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| Author | Essay |
Location |
| Caldwell, Tanya | Meanings of All for Love, 1677-1813 read first paragraph |
Volume 38, Issue 2,3 Summer/Fall 2004 |
| Callahan, David | Harley Granville-Barker and the Response to Spanish Theater, 1920-1932 | Volume 25, Issue 2 Summer 1991 |
| Callan, Edward | W. H. Auden's First Dramatization of Jung: The Charade of the Loving and Terrible Mothers | Volume 11, Issue 4 Winter 1977-78 |
| ------ | W. H. Auden's Plays for the Group Theatre: From Revelation to Revelation | Volume 12, Issue 4 Winter 1978-79 |
| Cameron, Rebecca | From Great Women to Top Girls: Pageants of Sisterhood in British Feminist Theatre view abstract |
Volume 43, Issue 2 Summer 2009 |
| Campbell, SueEllen | Krapp's Last Tape and Critical Theory | Volume 12, Issue 3 Fall 1978 |
| Campbell, Thomas P. | Cathedral Chapter and Town Council: Cooperative Ceremony and Drama in Medieval Rouen | Volume 27, Issue 1 Spring 1993 |
| ------ | The Two Cities in the Fleury Playbook | Volume 16, Issue 2 Summer 1982 |
| ------ | Why Do the Shepherds Prophesy? | Volume 12, Issue 2 Summer 1978 |
| Canfield, J. Douglas | The Classical Treatment of Don Juan in Tirso, Molière, and Mozart: What Cultural Work Does It Perform? | Volume 31, Issue 1 Spring 1997 |
| Carlson, Cindy L. | Mary's Obedience and Power in the Trial of Joseph and Mary | Volume 29, Issue 3 Fall 1995 |
| Carroll, William C. | "We were born to die": Romeo and Juliet | Volume 15, Issue 1 Spring 1981 |
| Cartwright, John | The Politics of Rhetoric: The 1561 Antwerp Landjuweel | Volume 27, Issue 1 Spring 1993 |
| Cartwright, Kent | The Confusions of Gallathea: John Lyly as a Popular Dramatist | Volume 32, Issue 2 Summer 1998 |
| Cary, Cecile Williamson | The Iconography of Food and the Motif of World Order in Friar Bacon and Friar Bungay | Volume 13, Issue 2 Summer 1979 |
| Cascardi, Anthony J. | Comedia and Trauerspiel: On Benjamin and Calderón | Volume 16, Issue 1 Spring 1982 |
| Cathcart, Charles | Borrowings and the Authorial Domain: Gostanzo, Polonius, and Marston's Gonzago view abstract |
Volume 37, Issue 2 Summer 2003 |
| Champion, Larry S. | Westward-Northward: Structural Development in Dekker's Ho Plays | Volume 16, Issue 3 Fall 1982 |
| Charney, Maurice | The Voice of Marlowe's Tamburlaine in Early Shakespeare | Volume 31, Issue 2 Summer 1997 |
| Chemers, Michael Mark | Anti-Semitism, Surrogacy, and the Invocation of Mohammed in thePlay of the Sacrament view abstract |
Volume 41, Issue 1 Spring 2007 |
| Chiba, Yoko | Kori Torahiko and Edith Craig: A Japanese Playwright in London and Toronto | Volume 30, Issue 4 Winter 1996-97 |
| Chico, Tita | Gimcrack’s Legacy: Sex, Wealth, and the Theater of Experimental Philosophy view 1st paragraph |
Volume 42, Issue 1 Spring 2008 |
| Chioles, John | Aeschylus and O'Neill: A Phenomenological View | Volume 14, Issue 2 Summer 1980 |
| Chirico, Miriam M. | Mary Zimmerman’s Metamorphoses: Mythic Revision as Cathartic Ritual view abstract |
Volume 42, Issue 2 Summer 2008 |
| Christensen, Ann C. | Being Mistress Eyre in Dekker's The Shoemaker's Holiday and Deloney's The Gentle Craft view abstract |
Volume 42, Issue 4 Winter 2008 |
| ------ | Settling House in Middleton's Women Beware Women | Volume 29, Issue 4 Winter 1995-96 |
| Chute, Edward J. | Critics, Catharsis and Colonus | Volume 5, Issue 4 Winter 1971-72 |
| Cirillo, Albert R. | Giulio Camillo's Idea of the Theatre: The Enigma of the Renaissance | Volume 1, Issue 1 Spring 1967 |
| Classen, Albrecht | Marriage in Late Medieval German Easter and Shrovetide Plays view abstract |
Volume 40, Issue 1 Spring 2006 |
| Clopper, Lawrence M. | London and the Problem of the Clerkenwell Plays view abstract |
Volume 34, Issue 3 Fall 2000 |
| ------ | Mankind and Its Audience | Volume 8, Issue 4 Winter 1974-75 |
| Coakley, James | Chekov in Ireland: Brief Notes on Friel's Philadelphia | Volume 7, Issue 3 Fall 1973 |
| Coakley, James and Marvin Felheim |
Some Suggestions about the Relationships between O'Casey and Classical Comedy | Volume 4, Issue 4 Winter 1970-71 |
| Cohn, Ruby | Absurdity in English: Joyce and O'Neill | Volume 3, Issue 3 Fall 1969 |
| ------ | Theatrum Mundi and Contemporary Theater | Volume 1, Issue 1 Spring 1967 |
| Cole, Howard C. | The "Full Meaning" of The Two Gentlemen of Verona | Volume 23, Issue 3 Fall 1989 |
| ------ | The Ordering of Shakespeare's Earliest Comedies: New Uses of Old Evidence | Volume 27, Issue 2 Summer 1993 |
| Coletti, Theresa | Devotional Iconography in the N-Town Marian Plays | Volume 11, Issue 1 Spring 1977 |
| Colley, John Scott | Bartholomew Fair: Ben Jonson's "A Midsummer Night's Dream" | Volume 11, Issue 1 Spring 1977 |
| Collington, Philip D. | Self-Discovery in Montaigne's "Of Solitarinesse" and King Lear read first paragraph |
Volume 35, Issue 3,4 Fall/Winter 2001-02 |
| Collins, Fletcher Jr. | The Home of the Fleury Playbook | Volume 14, Issue 4 Winter 1980-81 |
| Collins, Margo | Centlivre v. Hardwicke: Susannah Centlivre's Plays and the Marriage Act of 1753 | Volume 33, Issue 2 Summer 1999 |
| Collins, Patrick J. | Narrative Bible Cycles in Medieval Art and Drama | Volume 9, Issue 2 Summer 1975 |
| ------ | Typology, Criticism, and Medieval Drama: Some Observations on Method | Volume 10, Issue 4 Winter 1976-77 |
| Conaway, Charles | Shakespeare, Molly House Culture, and the Eighteenth-Century Stage view abstract |
Volume 38, Issue 4 Winter 2004-05 |
| Conlan, J. P. | Shakespeare's Edward III: A Consolation for English Recusants read first paragraph |
Volume 35, Issue 2 Summer 2001 |
| Constantinidis, Sratos E. | The Rebirth of Tragedy: Protest and Evolution in Modern Greek Drama | Volume 21, Issue 2 Summer 1987 |
| Conteh-Morgan, John | African Traditional Drama and Issues in Theater and Performance Criticism | Volume 28, Issue 1 Spring 1994 |
| Cooper, Barbara T. | Canvas Walls and Cardboard Fortresses: Representatives of Place in the National Historical Dramas of Early Nineteenth-Century France | Volume 17, Issue 4 Winter 1983-84 |
| Cope, Jackson I. | The Rediscovery of Anti-Form in Renaissance Drama | Volume 1, Issue 3 Fall 1967 |
| Corrigan, Beatrice | Two Renaissance Views of Carthage: Trissino's Sofonisba and Castellini's Asdrubale | Volume 5, Issue 3 Fall 1971 |
| ------ | Italian Renaissance Drama in the Eighteenth Century | Volume 10, Issue 2 Summer 1976 |
| Corrigan, Robert W. | The Achievement of Arthur Miller | Volume 2, Issue 3 Fall 1968 |
| Coskren, Robert | Wagner and Shaw: Rheingold Motifs in Major Barbara | Volume 14, Issue 1 Spring 1980 |
| Cox, John D. | 3 Henry VI: Dramatic Convention and the Shakespearean History Play | Volume 12, Issue 1 Spring 1978 |
| ------ | Devils and Vices in English Non-Cycle Plays: Sacrament and Social Body | Volume 30, Issue 2 Summer 1996 |
| ------ | Renaissance Power and Stuart Dramaturgy: Shakespeare, Milton, Dryden | Volume 22, Issue 4 Winter 1988-89 |
| ------ | Stage Devils in English Reformation Plays | Volume 32, Issue 1 Spring 1998 |
| ------ | The Devil and Society in the English Mystery Plays | Volume 28, Issue 4 Winter 1994-95 |
| ------ | The Error of Our Eye in Troilus and Cressida | Volume 10, Issue 2 Summer 1976 |
| Crane, Mary Thomas | Roman World, Egyptian Earth; Cognitive Difference and Empire in Shakespeare’s Antony and Cleopatra view abstract |
Volume 43, Issue 1 Spring 2009 |
| Cuder-Domínguez, Pilar | The Islamization of Spain in William Rowley and Mary Pix: The Politics of Nation and Gender view abstract |
Volume 36, Issue 3,4 Fall/Winter 2002-03 |
| Cunningham, John | Comedic and Liturgical Restorations in Everyman | Volume 22, Issue 2 Summer 1988 |
| Curran, John E. Jr. | Fletcher, Massinger, and Roman Imperial Character view abstract |
Volume 43, Issue 3 Fall 2009 |
| ------ | Royalty Unlearned, Honor Untaught: British Savages and Historiographical Change in Cymbeline | Volume 31, Issue 2 Summer 1997 |
| Curtin, Adrian | Dumb Reading: The Noise of the Mute in Jonson’s Epicene view abstract |
Volume 43, Issue 1 Spring 2009 |
| Cutts, John P. | A Newly Discovered Musical Setting from Fletcher's Beggars' Bush | Volume 5, Issue 2 Summer 1971 |
| ------ | A Shakespearean Tribute to Ben Jonson in Garrick's Operatic Version of A Midsummer Night's Dream | Volume 12, Issue 3 Fall 1978 |
| ------ | Evidence for Ambivalence of Motives in Murder in the Cathedral | Volume 8, Issue 2 Summer 1974 |
| ------ | Seventeenth-Century Illustrations of Three Masques by Jonson | Volume 6, Issue 2 Summer 1972 |
| ------ | Shadow and Substance: Structural Unity in Titus Andronicus | Volume 2, Issue 3 Fall 1968 |
| ------ | Tamburlaine "as fierce Achilles was" | Volume 1, Issue 2 Summer 1967 |
| ------ | The Anonymous Masque-like Entertainment in Egerton MS. 1994, and Richard Brome | Volume 1, Issue 4 Winter 1967-68 |
| ------ | The Shepherds' Gifts in The Second Shepherds' Play and Bosch's "Adoration of the Magi" | Volume 4, Issue 2 Summer 1970 |
| ------ | "Wee happy heardsmen here": A Newly Discovered Shepherd's Carol Possibly Belonging to a Medieval Pageant | Volume 18, Issue 3 Fall 1984 |
| ------ | "When were the Senses in such order plac'd?" | Volume 4, Issue 1 Spring 1970 |
| Czerwinski, Edward J. | Aleksandar Popovic and Pop-Theatre: Beyond the Absurd | Volume 3, Issue 3 Fall 1969 |
| ------ | Dialog and the Socialist World: The Spectrum of Influence | Volume 2, Issue 1 Spring 1968 |
| ------ | Dramatists in Search of Self: A Backward Glance | Volume 3, Issue 3 Fall 1969 |
| ------ | Jesters and Executioners: The Future of East European Theater and Drama | Volume 5, Issue 3 Fall 1971 |
| ------ | Twelve Year of Dialog | Volume 1, Issue 4 Winter 1967-68 |
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