F |
||
| Author | Essay |
Location |
| Falk, Florence | Dream and Ritual Process in A Midsummer Night's Dream | Vol 14, No 3 Fall 1980 |
| Falvey, Kathleen | The First Perugian Passion Play: Aspects of Structure | Vol 11, No 2 Summer 1977 |
| Feffer, Steve | Extending the Breaks: Fires in the Mirror in the Context of Hip-Hop Structure, Style, and Culture read first paragraph |
Vol 37, No 3,4 Fall/Winter 2003-04 |
| Feldman, Lada Čale and Max Harris |
Blackened Faces and a Veiled Woman: The Early Korčula Moreška view abstract |
Vol 37, No 3,4 Fall/Winter 2003-04 |
| Felheim, Marvin | Criticism and the Films of Shakespeare's Plays | Vol 9, No 2 Summer 1975 |
| Felheim, Marvin and James Coakley |
Some Suggestions about the Relationships between O'Casey and Classical Comedy | Vol 4, No 4 Winter 1970-71 |
| Fetz, Gerald A. | Martin Walser's Sauspiel and the Contemporary German History Play | Vol 12, No 3 Fall 1978 |
| Fifield, Merle | Quod quaeritis, o discipuli | Vol 5, No 1 Spring 1971 |
| ------ | The Arena Theatres in Vienna Codices 2535 and 2536 | Vol 2, No 4 Winter 1968-69 |
| ------ | The Community of Morality Plays | Vol 9, No 4 Winter 1975-76 |
| Finkelstein, Richard | Ben Jonson on Spectacle | Vol 21, No 2 Summer 1987 |
| Flanigan, C. Clifford | The Fleury Playbook and the Traditions of Medieval Latin Drama | Vol 18, No 4 Winter 1984-85 |
| ------ | The Liturgical Context of the Quem Queritis Trope | Vol 8, No 1 Spring 1974 |
| Fly, Richard | The Evolution of Shakespearean Metadrama: Abel, Burkhardt, and Calderwood | Vol 20, No 2 Summer 1986 |
| Folejewski, Zbigniew | The Theatre of Ruthless Metaphor: Polish Theatre Between Marxism and Existentialism | Vol 3, No 3 Fall 1969 |
| Forker, Charles R. | Wit Without Money: A Fletcherian Antecedent to Keep the Widow Waking | Vol 8, No 2 Summer 1974 |
| Forrer, Richard | Oedipus at Colonus: A Crisis in the Greek Notion of Deity | Vol 8, No 4 Winter 1974-75 |
| Fotheringham, Richard | Amphitheater Staging: In-the-Round or to the Front (and What About Asides)? view abstract |
Vol 35, No 2 Summer 2001 |
| Fraser, Russell | Elizabethan Drama and the Art of Abstraction | Vol 2, No 2 Summer 1968 |
| ------ | Shakespeare on Fortune's Hill: A Review Essay | Vol 18, No 2 Summer 1984 |
| ------ | Shakespeare's Book of Genesis | Vol 25, No 2 Summer 1991 |
| Frazier, Harriet C. | "Like a Liar Gone to Burning Hell": Shakespeare and Dying Declarations | Vol 19, No 2 Summer 1985 |
| ------ | Theobald's The Double Falsehood: A Revision of Shakespeare's Cardenio? | Vol 1, No 3 Fall 1967 |
| Friedenreich, Kenneth | "You Talks Brave and Bold": The Origins of an Elizabethan Stage Device | Vol 8, No 3 Fall 1974 |
| Friedman, Michael D. | The Editorial Recuperation of Claudio | Vol 25, No 4 Winter 1991-92 |
| Fuchs, Elinor | Mythic Structure in Hedda Gabler: The Mask Behind the Face | Vol 19, No 3 Fall 1985 |
_________________________________________________________________________________
| Comparative Drama home | Contact the Editors | Reproduction Permission |
| Subscriptions and Back Issues | Submission Guidelines | Links |
| Current Issue | Upcoming Issues | Essay and Contributor Index |