 |
| ------ | Mathematical Certainty and Pirandello's Così è (se vi pare) | Vol 28, No 4 Winter 1994-95 |
| ------ | Memory and Madness in Pirandello's Enrico IV | Vol 26, No 1 Spring 1992 |
| ------ | Memory in Aeschylus' Seven Against Thebes | Vol 18, No 2 Summer 1984 |
| ------ | Mnema and Forgetting in Euripides' The Bacchae | Vol 27, No 3 Fall 1993 |
| ------ | Pirandello's Sei Personaggi and Expressive Form | Vol 30, No 4 Winter 1996-97 |
| ------ | Play and Pirandello's Il giuoco delle parti | Vol 27, No 4 Winter 1993-94 |
| ------ | Prometheus Bound: Robert Lowell and Aeschylus | Vol 7, No 4 Winter 1973-74 |
| ------ | Shakespeare's "Books of Memory": 1 and 2 Henry VI | Vol 35, No 3,4 Fall/Winter 2001-02 |
| ------ | The Classicism of Robert Lowell's Phaedra | Vol 7, No 2 Summer 1973 |
| ------ | The Mystère d'Adam and Christian Memory | Vol 31, No 4 Winter 1997-98 |
| McBride, Tom | Measure for Measure and the Unreconciled Virtues | Vol 8, No 3 Fall 1974 |
| McClymonds, Maria Petzoldt | Bianca de'Rossi as Play, Ballet, Opera: Contours of "Modern" Historical Tragedy in the 1790s | Vol 31, No 1 Spring 1997 |
| McCollom, William G. | Verse Drama: A Reconsideration | Vol 14, No 2 Summer 1980 |
| McFarland. Ronald E. | The Vampire on Stage: A Study in Adaptations | Vol 21, No 1 Spring 1987 |
| McGrath, F. C. | Irish Babel: Brian Friel's Translations and George Steiner's After Babel | Vol 23, No 1 Spring 1989 |
| ------ | Paterian Aesthetics in Yeats' Drama | Vol 13, No 1 Spring 1979 |
| McKilligan, K. M. | Theory and Practice in French Wagnerian Drama: Édouard Dujardin and La Légende d'Antonia | Vol 13, No 4 Winter 1979-80 |
| McLellan, Samuel G. | Rhyme and Reason in Ibsen's Norma | Vol 14, No 4 Winter 1980-81 |
| Melzer, Annabelle Henkin |
Louis Aragon's L'Armoire à glace un beau soir: A Play of the Surrealist "Epoque de sommeil" | Vol 11, No 1 Spring 1977 |
| Mendelsohn, Leonard R. |
The Player As Director: An Approach to Character | Vol 6, No 2 Summer 1972 |
| Merrix, Robert P. and Arthur Palacas |
Gadshill, Hotspur, and the Design of Proleptic Parody | Vol 14, No 4 Winter 1980-81 |
| Meserve, Ruth I. & Walter J. Meserve |
Lao Sheh: From People's Artist to "An Enemy of the People" | Vol 8, No 2 Summer 1974 |
| ------ | Ts'ao Yu: Dramatist in Communist China | Vol 2, No 2 Summer 1968 |
| Meyer, Kinereth | "It Is Written": Tom Stoppard and the Drama of the Intertext | Vol 23, No 2 Summer 1989 |
| Meyer, Robert T. | The Middle-Cornish Play Beunans Meriasek | Vol 3, No 1 Spring 1969 |
| Milutinović, Zoran | The Death of Representation and the Representation of Death: Ionesco, Beckett, and Stoppard view abstract |
Vol 40, No 3 Fall 2006 |
| Miola, Robert S. | The Merry Wives of Windsor: Classical and Italian Intertexts | Vol 27, No 3 Fall 1993 |
| Mishler, William | The Virgin Spring and The Seventh Seal: A Girardian Reading | Vol 30, No 1 Spring 1996 |
| Mitchell, William P. and Barbara H. Jaye |
The Iconography of Audience in the Cuzco Corpus Christi Paintings | Vol 25, No 1 Spring 1991 |
| Mize, Britt | Material Economy, Spiritual Economy, and Social Critique in Everyman view abstract |
Vol 40, No 3 Fall 2006 |
| Moeschen, Sheila | Suffering Silences, Woeful Afflictions: Physical Disability, Melodrama, and the American Charity Movement view abstract |
Vol 40, No 4 Winter 2006-07 |
| Moleski, Joseph J. | Eugene O'Neill and the Cruelty of Theater | Vol 15, No 4 Winter 1981-82 |
| Moleski, Joseph J. and John H. Stroupe |
Jean Anouilh and Eugene O'Neill: Repetition as Negativity | Vol 20, No 4 Winter 1986-87 |
| Moll, Richard J. | Staging Disorder: Charivari in the N-Town Cycle | Vol 35, No 2 Summer 2001 |
| Montrose, Louis Adrian |
"Folly, in wisdom hatch'd": The Exemplary Comedy of Love's Labour's Lost | Vol 11, No 2 Summer 1977 |
| Mooney, Michael E. | "Framing" as Collaborative Technique: Two Middleton-Rowley Plays | Vol 13, No 2 Summer 1979 |
| Moore, Bruce | The Narrator within the Performance: Problems with Two Medieval "Plays" | Vol 22, No 1 Spring 1988 |
| Moravcevich, Nicholas | Chekhov and Naturalism: From Affinity to Divergence | Vol 4, No 4 Winter 1970-71 |
| Morrison, Kristin | Defeated Sexuality in the Plays and Novels of Samuel Beckett | Vol 14, No 1 Spring 1980 |
| Mueller, Martin | Hermione's Wrinkles, or, Ovid Transformed: An Essay on The Winter's Tale | Vol 5, No 3 Fall 1971 |
| Muir, Lynette R. | The Mass on the English Stage | Vol 23, No 4 Winter 1989-90 |
| ------ | The Trinity in Medieval Drama | Vol 10, No 2 Summer 1976 |
| Mullen, Edward J. | Simón Aguado's Entremés de los negros: Text and Context | Vol 20, No 3 Fall 1986 |
| ------ | The Revista Contemporáneos and the Development of the Mexican Theater | Vol 4, No 4 Winter 1970-71 |
| Munns, Jessica | "The Dark Disorders of a Divided State": Otway and Shakespeare's Romeo and Juliet | Vol 19, No 4 Winter 1985-86 |
| Munson, William F. | Audience and Meaning in Two Medieval Dramatic Realisms | Vol 9, No 1 Spring 1975 |
| Mussio, Thomas E. | Bandello's "Timbreo and Fenicia" and The Winter's Tale read first paragraph |
Vol 34, No 2 Summer 2000 |
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