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| Author | Essay |
Location |
| Eaton, Katherine | Brecht's Contacts With the Theater of Meyerhold | Vol 11, No 1 Spring 1977 |
| Eccles, Mark | Measure for Measure, Montmorency and Sardou's La Tosca | Vol 14, No 1 Spring 1980 |
| Edelson, Loren | The Trope of Transformation in Medea: A Noh Cycle view abstract |
Vol 37, No 1 Spring 2003 |
| Edwards, Robert R. | Iconography and the Montecassino Passion | Vol 6, No 4 Winter 1972-73 |
| ------ | Techniques of Transcendence in Medieval Drama | Vol 8, No 2 Summer 1974 |
| Eisen, Kurt | Eugene O'Neill's Joseph: A Touch of the Dreamer | Vol 23, No 4 Winter 1989-90 |
| Eisenbichler, Konrad | Confraternities and Carnival: The Context of Lorenzo de' Medici's Rappresentazione di Giovanni e Paolo | Vol 27, No 1 Spring 1993 |
| ------ | Nativity and Magi Plays in Renaissance Florence | Vol 29, No 3 Fall 1995 |
| El-Shayal, Dalia | Nonverbal Theatrical Elements in Ntozake Shange's for colored girls…and Intissar Abdel-Fatah's Makhadet El-Kohl (The Kohl Pillow) read first paragraph |
Vol 37, No 3,4 Fall/Winter 2003-04 |
| Endel, Peggy | Profane Icon: The Throne Scene of Shakespeare's Richard III | Vol 20, No 2 Summer 1986 |
| Enders, Jody | The Theater of Scholastic Erudition | Vol 27, No 3 Fall 1993 |
| ------ | Visions and Voices: The Rhetoric of Memory and Music in Liturgical Drama | Vol 24, No 1 Spring 1990 |
| Epp, Garrett P. J. | Visible Words: The York Plays, Brecht, and Gestic Writing | Vol 24, No 4 Winter 1990-91 |
| Epp, Susanna S. and Judith K. Gardiner |
Ben Jonson's Social Attitudes: A Statistical Analysis | Vol 9, No 1 Spring 1975 |
| Epstein, Robert | Lydgate's Mummings and the Aristocratic Resistance to Drama | Vol 36, No 3,4 Fall/Winter 2002-03 |
| Evans, Robert C. | Contemporary Contexts of Jonson's The Devil Is an Ass | Vol 26, No 2 Summer 1992 |
| ------ | Flattery in Shakespeare's Othello: The Relevance of Plutarch and Sir Thomas Elyot read first paragraph |
Vol 35, No 1 Spring 2001 |
| ------ | Friendship in Hamlet | Vol 33, No 1 Spring 1999 |
| ------ | Jonson and the Emblematic Tradition: Ralegh, Brant, the Poems, The Alchemist, and Volpone | Vol 29, No 1 Spring 1995 |
| ------ | Jonson's Copy of Seneca | Vol 25, No 3 Fall 1991 |
| ------ | More's Richard III and Jonson's Richard Crookback and Sejanus | Vol 24, No 2 Summer 1990 |
| ------ | 'Other Men's Provision': Ben Jonson's Parody of Robert White in Pleasure Reconciled to Virtue | Vol 24, No 1 Spring 1990 |
| Evitt, Regula Meyer | Incest Disguised: Ottonian Influence at Gandersheim and Hrotsvit’s Abraham view abstract |
Vol 41, No 3 Fall 2007 |
| ------ | Musical Structure in the Second Shepherds' Play | Vol 22, No 4 Winter 1988-89 |
| ------ | Undoing the Dramatic History of the Riga Ludus Prophetarum | Vol 25, No 3 Fall 1991 |
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