C
|
| Author |
Essay |
Location |
| Caldwell, Tanya |
Meanings of All for Love |
Vol 38, No 2,3
Summer/Fall 2004
|
| Callahan, David |
Harley Granville-Barker and the Response to Spanish Theater, 1920-1932 |
Vol 25, No 2
Summer 1991
|
| Callan, Edward |
W. H. Auden's First Dramatization of Jung: The Charade of the Loving and Terrible Mothers |
Vol 11, No 4
Winter 1977-78
|
| ------ |
W. H. Auden's Plays for the Group Theatre: From Revelation to Revelation |
Vol 12, No 4
Winter 1978-79
|
| Campbell, SueEllen |
Krapp's Last Tape and Critical Theory |
Vol 12, No 3
Fall 1978
|
| Campbell, Thomas P. |
Cathedral Chapter and Town Council: Cooperative Ceremony and Drama in Medieval Rouen |
Vol 27, No 1
Spring 1993
|
| ------ |
The Two Cities in the Fleury Playbook |
Vol 16, No 2
Summer 1982
|
| ------ |
Why Do the Shepherds Prophesy? |
Vol 12, No 2
Summer 1978
|
| Canfield, J. Douglas |
The Classical Treatment of Don Juan in Tirso, Molière, and Mozart: What Cultural Work Does It Perform? |
Vol 31, No 1
Spring 1997
|
| Carlson, Cindy L. |
Mary's Obedience and Power in the Trial of Joseph and Mary |
Vol 29, No 3
Fall 1995
|
| Carroll, William C. |
"We were born to die": Romeo and Juliet |
Vol 15, No 1
Spring 1981
|
| Cartwright, John |
The Politics of Rhetoric: The 1561 Antwerp Landjuweel |
Vol 27, No 1
Spring 1993
|
| Cartwright, Kent |
The Confusions of Gallathea: John Lyly as a Popular Dramatist |
Vol 32, No 2
Summer 1998
|
| Cary, Cecile Williamson |
The Iconography of Food and the Motif of World Order in Friar Bacon and Friar Bungay |
Vol 13, No 2
Summer 1979
|
| Cascardi, Anthony J. |
Comedia and Trauerspiel: On Benjamin and Calderón |
Vol 16, No 1
Spring 1982
|
| Cathcart, Charles |
Borrowings and the Authorial Domain: Gostanzo, Polonius, and Marston's Gonzago
view abstract |
Vol 37, No 2
Summer 2003
|
| Champion, Larry S. |
Westward-Northward: Structural Development in Dekker's Ho Plays |
Vol 16, No 3
Fall 1982
|
| Charney, Maurice |
The Voice of Marlowe's Tamburlaine in Early Shakespeare |
Vol 31, No 2
Summer 1997
|
| Chemers, Michael Mark |
Anti-Semitism, Surrogacy, and the Invocation
of Mohammed in thePlay of the Sacrament
view abstract
|
Volume 41.1
Spring 2007 |
| Chiba, Yoko |
Kori Torahiko and Edith Craig: A Japanese Playwright in London and Toronto |
Vol 30, No 4
Winter 1996-97
|
| Chioles, John |
Aeschylus and O'Neill: A Phenomenological View |
Vol 14, No 2
Summer 1980
|
| Christensen, Ann C. |
Settling House in Middleton's Women Beware Women |
Vol 29, No 4
Winter 1995-96
|
| Chute, Edward J. |
Critics, Catharsis and Colonus |
Vol 5, No 4
Winter 1971-72
|
| Cirillo, Albert R. |
Giulio Camillo's Idea of the Theatre: The Enigma of the Renaissance |
Vol 1, No 1
Spring 1967
|
| Classen, Albrecht |
Marriage in Late Medieval German Easter
and Shrovetide Plays
view abstract
|
Vol 40, No 1
Spring 2006 |
| Clopper, Lawrence M. |
London and the Problem of the Clerkenwell Plays
view abstract |
Vol 34, No 3
Fall 2000
|
| ------ |
Mankind and Its Audience |
Vol 8, No 4
Winter 1974-75
|
| Coakley, James |
Chekov in Ireland: Brief Notes on Friel's Philadelphia |
Vol 7, No 3
Fall 1973
|
Coakley, James
and Marvin Felheim |
Some Suggestions about the Relationships between O'Casey and Classical Comedy |
Vol 4, No 4
Winter 1970-71
|
| Cohn, Ruby |
Absurdity in English: Joyce and O'Neill |
Vol 3, No 3
Fall 1969
|
| ------ |
Theatrum Mundi and Contemporary Theater |
Vol 1, No 1
Spring 1967
|
| Cole, Howard C. |
The "Full Meaning" of The Two Gentlemen of Verona |
Vol 23, No 3
Fall 1989
|
| ------ |
The Ordering of Shakespeare's Earliest Comedies: New Uses of Old Evidence |
Vol 27, No 2
Summer 1993
|
| Coletti, Theresa |
Devotional Iconography in the N-Town Marian Plays |
Vol 11, No 1
Spring 1977
|
| Colley, John Scott |
Bartholomew Fair: Ben Jonson's "A Midsummer Night's Dream" |
Vol 11, No 1
Spring 1977
|
| Collington, Philip D. |
Self-Discovery in Montaigne's "Of Solitarinesse" and King Lear
read first paragraph |
Vol 35, No 3,4
Fall/Winter 2001-02
|
| Collins, Fletcher Jr. |
The Home of the Fleury Playbook |
Vol 14, No 4
Winter 1980-81
|
| Collins, Margo |
Centlivre v. Hardwicke: Susannah Centlivre's Plays and the Marriage Act of 1753 |
Vol 33, No 2
Summer 1999
|
| Collins, Patrick J. |
Narrative Bible Cycles in Medieval Art and Drama |
Vol 9, No 2
Summer 1975
|
| ------ |
Typology, Criticism, and Medieval Drama: Some Observations on Method |
Vol 10, No 4
Winter 1976-77
|
| Conaway, Charles |
Shakespeare, Molly House Culture,
and the Eighteenth-Century Stage
view abstract
|
Vol 38, No 4
Winter 2004-05
|
| Conlan, J. P. |
Shakespeare's Edward III: A Consolation for English Recusants |
Vol 35, No 2
Summer 2001
|
| Constantinidis, Sratos E. |
The Rebirth of Tragedy: Protest and Evolution in Modern Greek Drama |
Vol 21, No 2
Summer 1987
|
| Conteh-Morgan, John |
African Traditional Drama and Issues in Theater and Performance Criticism |
Vol 28, No 1
Spring 1994
|
| Cooper, Barbara T. |
Canvas Walls and Cardboard Fortresses: Representatives of Place in the National Historical Dramas of Early Nineteenth-Century France |
Vol 17, No 4
Winter 1983-84
|
| Cope, Jackson I. |
The Rediscovery of Anti-Form in Renaissance Drama |
Vol 1, No 3
Fall 1967
|
| Corrigan, Beatrice |
Two Renaissance Views of Carthage: Trissino's Sofonisba and Castellini's Asdrubale |
Vol 5, No 3
Fall 1971
|
| ------ |
Italian Renaissance Drama in the Eighteenth Century |
Vol 10, No 2
Summer 1976
|
| Corrigan, Robert W. |
The Achievement of Arthur Miller |
Vol 2, No 3
Fall 1968
|
| Coskren, Robert |
Wagner and Shaw: Rheingold Motifs in Major Barbara |
Vol 14, No 1
Spring 1980
|
| Cox, John D. |
3 Henry VI: Dramatic Convention and the Shakespearean History Play |
Vol 12, No 1
Spring 1978
|
| ------ |
Devils and Vices in English Non-Cycle Plays: Sacrament and Social Body |
Vol 30, No 2
Summer 1996
|
| ------ |
Renaissance Power and Stuart Dramaturgy: Shakespeare, Milton, Dryden |
Vol 22, No 4
Winter 1988-89
|
| ------ |
Stage Devils in English Reformation Plays |
Vol 32, No 1
Spring 1998
|
| ------ |
The Devil and Society in the English Mystery Plays |
Vol 28, No 4
Winter 1994-95
|
| ------ |
The Error of Our Eye in Troilus and Cressida |
Vol 10, No 2
Summer 1976
|
| Cuder-Domínguez, Pilar |
The Islamization of Spain in William
Rowley and Mary Pix: The Politics
of Nation and Gender
view abstract
|
Vol 36, No 3,4
Fall/Winter 2002-03 |
| Cunningham, John |
Comedic and Liturgical Restorations in Everyman |
Vol 22, No 2
Summer 1988
|
| Curran, John E. Jr. |
Royalty Unlearned, Honor Untaught: British Savages and Historiographical Change in Cymbeline |
Vol 31, No 2
Summer 1997
|
| Cutts, John P. |
A Newly Discovered Musical Setting from Fletcher's Beggars' Bush |
Vol 5, No 2
Summer 1971
|
| ------ |
A Shakespearean Tribute to Ben Jonson in Garrick's Operatic Version of A Midsummer Night's Dream |
Vol 12, No 3
Fall 1978
|
| ------ |
Evidence for Ambivalence of Motives in Murder in the Cathedral |
Vol 8, No 2
Summer 1974
|
| ------ |
Seventeenth-Century Illustrations of Three Masques by Jonson |
Vol 6, No 2
Summer 1972
|
| ------ |
Shadow and Substance: Structural Unity in Titus Andronicus |
Vol 2, No 3
Fall 1968
|
| ------ |
Tamburlaine "as fierce Achilles was" |
Vol 1, No 2
Summer 1967
|
| ------ |
The Anonymous Masque-like Entertainment in Egerton MS. 1994, and Richard Brome |
Vol 1, No 4
Winter 1967-68
|
| ------ |
The Shepherds' Gifts in The Second Shepherds' Play and Bosch's "Adoration of the Magi" |
Vol 4, No 2
Summer 1970
|
| ------ |
"Wee happy heardsmen here": A Newly Discovered Shepherd's Carol Possibly Belonging to a Medieval Pageant |
Vol 18, No 3
Fall 1984
|
| ------ |
"When were the Senses in such order plac'd?" |
Vol 4, No 1
Spring 1970
|
| Czerwinski, Edward J. |
Aleksandar Popovic and Pop-Theatre: Beyond the Absurd |
Vol 3, No 3
Fall 1969
|
| ------ |
Dialog and the Socialist World: The Spectrum of Influence |
Vol 2, No 1
Spring 1968
|
| ------ |
Dramatists in Search of Self: A Backward Glance |
Vol 3, No 3
Fall 1969
|
| ------ |
Jesters and Executioners: The Future of East European Theater and Drama |
Vol 5, No 3
Fall 1971
|
| ------ |
Twelve Year of Dialog |
Vol 1, No 4
Winter 1967-68 |
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