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| Author | Essay |
Location |
| Hallett, Charles A. | The Retrospective Technique and Its Implications for Tragedy | Volume 12, Issue 1 Spring 1978 |
| Hamblet, Edwin Joseph | Quebec's Theater of Liberation | Volume 5, Issue 1 Spring 1971 |
| Hamblin, Vicki L. | Striking a Pose: Performance Cues in Four French Hagiographic Mystery Plays view abstract |
Volume 44, Issue 2 Summer 2010 |
| Hamlin, William M. | Temporizing as Pyrrhonizing in Marston's The Malcontent read first paragraph |
Volume 34, Issue 3 Fall 2000 |
| Hammond, Brean S. | “Is everything history?”: Churchill, Barker and the Modern History Play view abstract |
Volume, Issue 1 Spring 2007 |
| Hanning, R. W. | "You Have Begun a Parlous Pleye": The Nature and Limits of Dramatic Mimesis as a Theme in Four Middle English 'Fall of Lucifer' Cycle Plays | Volume 7, Issue 1 Spring 1973 |
| Happé, Peter | Fansy and Foly: The Drama of Fools in Magnyfycence | Volume 27, Issue 4 Winter 1993-94 |
| ------ | Staging L'Omme Pecheur and The Castle of Perseverance | Volume 30, Issue 3 Fall 1996 |
| Happé, Peter and Wim Hüsken |
"Sinnekins" and the Vice: Prolegomena | Volume 29, Issue 2 Summer 1995 |
| Hardin, Richard F. | Menaechmi and the Renaissance Comedy view abstract |
Volume 37, Issue 3,4 Fall/Winter 2003-04 |
| Hark, Ina Rae | Stop the World—I Want to Get Off: The Vice as Everyman | Volume 12, Issue 2 Summer 1978 |
| Harp, Richard and Christopher Baker |
Jonson's Volpone and Dante read first paragraph |
Volume 39, Issue 1 Spring 2005 |
| Harper, Elizabeth | Material Economy, Spiritual Economy, and Social Critique in Everyman view abstract |
Volume 40, Issue 3 Fall 2006 |
| Harris, Jonathan Gil | “Look not big, nor stamp, nor stare”: Acting Up in The Taming of the Shrew and the Coventry Herod Plays read first paragraph |
Volume 34, Issue 4 Winter 2000-01 |
| Harris, Max | A Catalan Corpus Christi Play: The Martyrdom of St. Sebastian with the Hobby Horses and the Turks | Volume 31, Issue 2 Summer 1997 |
| ------ | Fireworks, Turks, and Long-Necked Mules: Pyrotechnic Theater in Germany and Catalonia | Volume 32, Issue 3 Fall 1998 |
| ------ | The Arrival of Europeans: Folk Dramatizations of Conquest and Conversion in New Mexico | Volume 28, Issue 1 Spring 1994 |
| Harris, Max and Lada Čale Feldman | Blackened Faces and a Veiled Woman: The Early Korčula Moreška view abstract |
Volume 37, Issue 3,4 Fall/Winter 2003-04 |
| Hassel, R. Chris Jr. | Intercession, Detraction, and Just Judgement in Othello read first paragraph |
Volume 35, Issue 1 Spring 2001 |
| ------ | Painted Women: Annunciation Motifs in Hamlet | Volume 32, Issue 1 Spring 1998 |
| Hayes, Douglas W. | Backbiter and the Rhetoric of Detraction read first paragraph |
Volume 34, Issue 1 Spring 2000 |
| He, Chengzhou | Hedda and Bailu: Portraits of Two "Bored" Women view 1st paragraph |
Volume 35, Issue 3,4 Fall/Winter 2001-02 |
| Henke, Robert | The Winter's Tale and Guarinian Dramaturgy | Volume 27, Issue 2 Summer 1993 |
| ------ | Comparing Poverty: Fictions of a “Poor Theater” in Ruzante and Shakespeare view abstract |
Volume 41, Issue 2 Summer 2007 |
| Henze, Catherine A. | How Music Matters: Some Songs of Robert Johnson in the Plays of Beaumont and Fletcher view abstract |
Volume 34, Issue 1 Spring 2000 |
| Hill, Elizabeth K. | Quarles as Dramatist | Volume 29, Issue 1 Spring 1995 |
| Hillman, Richard | Measure for Measure and the (Anti-)Theatricality of Gascoigne's The Glasse of Government view abstract |
Volume 42, Issue 4 Winter 2008 |
| Hinden, Michael | Desire and Forgiveness: O'Neill's Diptych | Volume 14, Issue 3 Fall 1980 |
| ------ | Drama and Ritual Once Again: Notes toward a Revival of Tragic Theory | Volume 29, Issue 2 Summer 1995 |
| ------ | O'Neill and Jamie: A Survivor's Tale read first paragraph |
Volume 35, Issue 3,4 Fall/Winter 2001-02 |
| ------ | The Five Voices of The Birth of Tragedy | Volume 22, Issue 2 Summer 1988 |
| ------ | Trying to Like Shaffer | Volume 19, Issue 1 Spring 1985 |
| ------ | When Playwrights Talk to God: Peter Shaffer and the Legacy of O'Neill | Volume 16, Issue 1 Spring 1982 |
| Hindley, Alan | L'Escole au deable: Tavern Scenes in the Old French Moralité | Volume 33, Issue 4 Winter 1999-2000 |
| Hodgdon, Barbara | "The Mirror up to Nature": Notes on Kozintsev's Hamlet | Volume 9, Issue 4 Winter 1975-76 |
| Hoegberg, David E. | "Master Harold" and the Bard: Education and Succession in Fugard and Shakespeare | Volume 29, Issue 4 Winter 1995-96 |
| Hoffman, Dean A. | "Both bodily deth and werldly shame": "Little Musgrave and Lady Barnard" as Source for A Woman Killed With Kindness | Volume 23, Issue 2 Summer 1989 |
| Holland, Peter | The Director Intervenes: Christopher Hampton's Savages | Volume 13, Issue 2 Summer 1979 |
| Holloway, Julia Bolton | "The Dream of the Rood" and Liturgical Drama | Volume 18, Issue 1 Spring 1984 |
| Holtan, Orley I. | The Absurd World of Strindberg's The Dance of Death | Volume 1, Issue 3 Fall 1967 |
| Homan, Richard L. | Devotional Themes in the Violence and Humor of the Play of the Sacrament | Volume 20, Issue 4 Winter 1986-87 |
| ------ | The Uses of Silence: The Elizabethan Dumb Show and the Silent Cinema | Volume 2, Issue 4 Winter 1968-69 |
| ------ | Two Exempla: Analogues to the Play of the Sacrament and Dux Moraud | Volume 18, Issue 3 Fall 1984 |
| Homan, Sidney | Snapshots of a Shakespearean in China view abstract |
Volume 46, Issue 3 Fall 2012 |
| Hopkins, Lisa | Speaking Sweet: Emblems in the Plays of John Ford | Volume 29, Issue 1 Spring 1995 |
| Hornback, Robert | Emblems of Folly in the First Othello: Renaissance Blackface, Moor's Coat, and "Muckender" view abstract |
Volume 35, Issue 1 Spring 2001 |
| Horwich, Richard | Wives, Courtesans, and the Economists of Love in Jacobean City Comedy | Volume 7, Issue 4 Winter 1973-74 |
| Hudgins, Christopher C. | Dance to a Cut-Throat Temper: Harold Pinter's Poetry as an Index to Intended Audience Response | Volume 12, Issue 3 Fall 1978 |
| Huff, Steven R. | Friedrich Hartwich's Globus Fortunae (1617): A Dramatization of the Amadis | Volume 24, Issue 4 Winter 1990-91 |
| Hughes, Derek | Aphrodite katadyomene: Dryden's Cleopatra on the Cydnos | Volume 14, Issue 1 Spring 1980 |
| ------ | Body and Ritual in Farquhar | Volume 31, Issue 3 Fall 1997 |
| ------ | Cibber and Vanbrugh: Language, Place, and Social Order in Love's Last Shift | Volume 20, Issue 4 Winter 1986-87 |
| ------ | Naming and Entitlement in Wycherley, Etherege, and Dryden | Volume 21, Issue 3 Fall 1987 |
| ------ | Play and Passion in The Man of Mode | Volume 15, Issue 3 Fall 1981 |
| ------ | Vanbrugh and Cibber: Language, Place, and Social Order in The Relapse | Volume 21, Issue 1 Spring 1987 |
| ------ | Who Counts in Farquhar? | Volume 31, Issue 1 Spring 1997 |
| Hummelen, W. M. H. | Performers and Performances in the Earliest Serious Secular Plays in the Netherlands | Volume 26, Issue 1 Spring 1992 |
| ------ | The Boundaries of the Rhetoricians' Stage | Volume 28, Issue 2 Summer 1994 |
| Hunt, Maurice | "Forward Backward" Time and the Apocalypse in Hamlet read first paragraph |
Volume 38, Issue 4 Winter 2004-05 |
| ------ | ‘Gentleness’ and Social Class in The Merry Wives of Windsor read first pargraph |
Volume 42, Issue 4 Winter 2008 |
| ------ | The Hybrid Reformations of Shakespeare's Second Henriad |
Volume 32, Issue 1 Spring 1998 |
| ------ | Predestination and the Heresy of Merit in Othello | Volume 30, Issue 3 Fall 1996 |
| ------ | Purging the Jesting Spirit in The Tempest view abstract |
Volume 45, Issue 4 Winter 2011 |
| ------ | A Speculative Political Allegory in A Midsummer Night's Dream read first paragraph |
Volume 34, Issue 4 Winter 2000-01 |
| Hüsken, Wim and Peter Happé |
"Sinnekins" and the Vice: Prolegomena | Volume 29, Issue 2 Summer 1995 |
| Hutcheon, Elizabeth | From Shrew to Subject: Petruchio’s Humanist Education of Katherine in The Taming of the Shrew view abstract |
Volume 45, Issue 4 Winter 2011 |
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