H
|
| Author |
Essay |
Location |
| Hallett, Charles A. |
The Retrospective Technique and Its Implications for Tragedy |
Volume 12, Issue 1
Spring 1978
|
| Hamblet, Edwin Joseph |
Quebec's Theater of Liberation |
Volume 5, Issue 1
Spring 1971
|
| Hamblin, Vicki L. |
Striking a Pose: Performance Cues in Four
French Hagiographic Mystery Plays
view abstract
|
Volume 44, Issue 2
Summer 2010 |
| Hamlin, William M. |
Temporizing as Pyrrhonizing in Marston's The Malcontent
read first paragraph
|
Volume 34, Issue 3
Fall 2000
|
| Hammond, Brean S. |
“Is everything history?”: Churchill, Barker
and the Modern History Play
view abstract
|
Volume, Issue 1
Spring 2007 |
| Hanning, R. W. |
"You Have Begun a Parlous Pleye": The Nature and Limits of Dramatic Mimesis as a Theme in Four Middle English 'Fall of Lucifer' Cycle Plays |
Volume 7, Issue 1
Spring 1973
|
| Happé, Peter |
Fansy and Foly: The Drama of Fools in Magnyfycence |
Volume 27, Issue 4
Winter 1993-94
|
| ------ |
Staging L'Omme Pecheur and The Castle of Perseverance |
Volume 30, Issue 3
Fall 1996
|
Happé, Peter
and Wim Hüsken |
"Sinnekins" and the Vice: Prolegomena |
Volume 29, Issue 2
Summer 1995
|
| Hardin, Richard F. |
Menaechmi and the Renaissance Comedy
view abstract |
Volume 37, Issue 3,4
Fall/Winter 2003-04
|
| Hark, Ina Rae |
Stop the World—I Want to Get Off: The Vice as Everyman |
Volume 12, Issue 2
Summer 1978
|
Harp, Richard
and Christopher Baker |
Jonson's Volpone and Dante
read first paragraph
|
Volume 39, Issue 1
Spring 2005 |
| Harper, Elizabeth |
Material Economy, Spiritual Economy,
and Social Critique in Everyman
view abstract
|
Volume 40, Issue 3
Fall 2006 |
| Harris, Jonathan Gil |
“Look not big, nor stamp, nor stare”: Acting Up in The Taming of the Shrew and the Coventry Herod Plays
read first paragraph
|
Volume 34, Issue 4
Winter 2000-01 |
| Harris, Max |
A Catalan Corpus Christi Play: The Martyrdom of St. Sebastian with the Hobby Horses and the Turks |
Volume 31, Issue 2
Summer 1997
|
| ------ |
Fireworks, Turks, and Long-Necked Mules: Pyrotechnic Theater in Germany and Catalonia |
Volume 32, Issue 3
Fall 1998
|
| ------ |
The Arrival of Europeans: Folk Dramatizations of Conquest and Conversion in New Mexico |
Volume 28, Issue 1
Spring 1994
|
| Harris, Max and Lada Čale Feldman |
Blackened Faces and a Veiled Woman: The Early Korčula Moreška
view abstract
|
Volume 37, Issue 3,4
Fall/Winter 2003-04
|
| Hassel, R. Chris Jr. |
Intercession, Detraction, and Just Judgement in Othello
read first paragraph
|
Volume 35, Issue 1
Spring 2001
|
| ------ |
Painted Women: Annunciation Motifs in Hamlet |
Volume 32, Issue 1
Spring 1998
|
| Hayes, Douglas W. |
Backbiter and the Rhetoric of Detraction
read first paragraph |
Volume 34, Issue 1
Spring 2000
|
| He, Chengzhou |
Hedda and Bailu: Portraits of Two "Bored" Women
view 1st paragraph
|
Volume 35, Issue 3,4
Fall/Winter 2001-02
|
| Henke, Robert |
The Winter's Tale and Guarinian Dramaturgy |
Volume 27, Issue 2
Summer 1993
|
| ------ |
Comparing Poverty: Fictions of a
“Poor Theater” in Ruzante and Shakespeare
view abstract
|
Volume 41, Issue 2
Summer 2007 |
| Henze, Catherine A. |
How Music Matters: Some Songs of Robert Johnson in the Plays of Beaumont and Fletcher
view abstract
|
Volume 34, Issue 1
Spring 2000
|
| Hill, Elizabeth K. |
Quarles as Dramatist |
Volume 29, Issue 1
Spring 1995
|
| Hillman, Richard |
Measure for Measure and the
(Anti-)Theatricality of Gascoigne's
The Glasse of Government
view abstract
|
Volume 42, Issue 4
Winter 2008 |
| Hinden, Michael |
Desire and Forgiveness: O'Neill's Diptych |
Volume 14, Issue 3
Fall 1980
|
| ------ |
Drama and Ritual Once Again: Notes toward a Revival of Tragic Theory |
Volume 29, Issue 2
Summer 1995
|
| ------ |
O'Neill and Jamie: A Survivor's Tale
read first paragraph |
Volume 35, Issue 3,4
Fall/Winter 2001-02
|
| ------ |
The Five Voices of The Birth of Tragedy |
Volume 22, Issue 2
Summer 1988
|
| ------ |
Trying to Like Shaffer |
Volume 19, Issue 1
Spring 1985
|
| ------ |
When Playwrights Talk to God: Peter Shaffer and the Legacy of O'Neill |
Volume 16, Issue 1
Spring 1982
|
| Hindley, Alan |
L'Escole au deable: Tavern Scenes in the Old French Moralité |
Volume 33, Issue 4
Winter 1999-2000
|
| Hodgdon, Barbara |
"The Mirror up to Nature": Notes on Kozintsev's Hamlet |
Volume 9, Issue 4
Winter 1975-76
|
| Hoegberg, David E. |
"Master Harold" and the Bard: Education and Succession in Fugard and Shakespeare |
Volume 29, Issue 4
Winter 1995-96
|
| Hoffman, Dean A. |
"Both bodily deth and werldly shame": "Little Musgrave and Lady Barnard" as Source for A Woman Killed With Kindness |
Volume 23, Issue 2
Summer 1989
|
| Holland, Peter |
The Director Intervenes: Christopher Hampton's Savages |
Volume 13, Issue 2
Summer 1979
|
| Holloway, Julia Bolton |
"The Dream of the Rood" and Liturgical Drama |
Volume 18, Issue 1
Spring 1984
|
| Holtan, Orley I. |
The Absurd World of Strindberg's The Dance of Death |
Volume 1, Issue 3
Fall 1967
|
| Homan, Richard L. |
Devotional Themes in the Violence and Humor of the Play of the Sacrament |
Volume 20, Issue 4
Winter 1986-87
|
| ------ |
The Uses of Silence: The Elizabethan Dumb Show and the Silent Cinema |
Volume 2, Issue 4
Winter 1968-69
|
| ------ |
Two Exempla: Analogues to the Play of the Sacrament and Dux Moraud |
Volume 18, Issue 3
Fall 1984
|
| Homan, Sidney |
Snapshots of a Shakespearean in China
view abstract
|
Volume 46, Issue 3
Fall 2012 |
| Hopkins, Lisa |
Speaking Sweet: Emblems in the Plays of John Ford |
Volume 29, Issue 1
Spring 1995
|
| Hornback, Robert |
Emblems of Folly in the First Othello: Renaissance Blackface, Moor's Coat, and "Muckender"
view abstract
|
Volume 35, Issue 1
Spring 2001
|
| Horwich, Richard |
Wives, Courtesans, and the Economists of Love in Jacobean City Comedy |
Volume 7, Issue 4
Winter 1973-74
|
| Hudgins, Christopher C. |
Dance to a Cut-Throat Temper: Harold Pinter's Poetry as an Index to Intended Audience Response |
Volume 12, Issue 3
Fall 1978
|
| Huff, Steven R. |
Friedrich Hartwich's Globus Fortunae (1617): A Dramatization of the Amadis |
Volume 24, Issue 4
Winter 1990-91
|
| Hughes, Derek |
Aphrodite katadyomene: Dryden's Cleopatra on the Cydnos |
Volume 14, Issue 1
Spring 1980
|
| ------ |
Body and Ritual in Farquhar |
Volume 31, Issue 3
Fall 1997
|
| ------ |
Cibber and Vanbrugh: Language, Place, and Social Order in Love's Last Shift |
Volume 20, Issue 4
Winter 1986-87
|
| ------ |
Naming and Entitlement in Wycherley, Etherege, and Dryden |
Volume 21, Issue 3
Fall 1987
|
| ------ |
Play and Passion in The Man of Mode |
Volume 15, Issue 3
Fall 1981
|
| ------ |
Vanbrugh and Cibber: Language, Place, and Social Order in The Relapse |
Volume 21, Issue 1
Spring 1987
|
| ------ |
Who Counts in Farquhar? |
Volume 31, Issue 1
Spring 1997
|
| Hummelen, W. M. H. |
Performers and Performances in the Earliest Serious Secular Plays in the Netherlands |
Volume 26, Issue 1
Spring 1992
|
| ------ |
The Boundaries of the Rhetoricians' Stage |
Volume 28, Issue 2
Summer 1994
|
| Hunt, Maurice |
"Forward Backward" Time and
the Apocalypse in Hamlet
read first paragraph
|
Volume 38, Issue 4
Winter 2004-05
|
| ------ |
‘Gentleness’ and Social Class in
The Merry Wives of Windsor
read first pargraph
|
Volume 42, Issue 4
Winter 2008 |
| ------ |
The Hybrid Reformations of Shakespeare's Second Henriad
|
Volume 32, Issue 1
Spring 1998
|
| ------ |
Predestination and the Heresy of Merit in Othello |
Volume 30, Issue 3
Fall 1996
|
| ------ |
Purging the Jesting Spirit in The Tempest
view abstract
|
Volume 45, Issue 4
Winter 2011 |
| ------ |
A Speculative Political Allegory in A Midsummer Night's Dream
read first paragraph |
Volume 34, Issue 4
Winter 2000-01
|
Hüsken, Wim
and Peter Happé
|
"Sinnekins" and the Vice: Prolegomena |
Volume 29, Issue 2
Summer 1995
|
| Hutcheon, Elizabeth |
From Shrew to Subject: Petruchio’s
Humanist Education of Katherine in
The Taming of the Shrew
view abstract |
Volume 45, Issue 4
Winter 2011 |