B |
||
| Author | Essay |
Location |
| Bagdanos, Theodore | Liturgical Drama in Byzantine Literature | Vol 10, No 3 Fall 1976 |
| Bai, Ronnie | Dances with Brecht: Huang Zuolin and His Xieyi Theater | Vol 33, No 3 Fall 1999 |
| ------ | Dances with Mei Lanfang: Brecht and the Alienation Effect | Vol 32, No 3 Fall 1998 |
| Baird, Lorrayne Y. | "Cockes face" and the Problem of poydrace in the Chester Passion | Vol 16, No 3 Fall 1982 |
| Baker, Christopher and Richard Harp |
Jonson's Volpone and Dante read first paragraph |
Vol 39, No 1 Spring 2005 |
| Baker, Donald | African Theatre and the West | Vol 11, No 3 Fall 1977 |
| ------ | Thomas Hardy: Prophet of Total Theatre | Vol 7, No 2 Summer 1973 |
| Baker, Susan | Hamlet's Bloody Thoughts and the Illusion of Inwardness | Vol 21, No 4 Winter 1987-88 |
| Baker-White, Robert | The Politics of Ritual in Wole Soyinka's The Bacchae of Euripides | Vol 27, No 3 Fall 1993 |
| Banerjee, Rita | The Common Good and the Necessity of War: Emergent Republican Ideals in Shakespeare's Henry V and Coriolanus view abstract |
Vol 40, No 1 Spring 2006 |
| Barge, Laura | Out of Ireland: Revisionist Strategies in Beckett's Drama read first paragraph |
Vol 34, No 2 Summer 2000 |
| Barish, Jonas A. | The Uniqueness of Elizabethan Drama | Vol 11, No 2 Summer 1977 |
| Barnes, Celia | Matthew Parker's Pastoral Training and Marlowe's Doctor Faustus | Vol 15, No 3 Fall 1981 |
| Barranger, M. S. | The Shape of Brecht's Duchess of Malfi | Vol 12, No 1 Spring 1978 |
| Battenhouse, Roy | Methods of Drama Criticism | Vol 14, No 3 Fall 1980 |
| Bayer, Mark | The Merchant of Venice, the Arab-Israeli Conflict, and the Perils of Shakespearean Appropriation view abstract |
Vol 41, No 4 Winter 2007-08 |
| Bayliss, Robert | Serving Don Juan: Decorum in Tirso de Molina and Molière view abstract |
Volume 40.2 Summer 2006 |
| Baumgarten, Murray | "Body's Image": Yerma, The Player Queen, and the Upright Posture | Vol 8, No 3 Fall 1974 |
| Beach, Adam R. | Anti-Colonist Discourse, Tragicomedy, and the "American" Behn read first paragraph |
Vol 38, No 2,3 Summer/Fall 2004 |
| Beauchamp, Gorman | The Amorous Machiavellism of The Country Wife | Vol 11, No 4 Winter 1977-78 |
| Becker, Barbara S. and Charles R. Lyons |
Directing/Acting Beckett | Vol 19, No 4 Winter 1985-86 |
| Beckerman, Michael | Arthur Sullivan, Haddon Hall, and the Iconic Mode | Vol 22, No 1 Spring 1988 |
| Bednarz, James P. | Writing and Revenge: John Marston's Histriomastix view abstract |
Vol 36, No 1,2 Spring/Summer 2002 |
| Berckman, Edward M. | Brecht's Quarrel with God: From Anti-Theodicy to Eschatology | Vol 10, No 2 Summer 1976 |
| Berger, Harry Jr. | Theater, Drama, and the Second World : A Prologue to Shakespeare | Vol 2, No 1 Spring 1968 |
| ------ | Troilus and Cressida: The Observer as Basilisk | Vol 2, No 2 Summer 1968 |
| Bergeron, David M. | The Bible in English Renaissance Civic Pageants | Vol 20, No 2 Summer 1986 |
| ------ | Wherefore Verona in The Two Gentlemen of Verona view abstract |
Vol 41, No 4 Winter 2007-08 |
| Betcher, Gloria J. | A Reassessment of the Date and Provenance of the Cornish Ordinalia | Vol 29, No 4 Winter 1995-96 |
| Bevington, David | "Blake and wyght, fowll and fayer": Stage Picture in Wisdom Who Is Christ | Vol 19, No 2 Summer 1985 |
| ------ | Lyly's Endymion and Midas: The Catholic Question in England | Vol 32, No 1 Spring 1998 |
| ------ | The Staging of Twelfth-Century Liturgical Drama in the Fleury Playbook | Vol 18, No 2 Summer 1984 |
| Bevington, David and David L. Smith |
James I and Timon of Athens | Vol 33, No 1 Spring 1999 |
| Bevis, Richard | Canon, Pedagogy, Prospectus: Redesigning "Restoration and Eighteenth-Century English Drama" | Vol 31, No 1 Spring 1997 |
| Bien, Peter | Buddha, Kazantzakis' Most Ambitious and Most Neglected Play | Vol 11, No 3 Fall 1977 |
| Bierman, James H. | The Antichrist Ubu | Vol 9, No 3 Fall 1975 |
| Billington, Sandra | Social Disorder, Festive Celebration, and Jean Michel's Le Mistere de la Passion JesusCrist | Vol 29, No 2 Summer 1995 |
| Bjelland, Karen | Defining the South English Legendary as a Form of Drama: The Relationship between Theory and Praxis | Vol 22, No 3 Fall 1988 |
| Bjork, David A. | On the Dissemination of Quem quaeritis and the Visitatio sepulchri and the Chronology of Their Early Sources | Vol 14, No 1 Spring 1980 |
| Boehrer, Bruce | Disorder in the House of God: Disrupted Worship in Shakespeare and Others read first paragraph |
Vol 38, No 1 Spring 2004 |
| Bohn, Willard | A New Play by Apollinaire | Vol 11, No 1 Spring 1977 |
| Boling, Ronald J. | Fletcher's Satire of Caratach in Bonduca | Vol 33, No 3 Fall 1999 |
| Boone, Blair W. | The Skill of Cain in the English Mystery Cycles | Vol 16, No 2 Summer 1982 |
| Bourgeault, Cynthia | Liturgical Dramaturgy | Vol 17, No 2 Summer 1983 |
| Bowen, Barbara C. | Metaphorical Obscenity in French Farce, 1460-1560 |
Vol 11, No 4 Winter 1977-78 |
| Bowyer, T. H. | Warren Hastings in the Drama of Lion Feuchtwanger and Bertolt Brecht: Contexts and Connections | Vol 31, No 3 Fall 1997 |
| Bradburn, Elizabeth | The Emotional Theater of Milton’s Paradise Lost view abstract |
Vol 40, No 1 Spring 2006 |
| Brandt, Willy (trans. Walter S. G. Kohn) |
The Political Significance of the Theatre | Vol 7, No 3 Fall 1973 |
| Brashear, William R. | Nietzsche and Spengler on Hamlet: An Elaboration and Synthesis | Vol 5, No 2 Summer 1971 |
| Brater, Enoch | A Footnote to Footfalls: Footsteps of Infinity on Beckett's Narrow Space | Vol 12, No 1 Spring 1978 |
| ------ | Brecht's Alienated Actor in Beckett's Theater | Vol 9, No 3 Fall 1975 |
| ------ | Noah, Not I, and Beckett's "Incomprehensibly Sublime" | Vol 8, No 3 Fall 1974 |
| ------ | Play Strindberg and the Theater of Adaptation | Vol 16, No 1 Spring 1982 |
| ------ | The Globalization of Beckett's Godot read first paragraph |
Vol 37, No 2 Summer 2003 |
| ------ | Time and Memory in Pinter's Proust Screenplay | Vol 13, No 2 Summer 1979 |
| Brawer, Robert A. | The Dramatic Function of the Ministry Group in the Towneley Cycle | Vol 4, No 3 Fall 1970 |
| ------ | The Middle English Resurrection Play and Its Dramatic Antecedents | Vol 8, No 1 Spring 1974 |
| Briscoe, Marianne G. | Some Clerical Notions of Dramatic Decorum in Late Medieval England | Vol 19, No 1 Spring 1985 |
| Brock, D. Heyward and James M. Welsh |
Percy MacKaye: Community Drama and the Masque Tradition | Vol 6, No 1 Spring 1972 |
| Brockett, Clyde W. | Modal and Motivic Coherence in the Music of the Fleury Play Book | Vol 16, No 4 Winter 1982-83 |
| Brockett, Clyde Jr. | A Previously Unknown Ordo Prophetarum in a Manuscript Fragment in Zagreb | Vol 27, No 1 Spring 1993 |
| Bronson, David | An Enemy of the People: A Key to Arthur Miller's Art and Ethics | Vol 2, No 4 Winter 1968-69 |
| Browne, Martin E. | A Last Look Round the English Theatre | Vol 3, No 2 Summer 1969 |
| Bruster, Douglas | Comedy and Control: Shakespeare and the Plautine Poeta | Vol 24, No 3 Fall 1990 |
| Bryant, J. A. Jr. | Julius Caesar from a Euripidean Perspective | Vol 16, No 2 Summer 1982 |
| Buhr, Richard J. | Epistemology and Ethics in Tom Stoppard's Professional Foul | Vol 13, No 4 Winter 1979-80 |
_________________________________________________________________________________
| Comparative Drama home | Contact the Editors | Reproduction Permission |
| Subscriptions and Back Issues | Submission Guidelines | Links |
| Current Issue | Upcoming Issues | Essay and Contributor Index |