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| Author | Essay |
Location |
| Ladd, Roger | ‘My condicion in mannes soule to kill’—Everyman’s Mercantile Salvation view abstract |
Volume 41, Issue 1 Spring 2007 |
| Lagueux, Robert C. | Sermons, Exegesis, and Performance: The Laon Ordo Prophetarum and the Meaning of Advent view abstract |
Volume 43, Issue 2 Summer 2009 |
| Lalou, Elizabeth | St. Crépin, St. Crispin, Sant Crespí: French, Breton, and Catalan Mystères | Volume 25, Issue 1 Spring 1991 |
| Lamb, Susan | The Popular Theater of Samuel Foote and British National Identity | Volume 30, Issue 2 Summer 1996 |
| Land, S. K. | The Rise of Intellect in Wagner's Ring | Volume 5, Issue 1 Spring 1971 |
| Lee, Dongchoon | Medieval Korean Drama: The Pongsan Mask Dance view abstract |
Volume 39, Issue 3,4 Fall/Winter 2005-06 |
| Lenz, Carolyn Ruth Swift |
The Allegory of Wisdom in Lyly's Endimion | Volume 10, Issue 3 Fall 1976 |
| Leslie, Robert W. | Sforza Oddi and the Commedia Grave: Setting the Stage for Shakespeare | Volume 30, Issue 4 Winter 1996-97 |
| ------ | Shakespeare's Italian Dream: Cinquecento Sources for A Midsummer Night's Dream | Volume 29, Issue 4 Winter 1995-96 |
| Levin, Harry | From Play to Plays: The Folklore of Comedy | Volume 16, Issue 2 Summer 1982 |
| ------ | The End of Elizabethan Drama | Volume 3, Issue 4 Winter 1969-70 |
| Lewis, Cynthia | Soft Touch: On the Renaissance Staging and Meaning of the "Noli me tangere" Icon view abstract |
Volume 36, Issue 1,2 Spring/Summer 2002 |
| Lieblein, Leanore | Thomas Middleton's Prodigal Play | Volume 10, Issue 1 Spring 1976 |
| Limon, Henryk and Jerzy Limon |
An Interpretation of DeWitt's Drawing on the Methodological Ground of Perspective Restitution | Volume 17, Issue 3 Fall 1983 |
| Lindberg, Kevin | Thomas Heywood's The Royall King and the Loyall Subject and the Fall of Robert Devereux, Second Earl of Essex view abstract |
Volume 39, Issue 1 Spring 2005 |
| Lindenberger, Herbert | Danton's Death and the Conventions of Historical Drama | Volume 3, Issue 2 Summer 1969 |
| ------ | Wagner's Ring as Nineteenth-Century Artifact | Volume 28, Issue 3 Fall 1994 |
| Linke, Hansjürgen | A Survey of Medieval Drama and Theater in Germany | Volume 27, Issue 1 Spring 1993 |
| Loewen, Peter | Portrayals of the Vita Christi in the Medieval German Marienklage: Signs of Franciscan Exegesis and Rhetoricin Drama and Music view abstract |
Volume 42, Issue 3 Fall 2008 |
| Loftis, John | Lope de Vega's and Webster's Amalfi Plays | Volume 16, Issue 1 Spring 1982 |
| Londré, Felicia Hardison |
Using Comic Devices to Answer the Ultimate Question: Tom Stoppard's Jumpers and Woody Allen's God | Volume 14, Issue 4 Winter 1980-81 |
| Longsworth, Robert | Two Medieval Cornish Versions of the Creation of the World | Volume 21, Issue 3 Fall 1987 |
| Louden, Bruce | The Tempest, Plautus, and the Rudens | Volume 33, Issue 2 Summer 1999 |
| Low, Jennifer A. | "Bodied Forth": Spectator, Stage, and Actor in the Early Modern Theater view abstract |
Volume 39, Issue 1 Spring 2005 |
| ------ | "Those Proud Titles Thou Hast Won": Sovereignty, Power, and Combat in Shakespeare's Second Tetralogy view abstract |
Volume 34, Issue 3 Fall 2000 |
| Lundeen, Stephanie Thompson |
The Earliest Middle English Interludes view abstract |
Volume 43, Issue 3 Fall 2009 |
| Lyons, Charles R. | Beckett's Major Plays and the Trilogy | Volume 5, Issue 4 Winter 1971-72 |
| ------ | Perceiving Rockaby—As a Text, As a Text by Samuel Beckett, As a Text for Performance | Volume 16, Issue 4 Winter 1982-83 |
| ------ | Silent Women and Shrews: Eroticism and Convention in Epicoene and Measure for Measure | Volume 23, Issue 2 Summer 1989 |
| ------ | Some Analogies Between the Epic Brecht and the Absurdist Beckett | Volume 1, Issue 4 Winter 1967-68 |
| ------ | Some Variations of Kindermord as Dramatic Archetype | Volume 1, Issue 1 Spring 1967 |
| ------ | Text as Agent in Sam Shepard's Curse of the Starving Class | Volume 24, Issue 1 Spring 1990 |
| Lyons, Charles R. and Barbara S. Becker |
Directing/Acting Beckett | Volume 19, Issue 4 Winter 1985-86 |
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