G
|
| Author |
Essay |
Location |
| Gadberry, Glen W. |
Lost American Opportunity: Two 1931 German Plays about Mary Baker Eddy |
Vol 28, No 4
Winter 1994-95
|
| Gámez, Luis |
Mocking the Meat It Feeds On: Representing Sarah Churchill's Hystericks in Addison's Rosamond |
Vol 29, No 2
Summer 1995
|
| Ganz, Arthur |
The Playwright as Perfect Wagnerite: Motifs from the Music Dramas in the Theatre of Bernard Shaw |
Vol 13, No 3
Fall 1979
|
Gardiner, Judith K.
and Susanna S. Epp |
Ben Jonson's Social Attitudes: A Statistical Analysis |
Vol 9, No 1
Spring 1975
|
| Garner, Stanton B. Jr. |
Visual Field in Beckett's Late Plays |
Vol 21, No 4
Winter 1987-88
|
| Gates, Daniel |
Unpardonable Sins: The Hazards of Performative Language in the Tragic Cases of Francesco Spiera and Doctor Faustus
view abstract |
Vol 38, No 1
Spring 2004
|
| Geckle, George L. |
Antonio's Revenge: "Never more woe in lesser plot was found" |
Vol 6, No 4
Winter 1972-73
|
| ------ |
John Marston's Histriomastix and the Golden Age |
Vol 6, No 3
Fall 1972
|
| Gellrich, M. W. |
On Greek Tragedy and the Kantian Sublime |
Vol 18, No 4
Winter 1984-85
|
| Gerland, Oliver W. III |
The Lacanian Imaginary in Ibsen's Pillars of Society and Wild Duck |
Vol 24, No 4
Winter 1990-91
|
| Germanou, Maria |
An American in Ireland: The Representation of the American in Brian Friel's Plays
view abstract |
Vol 38, No 2,3
Summer/Fall 2004
|
| Gianakaris, C. J. |
A Playwright Looks at Mozart: Peter Shaffer's Amadeus |
Vol 15, No 1
Spring 1981
|
| ------ |
Placing Shaffer's Lettice and Lovage in Perspective |
Vol 22, No 2
Summer 1988
|
| ------ |
Stoppard's Adaptations of Shakespeare: Dogg's Hamlet, Cahoot's Macbeth |
Vol 18, No 3
Fall 1984
|
| Giannetti, Louis D. |
A Contemporary View of The Duchess of Malfi |
Vol 3, No 4
Winter 1969-70
|
| Giannopoulou, Zina |
Intertextualizing Polyphemus: Politics
and Ideology in Walcott’s Odyssey
view abstract
|
Vol 40, No 1
Spring 2006 |
| Gibson, Gail McMurray |
The Play of Wisdom and the Abbey of St. Edmund |
Vol 19, No 2
Summer 1985
|
| ------ |
Writing Before the Eye: The N-Town Woman Taken in Adultery and the Medieval Ministry Play |
Vol 27, No 4
Winter 1993-94
|
| Gibson, James M. |
Quem queritis in presepe: Christmas Drama or Christmas Liturgy? |
Vol 15, No 4
Winter 1981-82
|
| Gillespie, John K. |
Interior Action: The Impact of Noh on Jean-Louis Barrault |
Vol 16, No 4
Winter 1982-83
|
| Gilmore, Thomas B. |
The Iceman Cometh and the Anatomy of Alcoholism |
Vol 18, No 4
Winter 1984-85
|
| Gleitman, Claire |
All in the Family: Mother Courage and the Ideology in the Gestus |
Vol 25, No 2
Summer 1991
|
| Goldberg, Sander M. |
Models and Memory in the Comedy of Menander |
Vol 27, No 3
Fall 1993
|
| ------ |
Terence and the Death of Comedy |
Vol 16, No 4
Winter 1982-83
|
| Gómez, Maricarmen |
The Ensalada and the Origins of the Lyric Theater in Spain |
Vol 28, No 3
Fall 1994
|
| Goodall, Jane |
Artaud's Revision of Shelley's The Cenci: The Text and its Double |
Vol 21, No 2
Summer 1987
|
| Graham-White, Anthony |
Jean Genet and the Psychology of Colonialism |
Vol 4, No 3
Fall 1970
|
| Grantley, Darryll |
The Winter's Tale and Early Religious Drama |
Vol 20, No 1
Spring 1986
|
| Grav, Peter |
Money Changes Everything: Quarto and
Folio The Merry Wives of Windsor
and the Case for Revision
view abstract
|
Volume 40.2
Summer 2006 |
| Gregory, Stephen |
Ariel Dorfman and Harold Pinter: Politics of the Periphery and Theater of the Metropolis |
Vol 30, No 3
Fall 1996
|
| Groseclose, Barbara |
The Incest Motif in Shelley's The Cenci |
Vol 19, No 3
Fall 1985
|
| Gross, Kenneth |
Puppets Dallying: Thoughts on
Shakespearean Theatricality
view abstract
|
Vol 41, No 3
Fall 2007 |
| Groves, Beatrice |
Memory, Composition, and the Relationship of King John to The Troublesome Reigne of King John
view abstract |
Vol 38, No 2,3
Summer/Fall 2004
|
| Gruber, William E. |
Building a Scene: The Text and Its Representation in The Atheist's Tragedy |
Vol 19, No 3
Fall 1985
|
| ------ |
"Non-Aristotelian" Theater: Brecht's and Plato's Theories of Artistic Imitation |
Vol 21, No 3
Fall 1987
|
| ------ |
Sights Unseen: Withholding Information in the Plays of Thomas Bernhard
view abstract |
Vol 36, No 1,2
Spring/Summer 2002
|
| ------ |
The Actor in the Script: Affective Strategies in Shakespeare's Antony and Cleopatra |
Vol 19, No 1
Spring 1985
|
| ------ |
"Wheels within wheels, etcetera": Artistic Design in Rosencrantz and Guildenstern Are Dead |
Vol 15, No 4
Winter 1981-82
|
| Guilfoyle, Cherrell |
King Hamlet's Two Successors |
Vol 15, No 2
Summer 1981
|
| ------ |
Mactacio Desdemonae: Medieval Scenic Form in the Last Scene of Othello |
Vol 19, No 4
Winter 1985-86
|
| ------ |
Not Two: Denial and Duality in Hamlet |
Vol 23, No 4
Winter 1989-90
|
| ------ |
"Ower Swete Sokor": The Role of Ophelia in Hamlet |
Vol 14, No 1
Spring 1980
|
| ------ |
The Beginning of Hamlet |
Vol 14, No 2
Summer 1980
|
| ------ |
The Redemption of King Lear |
Vol 23, No 1
Spring 1989
|
| ------ |
The Staging of the First Murder in the Mystery Plays in England |
Vol 25, No 1
Spring 1991
|
| ------ |
The Way to Dover: Arthurian Imagery in King Lear |
Vol 21, No 3
Fall 1987
|
| Gunnell, Terry |
"The Rights of the Player": Evidence of Mimi and Histriones in Early Medieval Scandinavia |
Vol 30, No 1
Spring 1996
|
| Guy, Nancy |
Brokering Glory for the Chinese Nation: Peking Opera's 1930 American Tour
view abstract |
Vol 35, No 3,4
Fall/Winter 2001-02 |