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| Author | Essay |
Location |
| Gadberry, Glen W. | Lost American Opportunity: Two 1931 German Plays about Mary Baker Eddy | Vol 28, No 4 Winter 1994-95 |
| Gámez, Luis | Mocking the Meat It Feeds On: Representing Sarah Churchill's Hystericks in Addison's Rosamond | Vol 29, No 2 Summer 1995 |
| Ganz, Arthur | The Playwright as Perfect Wagnerite: Motifs from the Music Dramas in the Theatre of Bernard Shaw | Vol 13, No 3 Fall 1979 |
| Gardiner, Judith K. and Susanna S. Epp |
Ben Jonson's Social Attitudes: A Statistical Analysis | Vol 9, No 1 Spring 1975 |
| Garner, Stanton B. Jr. | Visual Field in Beckett's Late Plays | Vol 21, No 4 Winter 1987-88 |
| Gates, Daniel | Unpardonable Sins: The Hazards of Performative Language in the Tragic Cases of Francesco Spiera and Doctor Faustus view abstract |
Vol 38, No 1 Spring 2004 |
| Geckle, George L. | Antonio's Revenge: "Never more woe in lesser plot was found" | Vol 6, No 4 Winter 1972-73 |
| ------ | John Marston's Histriomastix and the Golden Age | Vol 6, No 3 Fall 1972 |
| Gellrich, M. W. | On Greek Tragedy and the Kantian Sublime | Vol 18, No 4 Winter 1984-85 |
| Gerland, Oliver W. III | The Lacanian Imaginary in Ibsen's Pillars of Society and Wild Duck | Vol 24, No 4 Winter 1990-91 |
| Germanou, Maria | An American in Ireland: The Representation of the American in Brian Friel's Plays view abstract |
Vol 38, No 2,3 Summer/Fall 2004 |
| Gianakaris, C. J. | A Playwright Looks at Mozart: Peter Shaffer's Amadeus | Vol 15, No 1 Spring 1981 |
| ------ | Placing Shaffer's Lettice and Lovage in Perspective | Vol 22, No 2 Summer 1988 |
| ------ | Stoppard's Adaptations of Shakespeare: Dogg's Hamlet, Cahoot's Macbeth | Vol 18, No 3 Fall 1984 |
| Giannetti, Louis D. | A Contemporary View of The Duchess of Malfi | Vol 3, No 4 Winter 1969-70 |
| Giannopoulou, Zina | Intertextualizing Polyphemus: Politics and Ideology in Walcott’s Odyssey view abstract |
Vol 40, No 1 Spring 2006 |
| Gibson, Gail McMurray | The Play of Wisdom and the Abbey of St. Edmund | Vol 19, No 2 Summer 1985 |
| ------ | Writing Before the Eye: The N-Town Woman Taken in Adultery and the Medieval Ministry Play | Vol 27, No 4 Winter 1993-94 |
| Gibson, James M. | Quem queritis in presepe: Christmas Drama or Christmas Liturgy? | Vol 15, No 4 Winter 1981-82 |
| Gillespie, John K. | Interior Action: The Impact of Noh on Jean-Louis Barrault | Vol 16, No 4 Winter 1982-83 |
| Gilmore, Thomas B. | The Iceman Cometh and the Anatomy of Alcoholism | Vol 18, No 4 Winter 1984-85 |
| Gleitman, Claire | All in the Family: Mother Courage and the Ideology in the Gestus | Vol 25, No 2 Summer 1991 |
| Goldberg, Sander M. | Models and Memory in the Comedy of Menander | Vol 27, No 3 Fall 1993 |
| ------ | Terence and the Death of Comedy | Vol 16, No 4 Winter 1982-83 |
| Gómez, Maricarmen | The Ensalada and the Origins of the Lyric Theater in Spain | Vol 28, No 3 Fall 1994 |
| Goodall, Jane | Artaud's Revision of Shelley's The Cenci: The Text and its Double | Vol 21, No 2 Summer 1987 |
| Graham-White, Anthony | Jean Genet and the Psychology of Colonialism | Vol 4, No 3 Fall 1970 |
| Grantley, Darryll | The Winter's Tale and Early Religious Drama | Vol 20, No 1 Spring 1986 |
| Grav, Peter | Money Changes Everything: Quarto and Folio The Merry Wives of Windsor and the Case for Revision view abstract |
Volume 40.2 Summer 2006 |
| Gregory, Stephen | Ariel Dorfman and Harold Pinter: Politics of the Periphery and Theater of the Metropolis | Vol 30, No 3 Fall 1996 |
| Groseclose, Barbara | The Incest Motif in Shelley's The Cenci | Vol 19, No 3 Fall 1985 |
| Gross, Kenneth | Puppets Dallying: Thoughts on Shakespearean Theatricality view abstract |
Vol 41, No 3 Fall 2007 |
| Groves, Beatrice | Memory, Composition, and the Relationship of King John to The Troublesome Reigne of King John view abstract |
Vol 38, No 2,3 Summer/Fall 2004 |
| Gruber, William E. | Building a Scene: The Text and Its Representation in The Atheist's Tragedy | Vol 19, No 3 Fall 1985 |
| ------ | "Non-Aristotelian" Theater: Brecht's and Plato's Theories of Artistic Imitation | Vol 21, No 3 Fall 1987 |
| ------ | Sights Unseen: Withholding Information in the Plays of Thomas Bernhard view abstract |
Vol 36, No 1,2 Spring/Summer 2002 |
| ------ | The Actor in the Script: Affective Strategies in Shakespeare's Antony and Cleopatra | Vol 19, No 1 Spring 1985 |
| ------ | "Wheels within wheels, etcetera": Artistic Design in Rosencrantz and Guildenstern Are Dead | Vol 15, No 4 Winter 1981-82 |
| Guilfoyle, Cherrell | King Hamlet's Two Successors | Vol 15, No 2 Summer 1981 |
| ------ | Mactacio Desdemonae: Medieval Scenic Form in the Last Scene of Othello | Vol 19, No 4 Winter 1985-86 |
| ------ | Not Two: Denial and Duality in Hamlet | Vol 23, No 4 Winter 1989-90 |
| ------ | "Ower Swete Sokor": The Role of Ophelia in Hamlet | Vol 14, No 1 Spring 1980 |
| ------ | The Beginning of Hamlet | Vol 14, No 2 Summer 1980 |
| ------ | The Redemption of King Lear | Vol 23, No 1 Spring 1989 |
| ------ | The Staging of the First Murder in the Mystery Plays in England | Vol 25, No 1 Spring 1991 |
| ------ | The Way to Dover: Arthurian Imagery in King Lear | Vol 21, No 3 Fall 1987 |
| Gunnell, Terry | "The Rights of the Player": Evidence of Mimi and Histriones in Early Medieval Scandinavia | Vol 30, No 1 Spring 1996 |
| Guy, Nancy | Brokering Glory for the Chinese Nation: Peking Opera's 1930 American Tour view abstract |
Vol 35, No 3,4 Fall/Winter 2001-02 |
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