C

Author
Essay
Location
Caldwell, Tanya Meanings of All for Love
Vol 38, No 2,3
Summer/Fall 2004

Callahan, David Harley Granville-Barker and the Response to Spanish Theater, 1920-1932
Vol 25, No 2
Summer 1991

Callan, Edward W. H. Auden's First Dramatization of Jung: The Charade of the Loving and Terrible Mothers
Vol 11, No 4
Winter 1977-78

------ W. H. Auden's Plays for the Group Theatre: From Revelation to Revelation
Vol 12, No 4
Winter 1978-79

Campbell, SueEllen Krapp's Last Tape and Critical Theory
Vol 12, No 3
Fall 1978

Campbell, Thomas P. Cathedral Chapter and Town Council: Cooperative Ceremony and Drama in Medieval Rouen
Vol 27, No 1
Spring 1993


------ The Two Cities in the Fleury Playbook
Vol 16, No 2
Summer 1982

------ Why Do the Shepherds Prophesy?
Vol 12, No 2
Summer 1978

Canfield, J. Douglas The Classical Treatment of Don Juan in Tirso, Molière, and Mozart: What Cultural Work Does It Perform?
Vol 31, No 1
Spring 1997


Carlson, Cindy L. Mary's Obedience and Power in the Trial of Joseph and Mary
Vol 29, No 3
Fall 1995

Carroll, William C. "We were born to die": Romeo and Juliet
Vol 15, No 1
Spring 1981

Cartwright, John The Politics of Rhetoric: The 1561 Antwerp Landjuweel
Vol 27, No 1
Spring 1993

Cartwright, Kent The Confusions of Gallathea: John Lyly as a Popular Dramatist
Vol 32, No 2
Summer 1998

Cary, Cecile Williamson The Iconography of Food and the Motif of World Order in Friar Bacon and Friar Bungay
Vol 13, No 2
Summer 1979

Cascardi, Anthony J. Comedia and Trauerspiel: On Benjamin and Calderón
Vol 16, No 1
Spring 1982

Cathcart, Charles Borrowings and the Authorial Domain: Gostanzo, Polonius, and Marston's Gonzago
view abstract
Vol 37, No 2
Summer 2003

Champion, Larry S. Westward-Northward: Structural Development in Dekker's Ho Plays
Vol 16, No 3
Fall 1982

Charney, Maurice The Voice of Marlowe's Tamburlaine in Early Shakespeare
Vol 31, No 2
Summer 1997

Chemers, Michael Mark Anti-Semitism, Surrogacy, and the Invocation
of Mohammed in thePlay of the Sacrament
view abstract

Volume 41.1
Spring 2007
Chiba, Yoko Kori Torahiko and Edith Craig: A Japanese Playwright in London and Toronto
Vol 30, No 4
Winter 1996-97

Chioles, John Aeschylus and O'Neill: A Phenomenological View
Vol 14, No 2
Summer 1980

Christensen, Ann C. Settling House in Middleton's Women Beware Women
Vol 29, No 4
Winter 1995-96

Chute, Edward J. Critics, Catharsis and Colonus
Vol 5, No 4
Winter 1971-72

Cirillo, Albert R. Giulio Camillo's Idea of the Theatre: The Enigma of the Renaissance
Vol 1, No 1
Spring 1967

Classen, Albrecht Marriage in Late Medieval German Easter
and Shrovetide Plays
view abstract

Vol 40, No 1
Spring 2006
Clopper, Lawrence M. London and the Problem of the Clerkenwell Plays
view abstract
Vol 34, No 3
Fall 2000

------ Mankind and Its Audience
Vol 8, No 4
Winter 1974-75

Coakley, James Chekov in Ireland: Brief Notes on Friel's Philadelphia
Vol 7, No 3
Fall 1973

Coakley, James
and Marvin Felheim
Some Suggestions about the Relationships between O'Casey and Classical Comedy
Vol 4, No 4
Winter 1970-71

Cohn, Ruby Absurdity in English: Joyce and O'Neill
Vol 3, No 3
Fall 1969

------ Theatrum Mundi and Contemporary Theater
Vol 1, No 1
Spring 1967

Cole, Howard C. The "Full Meaning" of The Two Gentlemen of Verona
Vol 23, No 3
Fall 1989

------ The Ordering of Shakespeare's Earliest Comedies: New Uses of Old Evidence
Vol 27, No 2
Summer 1993

Coletti, Theresa Devotional Iconography in the N-Town Marian Plays
Vol 11, No 1
Spring 1977

Colley, John Scott Bartholomew Fair: Ben Jonson's "A Midsummer Night's Dream"
Vol 11, No 1
Spring 1977

Collington, Philip D. Self-Discovery in Montaigne's "Of Solitarinesse" and King Lear
read first paragraph
Vol 35, No 3,4
Fall/Winter 2001-02

Collins, Fletcher Jr. The Home of the Fleury Playbook
Vol 14, No 4
Winter 1980-81

Collins, Margo Centlivre v. Hardwicke: Susannah Centlivre's Plays and the Marriage Act of 1753
Vol 33, No 2
Summer 1999

Collins, Patrick J. Narrative Bible Cycles in Medieval Art and Drama
Vol 9, No 2
Summer 1975

------ Typology, Criticism, and Medieval Drama: Some Observations on Method
Vol 10, No 4
Winter 1976-77

Conaway, Charles Shakespeare, Molly House Culture,
and the Eighteenth-Century Stage
view abstract

Vol 38, No 4
Winter 2004-05

Conlan, J. P. Shakespeare's Edward III: A Consolation for English Recusants
Vol 35, No 2
Summer 2001

Constantinidis, Sratos E. The Rebirth of Tragedy: Protest and Evolution in Modern Greek Drama
Vol 21, No 2
Summer 1987

Conteh-Morgan, John African Traditional Drama and Issues in Theater and Performance Criticism
Vol 28, No 1
Spring 1994

Cooper, Barbara T. Canvas Walls and Cardboard Fortresses: Representatives of Place in the National Historical Dramas of Early Nineteenth-Century France
Vol 17, No 4
Winter 1983-84


Cope, Jackson I. The Rediscovery of Anti-Form in Renaissance Drama
Vol 1, No 3
Fall 1967

Corrigan, Beatrice Two Renaissance Views of Carthage: Trissino's Sofonisba and Castellini's Asdrubale
Vol 5, No 3
Fall 1971

------ Italian Renaissance Drama in the Eighteenth Century
Vol 10, No 2
Summer 1976

Corrigan, Robert W. The Achievement of Arthur Miller
Vol 2, No 3
Fall 1968

Coskren, Robert Wagner and Shaw: Rheingold Motifs in Major Barbara
Vol 14, No 1
Spring 1980

Cox, John D. 3 Henry VI: Dramatic Convention and the Shakespearean History Play
Vol 12, No 1
Spring 1978

------ Devils and Vices in English Non-Cycle Plays: Sacrament and Social Body
Vol 30, No 2
Summer 1996

------ Renaissance Power and Stuart Dramaturgy: Shakespeare, Milton, Dryden
Vol 22, No 4
Winter 1988-89

------ Stage Devils in English Reformation Plays
Vol 32, No 1
Spring 1998

------ The Devil and Society in the English Mystery Plays
Vol 28, No 4
Winter 1994-95

------ The Error of Our Eye in Troilus and Cressida
Vol 10, No 2
Summer 1976

Cuder-Domínguez, Pilar The Islamization of Spain in William
Rowley and Mary Pix: The Politics
of Nation and Gender
view abstract

Vol 36, No 3,4
Fall/Winter 2002-03
Cunningham, John Comedic and Liturgical Restorations in Everyman
Vol 22, No 2
Summer 1988

Curran, John E. Jr. Royalty Unlearned, Honor Untaught: British Savages and Historiographical Change in Cymbeline
Vol 31, No 2
Summer 1997


Cutts, John P. A Newly Discovered Musical Setting from Fletcher's Beggars' Bush
Vol 5, No 2
Summer 1971

------ A Shakespearean Tribute to Ben Jonson in Garrick's Operatic Version of A Midsummer Night's Dream
Vol 12, No 3
Fall 1978


------ Evidence for Ambivalence of Motives in Murder in the Cathedral
Vol 8, No 2
Summer 1974

------ Seventeenth-Century Illustrations of Three Masques by Jonson
Vol 6, No 2
Summer 1972

------ Shadow and Substance: Structural Unity in Titus Andronicus
Vol 2, No 3
Fall 1968

------ Tamburlaine "as fierce Achilles was"
Vol 1, No 2
Summer 1967

------ The Anonymous Masque-like Entertainment in Egerton MS. 1994, and Richard Brome
Vol 1, No 4
Winter 1967-68

------ The Shepherds' Gifts in The Second Shepherds' Play and Bosch's "Adoration of the Magi"
Vol 4, No 2
Summer 1970

------ "Wee happy heardsmen here": A Newly Discovered Shepherd's Carol Possibly Belonging to a Medieval Pageant
Vol 18, No 3
Fall 1984


------ "When were the Senses in such order plac'd?"
Vol 4, No 1
Spring 1970

Czerwinski, Edward J. Aleksandar Popovic and Pop-Theatre: Beyond the Absurd
Vol 3, No 3
Fall 1969

------ Dialog and the Socialist World: The Spectrum of Influence
Vol 2, No 1
Spring 1968

------ Dramatists in Search of Self: A Backward Glance
Vol 3, No 3
Fall 1969

------ Jesters and Executioners: The Future of East European Theater and Drama
Vol 5, No 3
Fall 1971

------ Twelve Year of Dialog
Vol 1, No 4
Winter 1967-68

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