L
|
| Author |
Essay |
Location |
| Ladd, Roger |
‘My condicion in mannes soule to
kill’—Everyman’s Mercantile Salvation
view abstract
|
Volume 41.1
Spring 2007 |
| Lalou, Elizabeth |
St. Crépin, St. Crispin, Sant Crespí: French, Breton, and Catalan Mystères |
Vol 25, No 1
Spring 1991
|
| Lamb, Susan |
The Popular Theater of Samuel Foote and British National Identity |
Vol 30, No 2
Summer 1996
|
| Land, S. K. |
The Rise of Intellect in Wagner's Ring |
Vol 5, No 1
Spring 1971
|
| Lee, Dongchoon |
Medieval Korean Drama:
The Pongsan Mask Dance
view abstract
|
Vol 39, No. 3,4
Fall/Winter 2005-06 |
Lenz, Carolyn
Ruth Swift |
The Allegory of Wisdom in Lyly's Endimion |
Vol 10, No 3
Fall 1976
|
| Leslie, Robert W. |
Sforza Oddi and the Commedia Grave: Setting the Stage for Shakespeare |
Vol 30, No 4
Winter 1996-97
|
| ------ |
Shakespeare's Italian Dream: Cinquecento Sources for A Midsummer Night's Dream |
Vol 29, No 4
Winter 1995-96
|
| Levin, Harry |
From Play to Plays: The Folklore of Comedy |
Vol 16, No 2
Summer 1982
|
| ------ |
The End of Elizabethan Drama |
Vol 3, No 4
Winter 1969-70
|
| Lewis, Cynthia |
Soft Touch: On the Renaissance Staging and Meaning of the "Noli me tangere" Icon
view abstract
|
Vol 36, No 1,2
Spring/Summer 2002
|
| Lieblein, Leanore |
Thomas Middleton's Prodigal Play |
Vol 10, No 1
Spring 1976
|
Limon, Henryk
and Jerzy Limon |
An Interpretation of DeWitt's Drawing on the Methodological Ground of Perspective Restitution |
Vol 17, No 3
Fall 1983
|
| Lindberg, Kevin |
Thomas Heywood's The Royall King and the Loyall Subject and the Fall of Robert Devereux, Second Earl of Essex
|
Vol 39, No 1
Spring 2005 |
| Lindenberger, Herbert |
Danton's Death and the Conventions of Historical Drama |
Vol 3, No 2
Summer 1969
|
| ------ |
Wagner's Ring as Nineteenth-Century Artifact |
Vol 28, No 3
Fall 1994
|
| Linke, Hansjürgen |
A Survey of Medieval Drama and Theater in Germany |
Vol 27, No 1
Spring 1993
|
| Loftis, John |
Lope de Vega's and Webster's Amalfi Plays |
Vol 16, No 1
Spring 1982
|
Londré, Felicia
Hardison |
Using Comic Devices to Answer the Ultimate Question: Tom Stoppard's Jumpers and Woody Allen's God |
Vol 14, No 4
Winter 1980-81
|
| Longsworth, Robert |
Two Medieval Cornish Versions of the Creation of the World |
Vol 21, No 3
Fall 1987
|
| Louden, Bruce |
The Tempest, Plautus, and the Rudens |
Vol 33, No 2
Summer 1999
|
| Low, Jennifer A. |
"Bodied Forth": Spectator, Stage, and
Actor in the Early Modern Theater
|
Vol 39, No 1
Spring 2005
|
| ------ |
"Those Proud Titles Thou Hast Won": Sovereignty, Power, and Combat in Shakespeare's Second Tetralogy
view abstract
|
Vol 34, No 3
Fall 2000
|
| Lyons, Charles R. |
Beckett's Major Plays and the Trilogy |
Vol 5, No 4
Winter 1971-72
|
| ------ |
Perceiving Rockaby—As a Text, As a Text by Samuel Beckett, As a Text for Performance |
Vol 16, No 4
Winter 1982-83
|
| ------ |
Silent Women and Shrews: Eroticism and Convention in Epicoene and Measure for Measure |
Vol 23, No 2
Summer 1989
|
| ------ |
Some Analogies Between the Epic Brecht and the Absurdist Beckett |
Vol 1, No 4
Winter 1967-68
|
| ------ |
Some Variations of Kindermord as Dramatic Archetype |
Vol 1, No 1
Spring 1967
|
| ------ |
Text as Agent in Sam Shepard's Curse of the Starving Class |
Vol 24, No 1
Spring 1990
|
Lyons, Charles R.
and Barbara S. Becker |
Directing/Acting Beckett |
Vol 19, No 4
Winter 1985-86 |
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