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| Author | Essay |
Location |
| Ladd, Roger | ‘My condicion in mannes soule to kill’—Everyman’s Mercantile Salvation view abstract |
Volume 41.1 Spring 2007 |
| Lalou, Elizabeth | St. Crépin, St. Crispin, Sant Crespí: French, Breton, and Catalan Mystères | Vol 25, No 1 Spring 1991 |
| Lamb, Susan | The Popular Theater of Samuel Foote and British National Identity | Vol 30, No 2 Summer 1996 |
| Land, S. K. | The Rise of Intellect in Wagner's Ring | Vol 5, No 1 Spring 1971 |
| Lee, Dongchoon | Medieval Korean Drama: The Pongsan Mask Dance view abstract |
Vol 39, No. 3,4 Fall/Winter 2005-06 |
| Lenz, Carolyn Ruth Swift |
The Allegory of Wisdom in Lyly's Endimion | Vol 10, No 3 Fall 1976 |
| Leslie, Robert W. | Sforza Oddi and the Commedia Grave: Setting the Stage for Shakespeare | Vol 30, No 4 Winter 1996-97 |
| ------ | Shakespeare's Italian Dream: Cinquecento Sources for A Midsummer Night's Dream | Vol 29, No 4 Winter 1995-96 |
| Levin, Harry | From Play to Plays: The Folklore of Comedy | Vol 16, No 2 Summer 1982 |
| ------ | The End of Elizabethan Drama | Vol 3, No 4 Winter 1969-70 |
| Lewis, Cynthia | Soft Touch: On the Renaissance Staging and Meaning of the "Noli me tangere" Icon view abstract |
Vol 36, No 1,2 Spring/Summer 2002 |
| Lieblein, Leanore | Thomas Middleton's Prodigal Play | Vol 10, No 1 Spring 1976 |
| Limon, Henryk and Jerzy Limon |
An Interpretation of DeWitt's Drawing on the Methodological Ground of Perspective Restitution | Vol 17, No 3 Fall 1983 |
| Lindberg, Kevin | Thomas Heywood's The Royall King and the Loyall Subject and the Fall of Robert Devereux, Second Earl of Essex |
Vol 39, No 1 Spring 2005 |
| Lindenberger, Herbert | Danton's Death and the Conventions of Historical Drama | Vol 3, No 2 Summer 1969 |
| ------ | Wagner's Ring as Nineteenth-Century Artifact | Vol 28, No 3 Fall 1994 |
| Linke, Hansjürgen | A Survey of Medieval Drama and Theater in Germany | Vol 27, No 1 Spring 1993 |
| Loftis, John | Lope de Vega's and Webster's Amalfi Plays | Vol 16, No 1 Spring 1982 |
| Londré, Felicia Hardison |
Using Comic Devices to Answer the Ultimate Question: Tom Stoppard's Jumpers and Woody Allen's God | Vol 14, No 4 Winter 1980-81 |
| Longsworth, Robert | Two Medieval Cornish Versions of the Creation of the World | Vol 21, No 3 Fall 1987 |
| Louden, Bruce | The Tempest, Plautus, and the Rudens | Vol 33, No 2 Summer 1999 |
| Low, Jennifer A. | "Bodied Forth": Spectator, Stage, and Actor in the Early Modern Theater |
Vol 39, No 1 Spring 2005 |
| ------ | "Those Proud Titles Thou Hast Won": Sovereignty, Power, and Combat in Shakespeare's Second Tetralogy view abstract |
Vol 34, No 3 Fall 2000 |
| Lyons, Charles R. | Beckett's Major Plays and the Trilogy | Vol 5, No 4 Winter 1971-72 |
| ------ | Perceiving Rockaby—As a Text, As a Text by Samuel Beckett, As a Text for Performance | Vol 16, No 4 Winter 1982-83 |
| ------ | Silent Women and Shrews: Eroticism and Convention in Epicoene and Measure for Measure | Vol 23, No 2 Summer 1989 |
| ------ | Some Analogies Between the Epic Brecht and the Absurdist Beckett | Vol 1, No 4 Winter 1967-68 |
| ------ | Some Variations of Kindermord as Dramatic Archetype | Vol 1, No 1 Spring 1967 |
| ------ | Text as Agent in Sam Shepard's Curse of the Starving Class | Vol 24, No 1 Spring 1990 |
| Lyons, Charles R. and Barbara S. Becker |
Directing/Acting Beckett | Vol 19, No 4 Winter 1985-86 |
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