Welcome to the Comparative Drama abstract index. Here we have posted abstracts or first paragraphs of every essay we have published since 2000. All available abstracts in this index are also linked from the corresponding entry in each of our existing indexes.
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Abstracts |
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| Essay | Author | Location |
| Staging the Color Line: Alice Dunbar Nelson’s Imagined Hawai’i as African-American Allegory view abstract |
Lurana Donnels O'Malley | Volume 47.1 Spring 2013 |
| Silencing Violence: Repetition and Revolution in Mother Courage and Her Children view abstract |
Robert Vork | Volume 47.1 Spring 2013 |
| The Audience-Interactive Games of the Middle English Religious Drama view abstract |
Peter Ramey | Volume 47.1 Spring 2013 |
| Fashionably Late: Queer Temporality and the Restoration Fop view abstract |
Emma Katherine Atwood | Volume 47.1 Spring 2013 |
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| “The Split Screen Syndrome”: Structuring (Non) Seeing in Two Plays on Abu Ghraib view abstract |
Katarzyna Beilin | Volume 46.4 Winter 2012 |
| Brian Friel’s Transformation from Short Fiction Writer to Dramatist view abstract |
Richard Rankin Russell | Volume 46.4 Winter 2012 |
| Plays and Playcoats: A Courtly Interlude Tradition in Scotland? view abstract |
Sarah Carpenter | Volume 46.4 Winter 2012 |
| Staging the Convent as Resistance in The Jew of Malta and Measure for Measure view abstract |
Kimberly Reigle | Volume 46.4 Winter 2012 |
| “Not to Be Altered”: Performance’s Efficacy and Audience Reaction in The Roman Actor view abstract |
Eric Dunnum | Volume 46.4 Winter 2012 |
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| Introduction: Reading and Experiencing a Play Transculturally read first paragraph |
Ranjan Ghosh | Volume 46.3 Fall 2012 |
| Zen and the Art of Self-Negation in Samuel Beckett’s Not I view abstract |
Kyle Gillette | Volume 46.3 Fall 2012 |
| Snapshots of a Shakespearean in China view abstract |
Sidney Homan | Volume 46.3 Fall 2012 |
| American Students Performing the Foreignness of Human Culture in Foreign Drama view abstract |
Les Essif | Volume 46.3 Fall 2012 |
| Authentic Protest, Authentic Shakespeare, Authentic Africans: Performing Othello in South Africa view abstract |
Natasha Distiller | Volume 46.3 Fall 2012 |
| On the Tragedy of the Commoner: Elektra, Orestes and Others in South Africa view abstract |
Loren Kruger | Volume 46.3 Fall 2012 |
| Fugard, Kani, Ntshona’s The Island: Antigone as South African Drama read first paragraph |
Robert Gordon | Volume 46.3 Fall 2012 |
| Hamlet and the Difference Machine read first paragraph |
Stephen Barker | Volume 46.3 Fall 2012 |
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| "Killing, Hewing, Stabbing, Dagger-drawing, Fighting, Butchery": The Representation of Skin Penetration in Renaissance Tragedy and Its Bearing on Dramatic Theory view abstract |
Maik Goth | Volume 46.2 Summer 2012 |
| Justice Is a Mirage: Failures of Religious Order in Marlowe’s Tamburlaine Plays view abstract |
Leila Watkins | Volume 46.2 Summer 2012 |
| Ambiguous Allegories: What the Mythological Comedia Reveals About Baroque Tragedy view abstract |
Sofie Kluge | Volume 46.2 Summer 2012 |
| Memory’s Returns, Modernity’s Ghosts: Thornton Wilder, Japanese Theater, and Paula Vogel’s The Long Christmas Ride Home view abstract |
Joanna Mansbridge | Volume 46.2 Summer 2012 |
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| To Dazzle as Macbeth: Bisociated Drama in Philip Roth's The Humbling view abstract |
James Duban | Volume 46.1 Spring 2012 |
| Lukács/Ibsen: Tragedy, Selfhood, and "Real Life" in The Master Builder and When We Dead Awaken view abstract |
William Storm | Volume 46.1 Spring 2012 |
| “I just die for some authority!: Barriers to Utopia in Howard Brenton’s Greenland view abstract |
Siân Adiseshiah | Volume 46.1 Spring 2012 |
| “Where’s my Fool?” Lear Motifs in Rigoletto view abstract |
Barbara Barry | Volume 46.1 Spring 2012 |
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| From Shrew to Subject: Petruchio’s Humanist Education of Katherine in The Taming of the Shrew view abstract |
Elizabeth Hutcheon | Volume 45.4 Winter 2011 |
| Staging Suffrage: Women, Politics and the Edwardian Theatre view abstract |
Carolyn Tilghman | Volume 45.4 Winter 2011 |
| Oscar Wilde's Salomé: Disorienting Orientalism view abstract |
Yeeyon Im | Volume 45.4 Winter 2011 |
| Moroccan Acrobats in Britain: Oriental Curiosity and Ethnic Exhibition view abstract |
Layachi El Habbouch | Volume 45.4 Winter 2011 |
| Purging the Jesting Spirit in The Tempest view abstract |
Maurice Hunt | Volume 45.4 Winter 2011 |
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| Adapting The Liberal Lover: Mediterranean Commerce, Political Economy, and Theatrical Form under Richelieu view abstract |
Ellen R. Welch | Volume 45.3 Fall 2011 |
| Why did Steele’s The Lying Lover fail? Or, The Dangers of Sentimentalism in the Comic Reform Scene view abstract |
Aparna Gollapudi | Volume 45.3 Fall 2011 |
| "Allow, Accept, Be": Terrence McNally's Engagement with Hindu Spirituality in A Perfect Ganesh view abstract |
Raymond-Jean Frontain | Volume 45.3 Fall 2011 |
| Opening The Notebook of Trigorin: An Analysis of Tennessee Williams’s Adaptation of Chekhov’s The Seagull view abstract |
Zackary Ross | Volume 45.3 Fall 2011 |
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| How to Do Witchcraft Tragedy with Speech Acts view abstract |
Eric Byville | Volume 45.2 Summer 2011 |
| A “Birthright into a New World”: Representing the Town on Brome’s Stage view abstract |
Denys Van Renen | Volume 45.2 Summer 2011 |
| Remaking the Chorus: Charles Mee Jr.’s Orestes 2.0 view abstract |
Peter A. Campbell | Volume 45.2 Summer 2011 |
| Fear Mongering, Media Intimidation, and Political Machinations: Tracing the Agendas Behind the All God’s Chillun Got Wings Controversy view abstract |
Jeffrey Ullom | Volume 45.2 Summer 2011 |
| Performative Reading and Receiving a Performance of the Jour du Jugement in MS Besançon 579 view abstract |
Karlyn Griffith | Volume 45.2 Summer 2011 |
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| Greek Drama in the First Six Decades of the Twentieth Century: Tradition, Identity, Migration read first paragraph |
Amanda Wrigley | Volume 44.1/45.1 Winter 2010/ Spring 2011 |
| Toward a National Heterotopia: Ancient Theaters and the Cultural Politics of Performing Ancient Drama in Modern Greece view abstract |
Eleftheria Ioannidou | Volume 44.1/45.1 Winter 2010/ Spring 2011 |
| Oedipus, Shmedipus: Ancient Greek Drama on the Yiddish Stage view abstract |
Debra Caplan | Volume 44.1/45.1 Winter 2010/ Spring 2011 |
| ‘The Kingdom of Heaven within Us’: Inner (World) Peace in Gilbert Murray’s Trojan Women view abstract |
Simon Perris | Volume 44.1/45.1 Winter 2010/ Spring 2011 |
| Touring the Ivies with Iphigenia, 1915 view abstract |
Niall W. Slater | Volume 44.1/45.1 Winter 2010/ Spring 2011 |
| Is Mr Euripides a Communist? The Federal Theatre Project’s 1938 Trojan Incident view abstract |
Robert Davis | Volume 44.1/45.1 Winter 2010/ Spring 2011 |
| Oedipus and Afrikaans Theater view abstract |
Betine Van Zyl Smit | Volume 44.1/45.1 Winter 2010/ Spring 2011 |
| "Now the struggle is for all!" (Aeschylus's Persians 405): What a Difference a Few Years Make When Interpreting a Classic view abstract |
Gonda Van Steen | Volume 44.1/45.1 Winter 2010/ Spring 2011 |
| Oedipus, Suez, and Hungary: T. S. Eliot’s Tradition and The Elder Statesman view abstract |
Michael Simpson | Volume 44.1/45.1 Winter 2010/ Spring 2011 |
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| “Are we turned Turks”: English Pageants and the Stuart Court view abstract |
David M. Bergeron | Volume 44.3 Fall 2010 |
| Celebrating Idleness: Antony and Cleopatra and Play Theory view abstract |
Abigail Scherer | Volume 44.3 Fall 2010 |
| Katherine Philips as Political Playwright: “The Songs Between the Acts” in Pompey view abstract |
Anne Russell | Volume 44.3 Fall 2010 |
| Music and Religious Compromise in John Bale’s Plays view abstract |
Katherine Steele Brokaw | Volume 44.3 Fall 2010 |
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| Pericles, Paul, and Protestantism view abstract |
Richard Finkelstein | Volume 44.2 Summer 2010 |
| Striking a Pose: Performance Cues in Four French Hagiographic Mystery Plays view abstract |
Vicki L. Hamblin | Volume 44.2 Summer 2010 |
| The Spirit of the Chorus in D'Annunzio's La città morta view abstract |
James Nikopoulos | Volume 44.2 Summer 2010 |
| "Hilda, Harnessed to a Purpose": Elizabeth Robins, Ibsen, and the Vote view abstract |
Maroula Joannou | Volume 44.2 Summer 2010 |
| Tragedy After Darwin: Timberlake Wertenbaker Remakes "Modern" Tragedy view abstract |
Sara Freeman | Volume 44.2 Summer 2010 |
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| Coriolanus: Inordinate Passions and Powers in Personal and Political Governance view abstract |
Unhae Langis | Volume 44.1 Spring 2010 |
| Soyinka and the Dead Dramatist view abstract |
Kenneth J.E. Graham | Volume 44.1 Spring 2010 |
| The Biblical Intertext in Peter Shaffer’s Amadeus (Or, Saul and David in Eighteenth-Century Vienna) view abstract |
Nehama Aschkenasy | Volume 44.1 Spring 2010 |
| Chinese Ethnicity and the American Heroic Artisan in Henry Grimm’s The Chinese Must Go (1879) view abstract |
Hsin-yun Ou | Volume 44.1 Spring 2010 |
| ________________________________________________________________________________ | ||
| Sumptuously Re-edified: The Reformation of Sacred Space in Titus Andronicus view abstract |
Helga L. Duncan | Volume 43.4 Winter 2009 |
| Voices of Violence: Medieval French Farce and the Dover Cliff Scene in King Lear view abstract |
Edward Wheatley | Volume 43.4 Winter 2009 |
| “You were an actor with your handkerchief”: Women, Windows, and Moral Agency view abstract |
Cynthia Lewis | Volume 43.4 Winter 2009 |
| Doing the Usual Things: Gender, Race, and Inwardness in Harley Granville Barker’s The Marrying of Ann Leete and The Secret Life view abstract |
Christopher Wixson | Volume 43.4 Winter 2009 |
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| The Comic Ethos of Il Principe view abstract |
Angus Fletcher | Volume 43.3 Fall 2009 |
| Fletcher, Massinger, and Roman Imperial Character view abstract |
John E. Curran, Jr. | Volume 43.3 Fall 2009 |
| Another Play On Salem Witch Trials:” Lion Feuchtwanger, Communists, and Nazis view abstract |
Waltraud Maierhofer | Volume 43.3 Fall 2009 |
| The Earliest Middle English Interludes view abstract |
Stephanie Thompson Lundeen | Volume 43.3 Fall 2009 |
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| From Great Women to Top Girls: Pageants of Sisterhood in British Feminist Theatre view abstract |
Rebecca Cameron | Volume 43.2 Summer 2009 |
| Diamonds, Maidens, Widow Dido, and Cock-a-diddle-dow view abstract |
David Golz | Volume 43.2 Summer 2009 |
| Sermons, Exegesis, and Performance: The Laon Ordo Prophetarum and the Meaning of Advent view abstract |
Robert C. Lagueux | Volume 43.2 Summer 2009 |
| Evicted In—and From—Toronto: Walker’s Beautiful City at Factory Theatre view abstract |
J. Chris Westgate | Volume 43.2 Summer 2009 |
| Lay Performances of Work and Salvation in the York Cycle view abstract |
Andreea Boboc | Volume 43.2 Summer 2009 |
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| Roman World, Egyptian Earth; Cognitive Difference and Empire in Shakespeare’s Antony and Cleopatra view abstract |
Mary Thomas Crane | Volume 43.1 Spring 2009 |
| From Saint Genesius to Kean: Actors, Martyrs, and Metatheater view abstract |
Mary Ann Frese Witt | Volume 43.1 Spring 2009 |
| Dumb Reading: The Noise of the Mute in Jonson’s Epicene view abstract |
Adrian Curtin | Volume 43.1 Spring 2009 |
| The Scriblerian Stage and Page: Three Hours After Marriage, Pope’s “Minor” Poems, and the Problem of Genre-History view abstract |
Katherine Mannheimer | Volume 43.1 Spring 2009 |
| “Whom Seek Ye, Sirs?”: The Logic of Searching in the York Herod and the Magi view abstract |
Nicole R. Rice | Volume 43.1 Spring 2009 |
| ________________________________________________________________________________ | ||
| Measure for Measure and the (Anti-)Theatricality of Gascoigne's The Glasse of Government view abstract |
Richard Hillman | Volume 42.4 Winter 2008 |
| ‘Gentleness’ and Social Class in The Merry Wives of Windsor view 1st paragraph |
Maurice Hunt | Volume 42.4 Winter 2008 |
| Creating Entertainments for Prince Henry’s Creation (1610) view 1st paragraph |
David M. Bergeron | Volume 42.4 Winter 2008 |
| Being Mistress Eyre in Dekker's The Shoemaker's Holiday and Deloney's The Gentle Craft view abstract |
Ann C. Christensen | Volume 42.4 Winter 2008 |
| “For want of Clelia”: Re-Placing the Maternal Body in The Twin Rivals view abstract |
Elizabeth Savage | Volume 42.4 Winter 2008 |
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| Demonstration Performance of the Cividale Planctus Mariae: A Report view 1st paragraph |
Eric Strand, Matthew Steel, and Clifford Davidson |
Volume 42.3 Fall 2008 |
| Scenarios of the “Descent into Hell” in Two Processional Antiphons view abstract |
Clyde W. Brockett | Volume 42.3 Fall 2008 |
| Portrayals of the Vita Christi in the Medieval German Marienklage: Signs of Franciscan Exegesis and Rhetoricin Drama and Music view abstract |
Peter Loewen | Volume 42.3 Fall 2008 |
| Liturgical Drama and the “School of Abelard” view 1st paragraph |
David Wulstan | Volume 42.3 Fall 2008 |
| Pilgrims and Prostitutes: Costume and Individualism in Twelfth-Century Liturgical Drama view abstract |
Andrew J. Gibb | Volume 42.3 Fall 2008 |
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| The Secular Morality of Middleton’s City Comedies view abstract |
Derek B. Alwes | Volume 42.2 Summer 2008 |
| Dragon Fathers and Unnatural Children: Warring Generations in King Lear and its Sources view abstract |
Meredith Skura | Volume 42.2 Summer 2008 |
| Zimmerman’s Metamorphoses: Mythic Revision as Cathartic Ritual view abstract |
Miriam M. Chirico | Volume 42.2 Summer 2008 |
| Staging a New Literary History: Suzan-Lori Parks’s Venus, In the Blood, and Fucking A view abstract |
Carol Schafer | Volume 42.2 Summer 2008 |
| “The End of Nigerian History”: Wole Soyinka and Yorùbá Historiography view abstract |
Glenn A. Odom | Volume 42.2 Summer 2008 |
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| All injury’s forgot”: Restoration Sex Comedy and National Amnesia view abstract |
Laura J. Rosenthal | Volume 42.1 Spring 2008 |
| Gimcrack’s Legacy: Sex, Wealth, and the Theater of Experimental Philosophy view 1st paragraph |
Tita Chico | Volume 42.1 Spring 2008 |
| The Paradoxes of Slavery in Thomas Southerne’s Oroonoko view abstract |
Diana Jaher | Volume 42.1 Spring 2008 |
| Performing the West Indies: Comedy, Feeling, and British Identity view abstract |
Jean Marsden | Volume 42.1 Spring 2008 |
| Sheridan, The School for Scandal, and Aggression view abstract |
James Thompson | Volume 42.1 Spring 2008 |
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| “I desyre to be paid”: Interpreting the Language of Remuneration in Early Modern Dramatic Archives view abstract |
Kara Northway | Volume 41.4 Winter 2007-08 |
| Wherefore Verona in The Two Gentlemen of Verona view abstract |
David M. Bergeron | Volume 41.4 Winter 2007-08 |
| Re-Membering the Jews: Theatrical Violence in the N-Town Marian Plays view 1st paragraph |
Merrall Llewelyn Price | Volume 41.4 Winter 2007-08 |
| The Merchant of Venice, the Arab-Israeli Conflict, and the Perils of Shakespearean Appropriation view abstract |
Mark Bayer | Volume 41.4 Winter 2007-08 |
| Sacerdotal Vestiges in The Tempest view abstract |
Robert L. Reid | Volume 41.4 Winter 2007-08 |
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| Puppets Dallying: Thoughts on Shakespearean Theatricality view abstract |
Kenneth Gross | Volume 41.3 Fall 2007 |
| A Hermaphrodite? Lope de Vega and the Controversy of Tragicomedy view abstract |
Sofie Kluge | Volume 41.3 Fall 2007 |
| G. B. Shaw’s Heartbreak House and Harold Pinter’s The Homecoming: Comedies of Implosion view abstract |
Emil Roy | Volume 41.3 Fall 2007 |
| Incest Disguised: Ottonian Influence at Gandersheim and Hrotsvit’s Abraham view abstract |
Regula Meyer Evitt | Volume 41.3 Fall 2007 |
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| Aphra Behn’s The City Heiress: Feminism and the Dynamics of Popular Success on the Late Seventeenth-Century Stage view 1st paragraph |
Robert Markley | Volume 41.2 Summer 2007 |
| “To kindle an industrious desire”: The Poetry of Work in Lord Mayors’ Shows view abstract |
Kara Northway | Volume 41.2 Summer 2007 |
| Comparing Poverty: Fictions of a “Poor Theater” in Ruzante and Shakespeare view abstract |
Robert Henke | Volume 41.2 Summer 2007 |
| Transplanting the Work of “that rooted man”: The Reception of John Millington Synge’s Drama in Hungary view abstract |
Mária Kurdi | Volume 41.2 Summer 2007 |
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| “Is everything history?”: Churchill, Barker and the Modern History Play view abstract |
Brean S. Hammond | Volume 41.1 Spring 2007 |
| Anti-Semitism, Surrogacy, and the Invocation of Mohammed in thePlay of the Sacrament view abstract |
Michael Mark Chemers | Volume 41.1 Spring 2007 |
| ‘My condicion in mannes soule to kill’—Everyman’s Mercantile Salvation view abstract |
Roger A. Ladd | Volume 41.1 Spring 2007 |
| Shakespeare’s Julius Caesar, Erasmus’ De Copia, and Sentential Ambiguity view abstract |
Jeffrey J. Yu | Volume 41.1 Spring 2007 |
| ________________________________________________________________________________ | ||
| The “Female Martinet”: Mrs. Harper, Gender, and Civic Virtue on the Early Republican Stage view abstract |
Jason Shaffer | Volume 40.4 Winter 2006-07 |
| Suffering Silences, Woeful Afflictions: Physical Disability, Melodrama, and the American Charity Movement view abstract |
Sheila Moeschen | Volume 40.4 Winter 2006-07 |
| Edwin Forrest’s Redding Up: Elocution, Theater, and the Performance of the Frontier view abstract |
Matthew Rebhorn | Volume 40.4 Winter 2006-07 |
| Opposing Forces: (Re)Playing Pocahontas and the Politics of Indian Removal on the Antebellum Stage view abstract |
Rebecca Jaroff | Volume 40.4 Winter 2006-07 |
| The Bride Wielded a Razor: Images of Women on the Blackface Stage of James McIntyre and Thomas Heath view abstract |
Leslie Pasternack | Volume 40.4 Winter 2006-07 |
| ________________________________________________________________________________ | ||
| Material Economy, Spiritual Economy, and Social Critique in Everyman view abstract |
Elizabeth Harper and Britt Mize |
Volume 40.3 Fall 2006 |
| ‘Things like truths, well feigned’: Mimesis and Secrecy in Jonson’s Epicoene view abstract |
Reuben Sanchez | Volume 40.3 Fall 2006 |
| The Death of Representation and the Representation of Death: Ionesco, Beckett, and Stoppard view abstract |
Zoran Milutinović | Volume 40.3 Fall 2006 |
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| Talking with Ghosts of Irish Playwrights Past: Marina Carr's By the Bog of Cats… view abstract |
Richard Russell | Volume 40.2 Summer 2006 |
| Edmund Eyre's The Maid of Normandy; or, Charlotte Corday in Anglo-Irish Docudrama view abstract |
Wendy C. Nielsen | Volume 40.2 Summer 2006 |
| Serving Don Juan: Decorum in Tirso de Molina and Molière view abstract |
Robert Bayliss | Volume 40.2 Summer 2006 |
| Money Changes Everything: Quarto and Folio The Merry Wives of Windsor and the Case for Revision view abstract |
Peter Grav | Volume 40.2 Summer 2006 |
| ________________________________________________________________________________ | ||
| Intertextualizing Polyphemus: Politics and Ideology in Walcott’s Odyssey view abstract |
Zina Giannopoulou | Volume 40.1 Spring 2006 |
| The Common Good and the Necessity of War: Emergent Republican Ideals in Shakespeare's Henry V and Coriolanus view abstract |
Rita Banerjee | Volume 40.1 Spring 2006 |
| Staging Act Five of Schiller’s Wilhelm Tell view abstract |
Timothy Richard Wutrich | Volume 40.1 Spring 2006 |
| The Emotional Theater of Milton’s Paradise Lost view abstract |
Elizabeth Bradburn | Volume 40.1 Spring 2006 |
| Marriage in Late Medieval German Easter and Shrovetide Plays view abstract |
Albrecht Classen | Volume 40.1 Spring 2006 |
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| The Weeping Mother in Sumidagawa, Curlew River, and Medieval European Religious Plays view abstract |
Mikiko Ishii | Volume 39.3/4 Fall/Winter 2005-06 |
| Medieval Korean Drama: The Pongsan Mask Dance view abstract |
Dongchoon Lee | Volume 39.3/4 Fall/Winter 2005-06 |
| (Re)cycling Culture: The Development of Chinese Opera in the United States view abstract |
Cecilia Pang | Volume 39.3/4 Fall/Winter 2005-06 |
| Japanese Noh and Kyôgen Plays: Staging Dichotomy view abstract |
Zvika Serper | Volume 39.3/4 Fall/Winter 2005-06 |
| The Performance of Yuan Drama: A Study of Stage Directions view abstract |
Min Tian | Volume 39.3/4 Fall/Winter 2005-06 |
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| The Play of the Surface: Theater and The Turn of the Screw view abstract |
Frances Babbage | Volume 39.2 Summer 2005 |
| "Look on this picture, and on this": Framing Shakespeare in William Wells Brown's The Escape read first paragraph |
Keith M. Botelho | Volume 39.2 Summer 2005 |
| Playing for Time (and Playing with Time) in Tom Stoppard's Arcadia read first paragraph |
Enoch Brater | Volume 39.2 Summer 2005 |
| Marlowe's Texts and Oral Transmissions: Towards the Zielform read first paragraph |
Thomas Pettitt | Volume 39.2 Summer 2005 |
| The Sacrilization of Revenge in Antonio's Revenge read first paragraph |
Phoebe S. Spinrad | Volume 39.2 Summer 2005 |
| ________________________________________________________________________________ | ||
| Jonson’s Volpone and Dante view 1st paragraph |
Christopher Baker | and Richard Harp |
Volume 39.1 Spring 2005 |
| Thomas Heywood’s The Royall King, and the Loyall Subject and the Fall of Robert Devereux, 2nd Earl of Essex view abstract |
Kevin Lindberg | Volume 39.1 Spring 2005 |
| “Bodied Forth”: Spectator, Stage, and Actor in the Early Modern Theater view abstract |
Jennifer Low | Volume 39.1 Spring 2005 |
| "In Better Places": Space, Identity, and Alienation in Sarah Kane's Blasted read first paragraph |
Christopher Wixson | Volume 39.1 Spring 2005 |
| ________________________________________________________________________________ | ||
| Joan of Arc Internationale: Shaw, Brecht, and the Law of Nations view abstract |
Julie Stone Peters | Volume 38.4 Winter 2004-05 |
| Shakespeare, Molly House Culture, and the Eighteenth-Century Stage view abstract |
Charles Conaway | Volume 38.4 Winter 2004-05 |
| “Forward Backward” Time and the Apocalypse in Hamlet view 1st paragraph |
Maurice Hunt | Volume 38.4 Winter 2004-05 |
| Interrogating the Devil: Social and Demonic Pressure in The Witch of Edmonton read first paragraph |
David Nicol | Volume 38.4 Winter 2004-05 |
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| Anti-Colonist Discourse, Tragicomedy, and the “American” Behn view 1st paragraph |
Adam R. Beach | Volume 38.2/3 Summer/Fall 2004 |
| Meanings of All for Love, 1677-1813 read first paragraph |
Tanya Caldwell | Volume 38.2/3 Summer/Fall 2004 |
| An American in Ireland: The Representation of the American in Brian Friel’s Plays view abstract |
Maria Germanou | Volume 38.2/3 Summer/Fall 2004 |
| Memory, Composition and the Relationship of King John to The Troublesome Raigne of King John view abstract |
Beatrice Groves | Volume 38.2/3 Summer/Fall 2004 |
| Serious Money Becomes "Business by Other Means": Caryl Churchill's Metatheatrical Subject read first paragraph |
Daniel Jernigan | Volume 38.2/3 Summer/Fall 2004 |
| Magic Mirrors in Richard II view 1st paragraph |
Robert M. Schuler | Volume 38.2/3 Summer/Fall 2004 |
| Politesse and the Woman at Risk: the Social Comedies of Marie-Thérèse De Camp view abstract |
Adrienne Scullion | Volume 38.2/3 Summer/Fall 2004 |
| ________________________________________________________________________________ | ||
| Disorder in the House of God: Disrupted Worship in Shakespeare and Others read first paragraph |
Bruce Boehrer | Volume 38.1 Spring 2004 |
| Unpardonable Sins: The Hazards of Performative Language in the Tragic Cases of Francesco Spiera and Doctor Faustus view abstract |
Daniel Gate | Volume 38.1 Spring 2004 |
| The Dilemma of Naturalistic Tragedy: Strindberg's Miss Julie read first paragraph |
Göran Stockenström | Volume 38.1 Spring 2004 |
| Jews in the Fleury Playbook read first paragraph |
Theresa Tinkle | Volume 38.1 Spring 2004 |
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| The Tyrone Anthology: Authority in the Last Act of Long Day’s Journey into Night view abstract |
Lawrence Dugan | Volume 37.3/4 Fall/Winter 2003-04 |
| Nonverbal Theatrical Elements in Ntozake Shange's for colored girls…and Intissar Abdel-Fatah's Makhadet El-Kohl (The Kohl Pillow) view first paragraph |
Dalia El-Shayal | Volume 37.3/4 Fall/Winter 2003-04 |
| Extending the Breaks: Fires in the Mirror in the Context of Hip-Hop Structure, Style, and Culture view first paragraph |
Steve Feffer | Volume 37.3/4 Fall/Winter 2003-04 |
| Menaechmi and the Renaissance of Comedy view abstract |
Richard F. Hardin | Volume 37.3/4 Fall/Winter 2003-04 |
| Blackened Faces and a Veiled Woman: The Early Korcula Moreška view abstract |
Max Harris and Lada Čale Feldman |
Volume 37.3/4 Fall/Winter 2003-04 |
| Chavittunātakam: Music-Drama in Kerala view first paragraph |
Joly Puthussery | Volume 37.3/4 Fall/Winter 2003-04 |
| Chinese Noh and Japanese Noh: Nuo's Role in the Origination and Formation of Noh view abstract |
Min Tian | Volume 37.3/4 Fall/Winter 2003-04 |
| The Lost Playing Places of Lincolnshire view abstract |
James Stokes | Volume 37.3/4 Fall/Winter 2003-04 |
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| The Globalization of Beckett’s Godot view 1st paragraph |
Enoch Brater | Volume 37.2 Summer 2003 |
| Borrowings and the Authorial Domain: Gostanzo, Polonius, and Marston’s Gonzago view abstract |
Charles Cathcart | Volume 37.2 Summer 2003 |
| But owthir in frith or felde: The Rural in the York Cycle view 1st paragraph |
Chester Scoville | Volume 37.2 Summer 2003 |
| The Politics of Adapting Behn's Oroonoko view first paragraph |
Ann F. Widmayer | Volume 37.2 Summer 2003 |
| ________________________________________________________________________________ | ||
| Goodnight Desdemona (Good Morning Juliet): From Shakespearean Tragedy to Postmodern Satyr Play view 1st paragraph |
Igor Djordjevic | Volume 37.1 Spring 2003 |
| "Together Again": Theater in Postcolonial Hong Kong read first paragraph |
Clayton G. MacKenzie and Moira Arthurs |
Volume 37.1 Spring 2003 |
| The Trope of Transformation in Medea: A Noh Cycle view abstract |
Loren Edelson | Volume 37.1 Spring 2003 |
| Mocking Dead Bones: Historical Memory and the Theater of the Dead in Richard III view 1st paragraph |
Stephen Marche | Volume 37.1 Spring 2003 |
| Tom Stoppard and "Postmodern Science": Normalizing Radical Epistemologies in Hapgood and Arcadia view 1st paragraph |
Daniel Jernigan | Volume 37.1 Spring 2003 |
| ________________________________________________________________________________ | ||
| The Islamization of Spain in William Rowley and Mary Pix: The Politics of Nation and Gender view abstract |
Pilar Cuder Domínguez | Volume 36.3/4 Fall/Winter 2002-03 |
| As imaginem suam: Regional Chant Variants and the Origins of the Jeu d'Adam view first paragraph |
Charles T. Downey | Volume 36.3/4 Fall/Winter 2002-03 |
| Lydgate's Mummings and the Aristocratic Resistance to Drama view first paragraph |
Robert Epstein | Volume 36.3/4 Fall/Winter 2002-03 |
| Political Allegory in Late Elizabethan and Early Jacobean "Turk" Plays: Lust's Dominion and The Turke view abstract |
Clair Jowitt | Volume 36.3/4 Fall/Winter 2002-03 |
| Lessons in “Hopping”: The Dance of Death and the Chester Mystery Cycle view abstract |
Sophie Oosterwijk | Volume 36.3/4 Fall/Winter 2002-03 |
| Performing Marriage with a Difference: Wooing, Wedding, and Bedding in The Taming of the Shrew view first paragraph |
Amy L. Smith | Volume 36.3/4 Fall/Winter 2002-03 |
| Cancer and the Common Woman in Margaret Edson's W;t view first paragraph |
Jacqueline Vanhoutte | Volume 36.3/4 Fall/Winter 2002-03 |
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| Writing and Revenge: John Marston’s Histriomastix view abstract |
James P. Bednarz | Volume 36.1/2 Spring/Summer 2002 |
| The Arlecchino and Three English Tinkers read first paragraph |
Nina DaVinci Nichols | Volume 36.1/2 Spring/Summer 2002 |
| Maturation and Political Upheaval in Lloyd Fernando’s Scorpion Orchid and Robert Yeo’s The Singapore Trilogy view 1st paragraph |
Catherine Diamond | Volume 36.1/2 Spring/Summer 2002 |
| Laughter in Medieval English Drama: A Critique of Modernizing and Historical Analyses read first paragraph |
Hans-Jürgen Diller | Volume 36.1/2 Spring/Summer 2002 |
| O’Neill and the Wobblies: The IWW as a Model for Failure in The Iceman Cometh view abstract |
Lawrence Dugan | Volume 36.1/2 Spring/Summer 2002 |
| Sights Unseen: Withholding Information in the Plays of Thomas Bernhard view abstract |
William E. Gruber | Volume 36.1/2 Spring/Summer 2002 |
| Soft Touch: On the Renaissance Staging and Meaning of the ‘Noli me tangere’ Icon view abstract |
Cynthia Lewis | Volume 36.1/2 Spring/Summer 2002 |
| Tragedy and Timon of Athens view abstract |
Robert B. Pierce | Volume 36.1/2 Spring/Summer 2002 |
| Rubin and Mercator: Grotesque Comedy in the German Easter Play read first paragraph |
Martin W. Walsh | Volume 36.1/2 Spring/Summer 2002 |
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| Self-Discovery in Montaigne’s “Of Solitariness” and King Lear view 1st paragraph |
Philip D. Collington | Volume 35.3/4 Fall/Winter 2001-02 |
| Brokering Glory for the Chinese Nation: Peking Opera's 1930 American Tour view abstract |
Nancy Guy | Volume 35.3/4 Fall/Winter 2001-02 |
| Hedda and Bailu: Portraits of Two “Bored” Women view 1st paragraph |
Chengzhou He | Volume 35.3/4 Fall/Winter 2001-02 |
| O’Neill and Jamie: A Survivor’s Tale view 1st paragraph |
Michael Hinden | Volume 35.3/4 Fall/Winter 2001-02 |
| Shakespeare's "Books of Memory": 1 and 2 Henry VI read first paragraph |
Jerome Mazzaro | Volume 35.3/4 Fall/Winter 2001-02 |
| Mapping Jouissance: Insights from a Case Study in the Schizophrenia of Canadian Drama read 1st paragraph |
Gregory J. Reid | Volume 35.3/4 Fall/Winter 2001-02 |
| Situating the Holy: Celtic Community in Breton and Cornish Saint Plays read first paragraph |
Victor I. Scherb | Volume 35.3/4 Fall/Winter 2001-02 |
| "Between Two Worlds": The Dybbuk and the Japanese Noh and Kabuki Ghost Plays read first paragraph |
Zvika Serper | Volume 35.3/4 Fall/Winter 2001-02 |
| Theatricality and Cosmopolitanism in Hannah Cowley's The Belle's Stratagem read first paragraph |
Elizabeth Kowaleski Wallace | Volume 35.3/4 Fall/Winter 2001-02 |
| The Boy Who Would Be King: Court Revels of King Edward VI, 1547–1553 view 1st paragraph |
Suzanne Westfall | Volume 35.3/4 Fall/Winter 2001-02 |
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| Staging Disorder: Charivari in the N-Town Cycle read first paragraph |
Richard J. Moll | Volume 35.2 Summer 2001 |
| Amphitheater Staging: In-the-Round or to the Front (and What About Asides)? view abstract |
Richard Fotheringham | Volume 35.2 Summer 2001 |
| Shakespeare's Edward III: A Consolation for English Recusants read first paragraph |
J. P. Conlan | Volume 35.2 Summer 2001 |
| Judeo-Christian Apocalyptic Literature and John Crowne's The Destruction of Jerusalem read first paragraph |
John B. Rollins | Volume 35.2 Summer 2001 |
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| Flattery in Shakespeare’s Othello: The Relevance of Plutarch and Sir Thomas Elyot view first paragraph |
Robert C. Evans | Volume 35.1 Spring 2001 |
| Intercession, Detraction, and Just Judgment in Othello view 1st paragraph |
R. Chris Hassel, Jr. | Volume 35.1 Spring 2001 |
| Emblems of Folly in the First Othello: Renaissance Blackface, Moor's Coat, and "Muckender" view abstract |
Roger Hornback | Volume 35.1 Spring 2001 |
| "Othello/me": Racial Drag and the Pleasures of Boundry-Crossing with Othello view 1st paragraph |
Elise Marks | Volume 35.1 Spring 2001 |
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| “I would faine serve”: John Lyly's Career at Court view abstract |
Derek B. Alwes | Volume 34.4 Winter 2000-01 |
| "Look not big, nor stamp, nor stare": Acting Up in The Taming of the Shrew and the Coventry Herod Plays view first paragraph |
Jonathan Gil Harris | Volume 34.4 Winter 2000-01 |
| A Speculative Political Allegory in A Midsummer Night’s Dream view 1st paragraph |
Maurice Hunt | Volume 34.4 Winter 2000-01 |
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| London and the Problem of the Clerkenwell Plays view abstract |
Lawrence M. Clopper | Volume 34.3 Fall 2000 |
| Temporizing as Pyrrhonizing in Marston's The Malcontent view first paragraph |
William M. Hamlin | Volume 34.3 Fall 2000 |
| “Those Proud Titles Thou Hast Won”: Sovereignty, Power, and Combat in Shakespeare’s Second Tetralogy view abstract |
Jennifer Low | Volume 34.3 Fall 2000 |
| ”My Naked Weapon”: Male Anxiety and the Violent Courtship of the Jacobean Stage Widow view abstract |
Jennifer Panek | Volume 34.3 Fall 2000 |
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| Out of Ireland: Revisionist Strategies in Beckett’s Drama view first paragraph |
Laura Barge | Volume 34.2 Summer 2000 |
| Bandello’s “Timbreo and Fenicia” and The Winter’s Tale view 1st paragraph |
Thomas E. Mussio | Volume 34.2 Summer 2000 |
| Absorbing Interests: Kyd's Bloody Handkerchief as Palimpsest view abstract |
Andrew Sofer | Volume 34.2 Summer 2000 |
| The Urner Tellenspiel of 1512: Strategies of Early Political Drama view 1st paragraph |
Martin W. Walsh | Volume 34.2 Summer 2000 |
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| Backbiter and the Rhetoric of Detraction view 1st paragraph |
Douglas W. Hayes | Volume 34.1 Spring 2000 |
| How Music Matters: Some Songs of Robert Johnson in the Plays of Beaumont and Fletcher view abstract |
Catherine A. Henze | Volume 34.1 Spring 2000 |
| Race and the Yankee: Woodworth's The Forest Rose read first paragraph |
Jeffrey H. Richards | Volume 34.1 Spring 2000 |
| Marlowe’s Travesty of Virgil: Dido and Elizabethan Dreams read first paragraph |
Donald Stump | Volume 34.1 Spring 2000 |
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