B
|
| Author |
Essay |
Location |
| Bagdanos, Theodore |
Liturgical Drama in Byzantine Literature |
Vol 10, No 3
Fall 1976
|
| Bai, Ronnie |
Dances with Brecht: Huang Zuolin and His Xieyi Theater |
Vol 33, No 3
Fall 1999
|
| ------ |
Dances with Mei Lanfang: Brecht and the Alienation Effect |
Vol 32, No 3
Fall 1998
|
| Baird, Lorrayne Y. |
"Cockes face" and the Problem of poydrace in the Chester Passion |
Vol 16, No 3
Fall 1982
|
Baker, Christopher
and Richard Harp |
Jonson's Volpone and Dante
read first paragraph
|
Vol 39, No 1
Spring 2005 |
| Baker, Donald |
African Theatre and the West |
Vol 11, No 3
Fall 1977
|
| ------ |
Thomas Hardy: Prophet of Total Theatre |
Vol 7, No 2
Summer 1973
|
| Baker, Susan |
Hamlet's Bloody Thoughts and the Illusion of Inwardness |
Vol 21, No 4
Winter 1987-88
|
| Baker-White, Robert |
The Politics of Ritual in Wole Soyinka's The Bacchae of Euripides |
Vol 27, No 3
Fall 1993
|
| Banerjee, Rita |
The Common Good and the Necessity
of War: Emergent Republican Ideals in Shakespeare's Henry V and Coriolanus
view abstract
|
Vol 40, No 1
Spring 2006 |
| Barge, Laura |
Out of Ireland: Revisionist Strategies in Beckett's Drama
read first paragraph |
Vol 34, No 2
Summer 2000
|
| Barish, Jonas A. |
The Uniqueness of Elizabethan Drama |
Vol 11, No 2
Summer 1977
|
| Barnes, Celia |
Matthew Parker's Pastoral Training and Marlowe's Doctor Faustus |
Vol 15, No 3
Fall 1981
|
| Barranger, M. S. |
The Shape of Brecht's Duchess of Malfi |
Vol 12, No 1
Spring 1978
|
| Battenhouse, Roy |
Methods of Drama Criticism |
Vol 14, No 3
Fall 1980
|
| Bayer, Mark |
The Merchant of Venice, the Arab-Israeli
Conflict, and the Perils of Shakespearean
Appropriation
view abstract
|
Vol 41, No 4
Winter 2007-08 |
| Bayliss, Robert |
Serving Don Juan: Decorum in
Tirso de Molina and Molière
view abstract
|
Volume 40.2
Summer 2006 |
| Baumgarten, Murray |
"Body's Image": Yerma, The Player Queen, and the Upright Posture |
Vol 8, No 3
Fall 1974
|
| Beach, Adam R. |
Anti-Colonist Discourse, Tragicomedy, and the "American" Behn
read first paragraph |
Vol 38, No 2,3
Summer/Fall 2004
|
| Beauchamp, Gorman |
The Amorous Machiavellism of The Country Wife |
Vol 11, No 4
Winter 1977-78
|
Becker, Barbara S.
and Charles R. Lyons |
Directing/Acting Beckett |
Vol 19, No 4
Winter 1985-86
|
| Beckerman, Michael |
Arthur Sullivan, Haddon Hall, and the Iconic Mode |
Vol 22, No 1
Spring 1988
|
| Bednarz, James P. |
Writing and Revenge: John Marston's Histriomastix
view abstract |
Vol 36, No 1,2
Spring/Summer 2002
|
| Berckman, Edward M. |
Brecht's Quarrel with God: From Anti-Theodicy to Eschatology |
Vol 10, No 2
Summer 1976
|
| Berger, Harry Jr. |
Theater, Drama, and the Second World : A Prologue to Shakespeare |
Vol 2, No 1
Spring 1968
|
| ------ |
Troilus and Cressida: The Observer as Basilisk |
Vol 2, No 2
Summer 1968
|
| Bergeron, David M. |
The Bible in English Renaissance Civic Pageants |
Vol 20, No 2
Summer 1986
|
| ------ |
Wherefore Verona in The Two Gentlemen
of Verona
view abstract
|
Vol 41, No 4
Winter 2007-08 |
| Betcher, Gloria J. |
A Reassessment of the Date and Provenance of the Cornish Ordinalia |
Vol 29, No 4
Winter 1995-96
|
| Bevington, David |
"Blake and wyght, fowll and fayer": Stage Picture in Wisdom Who Is Christ |
Vol 19, No 2
Summer 1985
|
| ------ |
Lyly's Endymion and Midas: The Catholic Question in England |
Vol 32, No 1
Spring 1998
|
| ------ |
The Staging of Twelfth-Century Liturgical Drama in the Fleury Playbook |
Vol 18, No 2
Summer 1984
|
Bevington, David
and David L. Smith |
James I and Timon of Athens |
Vol 33, No 1
Spring 1999
|
| Bevis, Richard |
Canon, Pedagogy, Prospectus: Redesigning "Restoration and Eighteenth-Century English Drama" |
Vol 31, No 1
Spring 1997
|
| Bien, Peter |
Buddha, Kazantzakis' Most Ambitious and Most Neglected Play |
Vol 11, No 3
Fall 1977
|
| Bierman, James H. |
The Antichrist Ubu |
Vol 9, No 3
Fall 1975
|
| Billington, Sandra |
Social Disorder, Festive Celebration, and Jean Michel's Le Mistere de la Passion JesusCrist |
Vol 29, No 2
Summer 1995
|
| Bjelland, Karen |
Defining the South English Legendary as a Form of Drama: The Relationship between Theory and Praxis |
Vol 22, No 3
Fall 1988
|
| Bjork, David A. |
On the Dissemination of Quem quaeritis and the Visitatio sepulchri and the Chronology of Their Early Sources |
Vol 14, No 1
Spring 1980
|
| Boehrer, Bruce |
Disorder in the House of God: Disrupted Worship in Shakespeare and Others
read first paragraph |
Vol 38, No 1
Spring 2004
|
| Bohn, Willard |
A New Play by Apollinaire |
Vol 11, No 1
Spring 1977
|
| Boling, Ronald J. |
Fletcher's Satire of Caratach in Bonduca |
Vol 33, No 3
Fall 1999
|
| Boone, Blair W. |
The Skill of Cain in the English Mystery Cycles |
Vol 16, No 2
Summer 1982
|
| Bourgeault, Cynthia |
Liturgical Dramaturgy |
Vol 17, No 2
Summer 1983
|
| Bowen, Barbara C. |
Metaphorical Obscenity in French Farce,
1460-1560 |
Vol 11, No 4
Winter 1977-78
|
| Bowyer, T. H. |
Warren Hastings in the Drama of Lion Feuchtwanger and Bertolt Brecht: Contexts and Connections |
Vol 31, No 3
Fall 1997
|
| Bradburn, Elizabeth |
The Emotional Theater of Milton’s
Paradise Lost
view abstract
|
Vol 40, No 1
Spring 2006 |
Brandt, Willy
(trans. Walter
S. G. Kohn)
|
The Political Significance of the Theatre |
Vol 7, No 3
Fall 1973
|
| Brashear, William R. |
Nietzsche and Spengler on Hamlet: An Elaboration and Synthesis |
Vol 5, No 2
Summer 1971
|
| Brater, Enoch |
A Footnote to Footfalls: Footsteps of Infinity on Beckett's Narrow Space |
Vol 12, No 1
Spring 1978
|
| ------ |
Brecht's Alienated Actor in Beckett's Theater |
Vol 9, No 3
Fall 1975
|
| ------ |
Noah, Not I, and Beckett's "Incomprehensibly Sublime" |
Vol 8, No 3
Fall 1974
|
| ------ |
Play Strindberg and the Theater of Adaptation |
Vol 16, No 1
Spring 1982
|
| ------ |
The Globalization of Beckett's Godot
read first paragraph |
Vol 37, No 2
Summer 2003
|
| ------ |
Time and Memory in Pinter's Proust Screenplay |
Vol 13, No 2
Summer 1979
|
| Brawer, Robert A. |
The Dramatic Function of the Ministry Group in the Towneley Cycle |
Vol 4, No 3
Fall 1970
|
| ------ |
The Middle English Resurrection Play and Its Dramatic Antecedents |
Vol 8, No 1
Spring 1974
|
| Briscoe, Marianne G. |
Some Clerical Notions of Dramatic Decorum in Late Medieval England |
Vol 19, No 1
Spring 1985
|
Brock, D. Heyward
and James M. Welsh |
Percy MacKaye: Community Drama and the Masque Tradition |
Vol 6, No 1
Spring 1972
|
| Brockett, Clyde W. |
Modal and Motivic Coherence in the Music of the Fleury Play Book |
Vol 16, No 4
Winter 1982-83
|
| Brockett, Clyde Jr. |
A Previously Unknown Ordo Prophetarum in a Manuscript Fragment in Zagreb |
Vol 27, No 1
Spring 1993
|
| Bronson, David |
An Enemy of the People: A Key to Arthur Miller's Art and Ethics |
Vol 2, No 4
Winter 1968-69
|
| Browne, Martin E. |
A Last Look Round the English Theatre |
Vol 3, No 2
Summer 1969
|
| Bruster, Douglas |
Comedy and Control: Shakespeare and the Plautine Poeta |
Vol 24, No 3
Fall 1990
|
| Bryant, J. A. Jr. |
Julius Caesar from a Euripidean Perspective |
Vol 16, No 2
Summer 1982
|
| Buhr, Richard J. |
Epistemology and Ethics in Tom Stoppard's Professional Foul |
Vol 13, No 4
Winter 1979-80 |
_________________________________________________________________________________
|